Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 11

J.B Anthony
"Christmas Morn" Sleigh in the Snow after W.C Bauer, London Oil on Linen 1937

1937

$1,080
$1,35020% Off
£818.67
£1,023.3420% Off
€955.88
€1,194.8520% Off
CA$1,512.77
CA$1,890.9720% Off
A$1,702.89
A$2,128.6120% Off
CHF 900.89
CHF 1,126.1220% Off
MX$21,122.27
MX$26,402.8320% Off
NOK 11,131.50
NOK 13,914.3720% Off
SEK 10,646.29
SEK 13,307.8720% Off
DKK 7,131.32
DKK 8,914.1520% Off
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

"Christmas Morn" Sleigh in the Snow after W.C Bauer, London Oil on Linen 1937 Christmas Morning and a sleigh ride by Mrs. J.B. Anthony (American, 19th-20th C.) Well painted copy, in oil on Linen, from "Christmas Morn" (a print) by W.C. Bauer published by Published by Raphael Tuck & Sons 1880-1890, London. Presented in a painted period frame. Image 22"H x36"W Frame, 26.5"H x 40.5"W x 1.5"D (rustic and included as-is)
  • Creator:
    J.B Anthony (American)
  • Creation Year:
    1937
  • Dimensions:
    Height: 26.5 in (67.31 cm)Width: 40.5 in (102.87 cm)Depth: 1.5 in (3.81 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Some craquelure edges. Two old repairs (center left) which will be smoothed and repainted to match. Cleaned and UV protective varnish applied. Overall a very nice painting.
  • Gallery Location:
    Soquel, CA
  • Reference Number:
    Seller: RJA14691stDibs: LU54213206472

More From This Seller

View All
Visiting Day -- Mid Century California Figurative Landscape
Located in Soquel, CA
Charming and bright mid century California figurative landscape with a female figure walking down a verdant and inviting path by William Hiller (America...
Category

1940s American Impressionist Landscape Paintings

Materials

Linen, Oil

1880s Figurative Sackett's Calvary Charge of the 9th New York Volunteers
Located in Soquel, CA
Late 19th century figurative painting of the battle of Trevilians Station and of the wounding of Colonel Sackett June 11, 1864. Oil on canvas in giltwood frame. Signed or notated indistinctly lower right. Image, 20.25"H x 36.25"W. Military History Prior to 1865 The 9th New York Cavalry contained two companies from Cattaraugus County. It was mustered into the service October 1, 1861 and, until mustered out in July, 1865, lost 619 officers and men out of a total enlistment of a little less than two thousand. It participated in many battles and skirmishes and lost its colonel, William Sackett, who was killed at Trevilian Station, Virginia, on June 11, 1864. From the Albany Evening Journal, July 20, 1864: Another name is added to the list of hero martyrs who have fallen in the service of their country. Col. WILLIAM SACKETT, of the Ninth New-York Cavalry, (son of Hon. W.A. SACKETT,) was mortally wounded in the engagement, under Gen. SHERIDAN, at Pavillion Station, Va., and died on the 14th ult. As he was left behind, the sad intelligence of his decease has but just been received. Col. SACKETT had seen much service. He entered the army on the 22d of April, 1861, was appointed Major of the Ninth New-York Cavalry in October of the same year, was promoted to Lieutenant-Colonelcy in August, 1862, and in March, 1863, became commander of the regiment. He was with Gen. MCCLEELAN in the Peninsula campaign, was in all the cavalry actions of the campaign which followed, was with the army in its advance after the battle of Antietam, and in almost constant conflict with the enemy until after the battle of Fredericksburgh. He participated in most of the cavalry engagements under Gen. HOOKER's command, was in all the principal cavalry actions during LEE's invasion of Maryland and Pennsylvania in 1863, and was among the first engaged in the terrible conflict at Gettysburgh, where he performed distinguished service in holding a rebel brigade in check a long time while our forces were getting into position on the crest of the hill. He was active in the cavalry skirmishes which ensued in the latter part of the Summer. During the present campaign he was with Gen. SHERIDAN in all his brilliant expeditions up to the time when he fell. He died while leading a charge against the enemies of his country -- died, as he wished to die, doing his whole duty. He was brave, he was generous, he was unflinchingly faithful to the cause of the Union. He loved the old flag with a love that was stronger than life, and esteemed it glorious to fall in its defense. He was born in Seneca Falls, and was 25 years of age. When the great civil war broke out [William Sackett] was practicing law at Albany, N. Y., having a short time previous been admitted to the bar. In December, 1861, he was commissioned Major of the 9th Regiment of New York Cavalry, and taking the field served with credit in several engagements in which that command participated. On June 27, 1862, his immediate superior, Lieutenant- Colonel Hyde, resigned and three days later Major Sackett was commissioned to fill the vacancy. On the 30th of the following May he was advanced to the Colonelcy of his regiment, with rank from March 15, 1863. It is stated in "Battles and Leaders of the Civil War" that the cavalry pickets commanded by Colonel Sackett fired the first shot at the battle of Gettysburg. He subsequently led his command, in a gallant manner, in numerous engagements, including the battle of Trevilians Station, fought June 10, 1864. There he received a mortal wound and died inside of the enemy's lines some three days later. The report that he had been severely wounded and was in the hands of the enemy soon reached his wife, who immediately determined to make an effort to reach and care for him, not knowing that he was already dead when the report reached her. The following correspondence, copied from Official Records published by the War Department, tells in most emphatic terms of her devotion. City Point, Va., July 7, 1864. General R. E. Lee, Commanding Confederate Army, Mrs. Sackett, the wife of Colonel William Sackett, who was wounded on the 11th of June, near Trevilians Station, Va., is here in deep distress and feeling great anxiety to learn the fate of her husband. Colonel Sackett was left at a house some two miles and a half from the station, in charge of...
Category

1880s American Impressionist Figurative Paintings

Materials

Oil, Linen

"Desert Raiders" - Apache Warriors at Sunset
By Marco Antonio Gomez
Located in Soquel, CA
Bold desert scene with Apaches on horseback by Marco Antonio Gomez (Mexican, 1910-1972). Three riders pause at the top of a hill with several riders trailing behind them. The desert stretches into the distance behind them, terminating in a range of mesas. The sunset is glowing behind the horizon, lighting up the bottom portion of the sky, with dark blue clouds hanging overhead. Signed in the lower right corner. Titled and signed on verso. Canvas size: 24"H x 30"W He was the pupil of his father, a famous Mexican portrait painter who moved his family to northern Arizona in 1918. There in quite untamed country, Marco rode and played with Indian children and learned about their culture. He studied at Chouinard's Art Center in Los Angeles and with Martin Syverston. Marco Antonio Gomez "Tony" was born in Durango...
Category

Mid-20th Century American Impressionist Landscape Paintings

Materials

Oil, Linen

"Porch People" - Figurative Composition in Oil on Linen
Located in Soquel, CA
Bold composition of two people on a porch by Majel McHugh Logan (American, 1916-1982). Two people sit facing each other on a porch, backlit by warm sun. The piece is sketchy but confident, with thick brushstrokes adding high contrast shadows and highlights. Although the subjects' faces are undefined, there is nonetheless an expressive quality in their body language. Signed "Majel Logan" in the lower right corner.\ Artist's tag on verso with title. Presented in a wood frame with a gold accent. Frame size: 14.75"H x 16.75"W Canvas size: 14"H x 16"W Majel Logan (nee McHugh) (American, 1916-1982) was born in Utah. After graduation from St. Mary of the Wasatch College in Utah, she studied at the Pennsylvania Academy of Fine Arts. She continued to study at Idaho State University before eventually settling in Santa Clara, CA. Although she was a professional artist at the time, she nonetheless continued her studies at San Jose State University in the 1970s. By the mid-70s, she had won 43 awards in state, regional, and local competitions, including Fiesta des Artes (Los Gatos...
Category

Mid-20th Century American Impressionist Figurative Paintings

Materials

Linen, Oil

Blue Lake in the Rockies and Hunter - Oil on Linen
Located in Soquel, CA
Blue Lake in the Rockies and Hunter - Oil on Linen Cascades and snow capped mountains over look a blue lake with a successful hunter carrying his trophy deer by Vern Byers (American...
Category

1940s American Impressionist Landscape Paintings

Materials

Oil, Linen

Coast Guard Cutter with Cannons Spanish-American War Maritime Original Oil
Located in Soquel, CA
Turn of 20th Century Spanish-American War Coast Guard Cutter with Cannons Original Oil Painting A fine example of maritime ship portraiture oil painting of a Coast Guard Cutter with cannons under sails during the Spanish American War by renowned Nautical British/American painter Captain William Lindsay Challoner (British/American 1852-1901), 1901. Auction values Luminous and striking painting with seaman unfurling sails heading into rough waters. Challoner served as captain of a naval vessel (Coast Guard Cutter) during the Spanish-American War. Here he is depicted on the deck of the ship while seamen scramble aloft on the rigging during a gale. The captain stands tall before the cannons at the ready to fend off intruders. His paintings are rare and highly prized by museums and Nautical collectors alike. Signed: Lower right corner "W. Challoner" Not framed Dated: "1910" Provenance: A local Monterey Bay area estate find. Condition: Professionally restored (conservation report available) Image size: 27.75"H x 47.38"W William Lindsay Challoner lived the peripatetic life of a mariner, spending much of his time at sea, and in ports such as New Orleans and San Francisco, California. He was born in Bedminster, England, and attended the York Naval Academy. In 1880, Challoner married Mary Cadogan. That same year, the couple immigrated to Argentina and then New Orleans. They had one son, William Lindsay Challoner, Jr. Lloyd’s Lists record Challoner as master aboard J.P. Macheca, a “Clipper Schooner” running bananas from Jamaica during the mid-1880s. The clipper also raced at the Southern Yacht Club in New Orleans. As is often the case, Challoner’s middle name is misspelled as “Lindsey” in J.P. Macheca & Co. records. He is also said to have served as captain for vessels in the Morgan Line. Painting was at first an avocation for Challoner, but his draftsmanship and handling of paint suggest academic training. He may also have learned to make precise topographical drawings at the York Naval Academy. Many of his ship portraits are in the English tradition, notably followers of Samuel Walker, a leading English maritime artist in the 1850s. Like his Liverpool counterparts, Challoner used receding linear and atmospheric perspective to focus on the crisp portraits of specific ships. At their best, his canvases are highly finished, a style that imitates the Venetian tradition of topographical city views associated with Giovanni Antonio Canal, also known as Canaletto. However, Challoner’s restrained bravura paint handling also may bear witness to the influence of the French Impressionists. Challoner seems to have arrived in New Orleans about 1880. He advertised in the press and exhibited at the Creole Art Gallery and Grunewald’s Music Store in New Orleans. In 1887, Challoner moved to San Francisco, where he exhibited his maritime scenes at the Mechanic’s Institute and became a U.S. citizen. He may have been back in New Orleans after 1891, and served as captain of a naval vessel during the Spanish-American War. His art clients tended to be men involved in the shipping industry—ship owners and commission merchants, along with professional clubs and maritime benevolent societies. Challoner’s principal competition in New Orleans was August Norieri, a talented ship portraitist and painter of marines. While Norieri lived hand-to-mouth, Challoner drew a handsome salary working as a ship captain, presumably until shortly before his death at the age of 49. Securing the commission for painting the newly founded New Orleans Yacht Club suggests that Challoner was held in higher regard as an artist than Norieri. The two artists together met the market demand for ship portraiture and marine views in the port city, as had Edward Arnold and James Guy...
Category

Early 1900s American Impressionist Figurative Paintings

Materials

Linen, Oil, Stretcher Bars

You May Also Like

"Season of Falling Leaves"
Located in Denver, CO
"Season of Falling Leaves" by Jim Morgan is an original oil painting depicting the brilliance of autumn color. Roaming the canyons and fields around the small, central Utah town wh...
Category

2010s American Impressionist Landscape Paintings

Materials

Linen, Oil

"Into Fading Sky", by David Grossmann, Original Oil Painting, Sunset
By David Grossmann
Located in Denver, CO
David Grossman's (US based) "Into Fading Sky" is an original, handmade oil painting that depicts a twilight sky of purple with a distant blue horizon as a flock of birds fly through ...
Category

2010s American Impressionist Landscape Paintings

Materials

Linen, Oil, Panel

"Parked Panda" plein air painting of Fenske's Fiat in Tuscan landscape
By Ben Fenske
Located in Sag Harbor, NY
"Parked Panda" is a plein air oil painting of Fenske's Fiat in Tuscan landscape, where he lives. Frame Dimensions 33 x 41in Ben Fenske (b. 1978) although a native of Minnesota, a...
Category

2010s American Impressionist Landscape Paintings

Materials

Canvas, Oil, Linen

"View from the Dock on Cedar Ave" Oil painting, impressionistic seascape w boats
By Kelly Carmody
Located in Sag Harbor, NY
“View from the Dock on Cedar Ave” is a seascape by Kelly Carmody. It is an oil on linen painting. It depicts the view of sailboats in Dering Harbor, on Shelter Island, as seen from t...
Category

21st Century and Contemporary American Impressionist Figurative Paintings

Materials

Oil, Linen

"Looking For Shade" oil painting of beach-goers huddling behind lifeguard stand
By Carl Bretzke
Located in Sag Harbor, NY
Oil painting of beachgoers literally looking for shade from the sun on a beach in Laguna, California. Painted by award-winning plein air painter Carl Bretzke. Framed in a tradition...
Category

2010s American Impressionist Landscape Paintings

Materials

Linen, Oil

"Dying to Stay in Maui" oil painting, Hawaiian landscape, sunshine on graveyard
By Carl Bretzke
Located in Sag Harbor, NY
Oil painting of a Maui Landscape. Painted en plein air at a graveyard, Bretzke titles this work humorously, "Dying to Stay in Maui". Two figures stand in a graveyard, on a Hawaiian ...
Category

2010s American Impressionist Landscape Paintings

Materials

Linen, Oil