Ernest Walbourn

Victorian Landscape Oil Painting Village Scene with Girl Feeding Ducks Framed

19th century

Victorian Male Realistic Portrait Oil Painting of Cavalier in Period Costume. Signed Oil Painting on Canvas, on stretchers and Framed in period Frame. A humorous and beautifully pai...

Victorian Figurative Oil Painting of a Young Lady Lacemaker in a Cottage Interior. Oil on Canvas laid on artists board and Framed in its original Gilt Frame. William H Weatherhead 1...

Victorian Landscape Beach Scene Oil Painting of Mother, Child and Dog on the Beach. A beautiful and tender scene of a Mother with her young child and pet Dog playing gently by the Sea. A true gem of the Victorian era where the motif of family was strongly portrayed and romanticised. Frederick Thomas Charles Underhill British 1832 - 1896 London painter of genre, coastal scenes and biblical subjects. Born in Birmingham. Exhibited from 1851-75, at the RA between 1852-67. Titles at the RA including 'Sea Coast, 1852, 'The Gypsy Mother', 1855 and 'Hagar and Ishmael...

Victorian Hunting Shooting Landscape Scene, Large Oil Painting depicting a Rifleman and his Hunting Dogs, gun cocked to shoot. This is a large Oil Painting on Canvas, it came from ...

Georgina Lara British, (fl. 1862-1871) A Busy Village Oil on canvas Image size: 11.75 inches x 19.25 inches Size including frame: 16.25 inches x 24.25 inches Provenance: Cooling Galleries, Bond Street, London A pleasing village scene featuring figures, horse and other animals in a village square. To the left, a team of horses with a hay cart can be seen resting whilst a group of people chat outside a village store. In the foreground a group of children play marbles by a dog as two women chat by a log. Meanwhile, a horse and cart is shown entering the village alongside a barn. Georgina Lara also known as Edwina Lara was a London painter of rustic farmyard and village scenes. Her work also closely resembles that of Edward Masters...

Hermann Armin Kern Hungarian (1839-1912) The Blacksmith Oil on canvas, signed & dated 1898, with wax seal to reverse Image size: 16 inches x 20.25 inches Size including frame: 23.5 ...

This idyllic late 19th-century oil painting by English artist Edward William Cooke RA (1811-1880) depicts a west-country cove with two cottages, donkeys, figures, and fishing boats. Cooke was a highly renowned painter of marine scenes and landscapes who exhibited extensively at London’s Royal Academy. From our elevated vantage point, the view extends between two quaint cottages and across the beach before sweeping around the sandy coastline. Crystalline waters lap the shore, where moored craft rest. It’s an accomplished rendering of a challenging composition. It’s enhanced by trees, which essentially ‘frame’ the right side, while a wooded track provides interest on the left. Cooke was a keen admirer of the Dutch old masters, and the spirit of the Golden Age underpins this splendid work. In diaries, he recorded how he travelled by donkey to access elevated spots in the southwest, so it’s conceivable that he did so here. In his catalogue raisonné, it lists a work from the same year titled ‘Bay with Donkeys’. Born in Pentonville, London, Cooke was raised in the company of accomplished artists as both his father, George Cooke (1781-1834), and his uncle, William Bernard Cooke (1778-1855), were engravers. As such, they were associated with a circle of Victorian painters who aided Cooke’s early development. These included the highly regarded marine painter Clarkson Frederick Stanfield RA RBA (1793-1867), who provided frequent advice and inspiration. Indeed, as a teenager, Cooke produced numerous drawings after Stanfield’s works. A precocious talent, by the age of nine, he was already displaying an advanced understanding of engraving, particularly for ships, coupled with a natural, seemingly in-built skill as a draughtsman. Many of his early drawings depict pastoral landscapes after the masters, such as Nicolaes Berchem (1620-1683), Paulus Potter (1625-1654), and Karel Dujardin (1626-1678). In an extraordinary turn of events, in 1820, his advanced abilities led to his first commission when he provided botanical illustrations for John Loudon's 'Encyclopaedia of Plants’. These were followed by drawings published in the 'Botanical Cabinet...

This interesting British 19th century coastal landscape oil painting is by noted Suffolk School artist Edward Robert Smythe. Painted circa 1850 it is a busy coastal landscape with fi...