George Hand Wright

Figure in the Forest

Story illustration for “Confession” by Margret G. Trotter for The Saturday Evening Post, published March 20, 1948, page 26. The full caption reads: “He was saying hoarsely, ‘Here’s...

Signed Lower Left by Artist Illustration for 'The Lone Trail'

Story illustration for “The Black Hunter” by James Oliver Curwood for Cosmopolitan, published November 1925, pages 84-85. Set against the backdrop of 1754 Quebec, amidst the escalat...

Medium: Gouache on Illustration Board Signature: Signed Lower Left Sight Size 22.00" x 30.00" Framed 33" x 41 1/2" Excellent condition Original use: Bookplate for Tennyson's A Dream of Fair Women A macabre and dark highly inventive large format gouache illustration painting by Harrison Fisher used as a full color book plate in the 1907 edition of "A Dream of Fair Women" by Lord Alfred Tennyson...

Henry Prellwitz Into the Woods Oil on board 11 1/2 x 8 3/4 inches Henry Prellwitz studied art at the Art Students League of New York, where his chief mentor was Thomas Wilmer Dewing; he later became its director.[3] He also studied at the Académie Julian in Paris. In 1892, he set up his studio in the Holbein Studios building on West 55th Street in Manhattan, where his future wife, the artist Edith Mitchill, also had a studio. They married in 1894 and had a son, Edwin. By the mid 1890s, he was teaching portrait painting at the Pratt Institute, where one of his students was the Cubist artist Max Weber. In 1899, Henry and Edith moved to the north shore of Peconic Bay on Long Island, where their artist friends Irving Ramsay Wiles and Edward August Bell were already established. They painted plein air paintings and also worked in adjoining studios at High House, their Peconic Bay home. Prellwitz painted Impressionist and Tonalist waterscapes of Peconic Bay and allegorical figure paintings such as the 1904 Lotus and Laurel. He exhibited mainly on the east coast and at expositions like the St. Louis World's Fair, where he won a silver medal. He won the Third Hallgarten Prize from the National Academy of Design (NAD) in 1893 for The Prodigal Son, and his Venus won the Thomas B. Clarke Prize at the 1907 NAD exhibition for the best figure composition by an American citizen painted in the United States. Both Prellwitzes disappeared into obscurity for several decades after their deaths in the early 1940s. Rediscovered in the 1980s, they have been called one of the best-kept secrets in art...

Bert Geer Phillips (1868-1956) Original Oil On Board In good condition Measures 22x17 International buyers most cover shipping cost

A charming forest scene painted in an impressionist style. Signed in the lower right. Presented in a swept wooden composition frame. On board.

Original French Artwork signed initials by Robert Ladou (French 1929-2014) original watercolour painting on artist paper, framed overall size: 11.5 x 16inches size: 7 x 10.5 inches...