Gobardhan Ash

Untitled, Figurative, Gouache on Paper by Gobardhan Ash "In Stock"

1999

Gobardhan Ash - Untitled Gouache on Paper 14.75 x 9.5 inches ( Framed & Delivered ) In this hauntingly expressive piece, Gobardhan Ash captures ghostly human forms through a subdued...

Gobardhan Ash - Untitled Gouache on Paper 13.25 x 7.5 inches ( Framed & Delivered ) In this evocative composition, Gobardhan Ash masterfully blends abstraction with suggestion, usin...

Anita Roy Chowdhury - Untitled Mixed Media on Paper 11 x 15 inches, 2006 (Unframed & Delivered) Style : Her works manifest human figures, nude or draped in different poses and postu...

Gobardhan Ash - Untitled - Gouache on Paper 10 x 15 inches (unframed size) Style : Regarded as a pioneer of modern Indian art, Ash’s contribution at the time when India witnessed the advent of Western modernism is significant and colossal. His work was exploratory, visionary and inspiring. He printed with bold courage and a free spirit, never yielding to the rules set by official art. He rejected the preconceived notions of how an artist ought to render his subjects and inevitably rebelled against the academic rules “ If we look at nature in the open, we do not see individual objects each with its own colors but rather a bright medley of tints which blend in our eyes, in our minds.” – Gobardhan Ash (The Statesman, April 24, 1994). His verbal imagery alluded to what was real and relevant in India yet transcended to communicate a deeper, universal message about the human spirit. Disillusioned with the limits and constraints he faced, Ash withdrew into his private introspective world to explore his own mode of artistic expression. And although it was the convention then to paint divinities or exotic female figures on their way to the temple, Ash embarked on a new approach altogether to paint farmers toiling in the fields, workers engaged in intense labor to earn their living, thereby setting a new trend of socio-realistic art in India. In 1945, Ash was brought into the public eye when the progressive writers Association discovered his series of paintings on the Bengal famine. The paintings depict, if not document, the ravages of the 1943 catastrophe. In juxtaposition to the famine series, his impressionist and post impressionist gouaches during the late 40s come as an interesting antithesis. Colors, rich and vibrant, come alive in a pulsating tone to dominate the entire painting. Ash never subscribed to a stringent artistic form or technique. Rather, his works from the 80s display yet another intriguing and jarringly different style in his treatment of portraiture. His colors, with the exception of the apparent outlines, are reduced to smudges and smears so that the painting appear to originate from stained canvas. His subjects, spectral figures that engage and draw us within their profound state of despair and helplessness. To characterize the life works of Gobardhan Ash is to recognize the complexity and spontaneity of his ideas and the enormous richness of his style. An artist who devoted his entire life to art, his paintings have transited and evolved from monochromatic sketches and landscape to portraiture; from naturalistic real-life depictions to abstract expressionism. Whatever the genre style-Ash has demonstrated an eloquent mastery over the diverse style, techniques and medias employed, as evident in the vast retrospective collection. His paintings are conceptual and purposeful, displaying a unique individuality. His art expounds a frank desire to convey the value of uncompromising artistic sincerity. Gobardhan Ash remains today a prolific artist of his time. About the Artist & his works : Born : Regarded as a pioneer of modern Indian art, Gobardhan Ash (1907-1996) was born at the village of Begampur in Hoogly district of West Bengal.. Family : His father was Haricharan Ash and mother Gouri Devi. He spent all his life in this village and died here in 1996 at the matured age...

This painting on paper is a playful, yet elegant depiction of a personal mantra of Bhatt’s in which she concedes, “life is a circus.” Amita Bhatt received her BFA from the Maharaja Sayajirao University, Vadodara, India and her MFA from the Maryland Institute College of Art, Baltimore, Maryland. Bhatt’s work has been exhibited at noteworthy venues such as the Bluestar Contemporary Art Center, Walters Art Museum, The Station Museum of Contemporary Art, and The Project Row Houses, all in the United States as well as Museo Pedro de Osma in Peru. She has also been the recipient of several prestigious awards and recently served as a Grant Panelist on the National Endowment for the Arts. Her works are included in many important private and public collections. Bhatt digs deep into world philosophies and mythologies to answer questions pertaining to our political as well as personal belief systems. Unafraid to explore uncomfortable territories, the artist mines from a range of sources to create hybrid creatures that are often symbolic of man’s psychological condition in an angst-ridden zeitgeist. In exploring issues of identity and violence, Bhatt’s research led her to the beginnings of mankind. Most ancient creation...

This minimalist oil painting on paper is part of a series, which references a mantra of Bhatt’s, “life is a circus.” Floating in space, the characters portrayed in this work play out their roles, while remaining unaware of the full scope of their surroundings. Amita Bhatt...

"India II" Figurative Oil Painting 16" x 20" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood an...

Figures is an original modern drawing in watercolor on paper realized by an Anonymous artist of the mid-20th Century. Very good conditions. The artwork represents two colorful figu...