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José CañaveralFeria de Sevilla1881
1881
$17,765.58
£13,269.27
€15,000
CA$24,375.07
A$27,235.08
CHF 14,246.96
MX$333,989.31
NOK 182,049.15
SEK 172,630.82
DKK 114,192.11
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About the Item
JOSÉ CAÑAVERAL
Spanish, 1833 - 1894
FERIA DE SEVILLA
signed "JCañaveral / Sevilla 1881." (lower right)
oil on canvas
29-1/3 x 19-1/2 inches (74.5 x 49.5 cm.)
framed: 38-1/2 x 29-1/2 inches (98 x 75 cm.)
PROVENANCE
Privated Collection, Lille, France
José Cañaveral y Pérez (Seville, 1833-Madrid, 1894) was a Spanish painter, brother of the artist Alfonso Cañaveral y Pérez. Born in Seville, he trained artistically at the School of Fine Arts in his city, later he moved to Madrid where he was a disciple of Federico Madrazo. In 1869 he traveled to Paris, a city where he became friends with other Spanish painters, including Mariano Fortuny. After the start of the Franco-Prussian War, he returned to Spain, settling permanently in Madrid in 1875. His work can be classified within Andalusian costumbrismo.
- Creator:José Cañaveral (1833 - 1894, Spanish)
- Creation Year:1881
- Dimensions:Height: 29.34 in (74.5 cm)Width: 19.3 in (49 cm)
- More Editions & Sizes:74.5 x 49.5 cm.Price: $17,766
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Madrid, ES
- Reference Number:1stDibs: LU1281114106832
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Located in Madrid, ES
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Spanish, 1837 - 1903
PARTIDA DE TRESILLO
signed, located & dated “Jz. Aranda / Madrid. 1893.” (lower right)
oil on canvas
31-1/2 x 39-1/3 inches (80 x 100 cm)
unframed
BIBLIOGRAPHY
- This picture being mentioned and illustrated in “LA ILUSTRACION ESPAÑOLA Y AMERICANA”, Madrid, September 15, 1895
- B. Pantorba, José Jiménez Aranda, 1973, p. 75, 203
- José Jiménez Aranda, 1837-1903: Centro Cultural El Monte, Seville, October 2005, illustrated p. 102
EXHIBITED
Madrid National Exhibition of 1895
PROVENANCE
Private Collection, USA
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LA HORA DEL TÉ
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Spanish, 1857 - 1917
THE CARDINAL'S VISIT
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oil on canvas
22 x 33-2/3 inches (55.5 x 85.5 cm.)
framed: 36-1/2 x 48-1/4 inches (92.5 x 122.5 cm.)
PROVENANCE
Private Collection, Munich
LITERATURE
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Here, Sánchez-Barbudo depicts a well-to-do bourgeois family receiving a cardinal in their home. The interior, sumptuously furnished in the rococo style, along with the rich costumes and fabrics, are beautifully observed. Yet beyond the high technique lavished upon the composition, the treatment is comic and full of character and suffused with a gently satirising anti-clericalism.
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