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Grégoire Mathias"Mâtinée à l'atelier" by Grégoire Mathias – Diachronic Cubism Acrylic Painting
About the Item
Mâtinée à l'atelier
40 x 32 cm
Acrylic on Canvas
"Mâtinée à l'atelier" offers a vibrant and dynamic depiction of a morning spent in the artist’s studio. Exemplifying the unique Diachronic Cubism style, this piece captures multiple moments and elements within the workspace, layering time and space into a cohesive composition.
The bold use of reds, blues, yellows, and earthy tones contrasts with geometric abstractions and organic forms, drawing the viewer into the rhythm and energy of the creative process. This painting is not only a visual exploration of the studio’s mood but also a celebration of artistic spontaneity and innovation.
Perfect for:
Collectors who appreciate modern cubist interpretations of everyday moments. Ideal for contemporary spaces or curated collections that celebrate the intersection of abstraction and narrative.
Keywords:
Greg Mathias, Diachronic Cubism, acrylic painting, artist’s studio, geometric abstraction, French art.
Disclaimer:
Please be aware that some images automatically generated by 1stDibs do not accurately reflect the painting’s proportions, often making it appear much smaller than its actual size. Unfortunately, we cannot remove these images and apologize for any confusion this may cause.
About the Artist:
Grégoire Mathias, graduate of the National School of Fine Arts in Paris (ENSBA - École Nationale Supérieure des Beaux-Arts), is exhibiting his work at Sotheby's gallery in Périgueux, as well as in several galleries across Paris, New York, and Dublin. Mathias is the creator of diachronic cubism, an unexplored branch of cubism that depicts landscapes, interiors, everyday life scenes, and, most notably, the concept of time itself. This unique style is characterized by the deconstruction of subjects and light over specific periods of time. Since 2020, he has been designing UN posters through the World Federation for the United Nations Associations (WFUNA), becoming the first French artist to contribute to the organization after Picasso, Chagall, Miró, and Vasarely.
- Creator:Grégoire Mathias (1697, French)
- Dimensions:Height: 15.75 in (40 cm)Width: 12.6 in (32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:PÉRIGUEUX, FR
- Reference Number:1stDibs: LU2695215652952
Greg Mathias, born on January 22, 1967, in Périgueux, Dordogne, was steeped in an artistic atmosphere from a young age. His father, a pioneering antiquarian bookseller, introduced vintage posters to the American market, and his mother was a bookbinder, instilling in Mathias a deep appreciation for art and literature. This rich environment laid the foundation for his creative journey. Early in his education, Mathias attended workshops with renowned artists Bertrand Piéchaud in Bordeaux and Jean Pierre Métout in Limoges. In 1985, he moved to Paris and became a guest student at the prestigious École Nationale Supérieure des Beaux-Arts (ENSBA), studying under Claude Augereau. By 1986, he had officially enrolled at ENSBA and joined Augereau’s workshop, which was influenced by the cubist master Jean Metzinger. Mathias’ artistic trajectory took a significant turn in 1987 when he participated in a sculpture internship with Claude Bogratchew, contributing to the "Totem AXA" sculpture. This period marked the beginning of a lasting professional relationship with Bogratchew. Following the death of Claude Augereau in 1988, Mathias continued his studies under Pierre Buraglio. His first major exhibition in 1989 at the Galerie de la Maison des Beaux-Arts displayed abstract paintings inspired by Willem de Kooning, though it was initially met with indifference. Despite early challenges, Mathias received commendation for his diploma in 1990, which led to a prestigious exhibition at the ENSBA premises. Later that year, he received a commission from Jack Rennert to paint a large fresco in New York, which further fueled his artistic evolution. During his time in Manhattan, he developed "diachronic cubism," a unique style capturing subjects from various temporal perspectives in a single artwork. Mathias’ career gained momentum in the 1990s. He exhibited extensively in France and the United States, with significant retrospectives and commissions. His diachronic cubism style matured, characterized by its focus on representing the passage of time within a single piece. Notable works included murals for hotels and restaurants in Bordeaux and exhibitions in prominent galleries. In 2001, Mathias served as an expert in posters for Tajan, a leading French auction house, before returning fully to his art practice in 2005. His partnership with the Morateur Gallery in Los Angeles played a pivotal role in establishing his international presence. By 2011, Mathias had created several murals for various establishments, and in 2018, he showcased his creative process in an exhibition titled "L'atelier Grégoire Mathias" at the Castelet d'Excideuil. In 2020, Mathias was commissioned by the World Federation of United Nations Associations (WFUNA) to create a poster for United Nations Day, solidifying his role as the official artist for WFUNA. Most recently, Mathias’ exploration of diachronic cubism led him to Ireland, where he exhibited his work in Dublin this year. His connection to Ireland deepened through his homage to James Joyce, culminating in the donation of his Joyce's "Portrait aux Horloges" to the James Joyce Museum. Today, Mathias' work is exhibited in several galleries in France, New York and Dublin.
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