Gonzalo García

"La mesa fordista I" hands, beige, surreal

2024

Gonzalo García’s work explores the influence of Western culture and European painting on Mexican art, focusing on 17th- and 18th-century still lifes, Flemish Baroque bodegones, and more recently, 15th-century medieval painting. He reimagines symbolic elements, textiles, and furniture from these styles within his own queer perspective, creating pastel-toned works that contrast historical aesthetics with his personal experiences as a contemporary queer artist. In recent years, García has developed a project examining the dialogue between 1970s Mexican cinema and contemporary painting. Drawing on films as cultural records, he uses them to reflect on memory and the societal concerns of their time. His series Cachorros intertwines two sources: Alfredo González...

Gonzalo García’s work explores the influence of Western culture and European painting on Mexican art, focusing on 17th- and 18th-century still lifes, Flemish Baroque bodegones, and more recently, 15th-century medieval painting. He reimagines symbolic elements, textiles, and furniture from these styles within his own queer perspective, creating pastel-toned works that contrast historical aesthetics with his personal experiences as a contemporary queer artist. In recent years, García has developed a project examining the dialogue between 1970s Mexican cinema and contemporary painting. Drawing on films as cultural records, he uses them to reflect on memory and the societal concerns of their time. His series Cachorros intertwines two sources: Alfredo González...

Enveloped by outstretched paintings, Gonzalo García reveals the ever-present ghosts of our past and present in a delicate swirl of color, light, and flesh. These deeply visceral disp...

Enveloped by outstretched paintings, Gonzalo García reveals the ever-present ghosts of our past and present in a delicate swirl of color, light, and flesh. These deeply visceral disp...

Figurative surrealist oil painting by Cuban artist Douglas Perez Castro. This painting depicts a scene with several figures with matches as heads ...

Antonio Segui 38 x 46 cm Distraido Oil on Canvas Signed and Dated on the back Antonio Segui Biography Born in Córdoba, Argentina in 1934, Antonio Seguí currently lives and works in Paris. He studied at the San Fernando Academy in Madrid, Spain as well as the Ecole des Beaux-Arts in Paris, France. His first solo exhibition was in Argentina at age 23. Antonio Seguí is one of the most internationally renowned Argentinian artists. He began his artistic endeavors at a young age after leaving Argentina to travel the world and study art. His journeys through Latin America, Europe and Africa exposed him to new ideas and encouraged his culturally diverse approach to art. Influenced by artists like Fernand Leger and Diego Rivera, Seguí’s work is generally satirical, critiquing society and human nature. In a pre-computer age, the artist created a vocabulary that is now being explored by a new generation of artists through comics and Manga, yet his visual language and social commentaries remain poignant, both symbolically and literally. Throughout his career, Seguí has developed a fascination for urban life, creating in his work the idea of the “everyman.” The city movement, the fast pace at which life happens and the people who live in these urban spaces are some of the elements that constitute the world depicted in his paintings. It is a prototypical realm inhabited by speedy automatons that take immutable routes leading nowhere. Up close, each figure is an individual, walking down dark alleys, pointing, waving and emerging from potholes. But from a distance, the individuals morph into complex patterns swallowed up in a labyrinth of buildings and cookie-cutter trees. Utilizing cubist techniques, Seguí’s repeated elements give shape to the cities causing planes to vibrate between line and color. Numerous perspectives unfold with each vibration and reflect the many angles of life of the urban man. Always in action, the little figures trample, tip-toe, dodge and advance through Seguí’s imaginary metropolis of life. His work is representated on a series of narratives and criticisms reflected on paintings that show many little men, dressed in 20's style clothes. He uses his own recourse based on comic strip characters, texts, arrows and various signs, juxtaposed onto the figures that resemble comic strip style language. Seguí’s work is collected and exhibited worldwide in places such as the MoMA, New York; Art Museum of the Americas, Washington, D.C.; Frissiras Museum, Athens, Greece; Museo de Arte Moderno de Buenos Aires, Argentina; Museum der Moderne Salzburg, Austria; Museum of Modern Art Dubrovnik, Croatia; and Museo Tamayo, Mexico City, Mexico. The Musée National d´Art Moderne, Paris organized a retrospective of his works on paper in 2005. A monograph on the artist by Daniel Abadie was published in 2010 by Hazan. Antonio Segui Resumé 1995 Art Miami '95, USA. S. Zannettacci, Geneva, Switzerland Marwan Hoss, Paris, France Gallerie du Cirque Divers, Belgium Le Moulin du Roc, France Fundacao C. Gulbenkaian, Portugal Gallerie J. Rubeiz, Beirut, Liban 1994 F. Santos, Portugal E. Franck Gallery, Belgium 1993 Galleria San Carlo, Milan, Italy Galería I. Vega, Puerto Rico Winance-Sabbe, Belgium FIAC, Paris, France 1992 Casa Rosada, Buenos Aires, Argentina Espace Julio Gonzales...

Painting: Oil and Palladium on Canvas

Belongs to my "human behaviour series" .Inspired by the dramatics artworks of Francisco Goya. :: Painting :: Surrealism :: This piece comes with an offi...