Fabian Lundqvist

Vintage Mid-Century Swedish Figurative Oil Painting, Fabian Lundqvist-White Town

CITY TOUR Size: 64.5 x 56 cm (including frame) Oil on Canvas A lively and energetic city street scene composition, executed in oil onto canvas and dated 1998 by Swedish artist Uno V...

EVENING REFLECTIONS Oil on board Size: 46 x 56 cm (including frame) A mid-century modernist composition that captures a serene moment of contemplation set in a tranquil landscape se...

DRIFT AND THOUGHT Size: 35 x 44 cm (including frame) Oil on board A mid-century modernist painting that presents a tranquil seaside scene, executed in oil onto board. The painting ...

PEDESTRIANS Size: 35 x 30 cm (including frame) Oil on board A small yet very impactful modernist street scene composition, executed in oil onto board. This composition presents a b...

This painting is illustrated in the Catalogue of the 1945 Encyclopedia Britannica Collection of Contemporary American Painting, p.84. Written and edited by Grace Pagano. "Painting ...

Choosing to acquire a Swedish mid-20th-century modern Impressionist landscape by Helge Cardell is an opportunity to bring a harmonious blend of artistic innovation and natural beauty...

Jim’s of Lambertville is proud to offer this artwork. Signed lower middle. Artist designed frame. Joseph Barrett (b. 1936) Joseph Barrett was born in Midland, North Carolina, in ...

This work epitomizes Prestopino's interest in social realism which captures a quiet interlude in the everyday life of an "everyman." It also provides a contrast for our expectations as we view a tough, blue collar worker, with no one watching, as he sings a melody to the birds. In an original frame measuring 49" x 39" x 3.25" Provenance: Edith Halpert's Downtown Gallery (label verso from 13 w. 113th street, where the gallery was located from 1926 until 1939) Private collection, NYC, c. 1935 By descent About this artist: Born in Little Italy in 1907, Gregorio Prestopino first set out to become a sign painter as the son of New York City immigrants. Instead, his talent provided a life-changing scholarship to the National Academy of Design, and for five years he studied drawing under C. W. Hawthorne. He spent the summer of 1934 at the MacDowell Colony in Peterborough, New Hampshire. His deep involvement with the colony led him to later serve as its director in 1954. Much of Prestopino’s work was in the vein of social realism. During the 1940s and 1950s he became deeply invested in portraying everyday Manhattan and Harlem scenes. He first became interested in the Ashcan school at the National Academy of Design, and remained committed to an interest in working with urban scenes. His lively treatment of people and events revealed his affinity for sixteenth-century artist Pieter Breughel...