Items Similar to The mountain above them Louis-Paul Ordonneau Contemporary painting landscape art
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Louis-Paul OrdonneauThe mountain above them Louis-Paul Ordonneau Contemporary painting landscape art2022
2022
About the Item
Oil paint on canvas
Hand-signed on the back by the artist
Louis-Paul Ordonneau is a French painter born in 1975.
He lives and works in Paris.
In 1999, he set up his studio in temporary and alternative places in the capital.
From that time on, the exploration of color was at the heart of his work. During one of his very first exhibitions, a visitor commented: "Too many colors in your paintings".
He chooses to assume this excess and make the exuberance of chroma a line of conduct, his path to freedom. In his artistic research, figuration is eclipsed in favor of a dense abstraction which does not deny reality for all that but throws on it the singular perspective of a gaze fascinated by colors: the gaze of a painter who persists whatever the medium.
"Painting, for me, is more than ever going down into oneself".
“When you come to an exhibition, you expect to discover novelties and to see where the progress of the artist is.
This time for my exhibition at the Galerie Claire Corcia, there is no contemporary novelty, no assertive one-upmanship, no confirmation of belief, no certainty or coherence, no theory.
Because the surface of the lake is full of fallen leaves, it has a deep-water plunge.
Today I present a work of deconstruction that I carried out to return to the essence of my anima in creation, to extract it, and to see where it took me in painting.
Exposing my shortcomings, my contradictions, my attempts, my mistakes to share what we can learn from being put in danger, this is what I propose in this exhibition where those who have known my work since my beginnings do not will not find.
In this process, I stopped my paintings when I no longer understood them. I wanted to paint the unknown in the strongest sense. By focusing on this misunderstood, I believe that I am getting closer to myself. There is no longer an accumulation of references, nor "looking for Char-lie", nor even a demonstration of know-how or pareidolia. There is no longer any desire for progress or consistency.
Clearly I am showing difficulties. This is also a form of ethical requirement. It may be naive, but I also see a form of re-enchantment in it.
Ask yourself why we keep imprinted in our memory memories of meadows, rivers, seaweed, depths.
To paint, for me, is more than ever going down into oneself, because the surface of the lake is full of dead leaves and so you have to dive deep, where the imagination is no longer condemned by ridiculous torments. , even if it is at the risk of encountering a neutrality that could well make one think of nothingness.
In my paintings, one can believe that I repeat genres of landscapes with variations. It's the case. Everything remains to be done and everything will always remain to be done. It is a way of opposing the idea of a total theory in painting which is often satisfactory today. That such a fantasy can arise in people's minds says a lot about our time.
Any new artistic proposal is inevitably a mistake. So obviously I'm wrong but I'm surprised that it can surprise.
To paint is to accept being wrong. In a positive version, it is knowing that what you think you will find one day will be replaced the next day. I agree with this neat idea. Besides, tomorrow, we will go see a new exhibition.
I like anomalies and I hope my paintings are. The anomalies that we prefer are always those whose explanation we would like to know first. »
Louis-Paul Ordonneau, 2023
- Creator:Louis-Paul Ordonneau (1975, French)
- Creation Year:2022
- Dimensions:Height: 28.75 in (73 cm)Width: 36.23 in (92 cm)Depth: 1.97 in (5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU1034111980962
Louis-Paul Ordonneau is a French painter born in 1975. He lives and works in Paris. In 1999, he set up his studio in temporary and alternative places in the capital. From that time on, the exploration of color was at the heart of his work. During one of his very first exhibitions, a visitor commented: "Too many colors in your paintings". He chooses to assume this excess and make the exuberance of chroma a line of conduct, his path to freedom. In his artistic research, figuration is eclipsed in favor of a dense abstraction which does not deny reality for all that but throws on it the singular perspective of a gaze fascinated by colors: the gaze of a painter who persists whatever whatever the medium. "Painting, for me, is more than ever going down into oneself" “When you come to an exhibition, you expect to discover novelties and to see where the progress of the artist is. This time for my exhibition at the Galerie Claire Corcia, there is no contemporary novelty, no assertive one-upmanship, no confirmation of belief, no certainty or coherence, no theory.
Because the surface of the lake is full of fallen leaves, it has a deep-water plunge.
Today I present a work of deconstruction that I carried out to return to the essence of my anima in creation, to extract it, and to see where it took me in painting.
Exposing my shortcomings, my contradictions, my attempts, my mistakes to share what we can learn from being put in danger, this is what I propose in this exhibition where those who have known my work since my beginnings do not will not find.
In this process, I stopped my paintings when I no longer understood them. I wanted to paint the unknown in the strongest sense. By focusing on this misunderstood, I believe that I am getting closer to myself. There is no longer an accumulation of references, nor "looking for Char-lie", nor even a demonstration of know-how or pareidolia. There is no longer any desire for progress or consistency.
Clearly I am showing difficulties. This is also a form of ethical requirement. It may be naive, but I also see a form of re-enchantment in it.
Ask yourself why we keep imprinted in our memory memories of meadows, rivers, seaweed, depths.
To paint, for me, is more than ever going down into oneself, because the surface of the lake is full of dead leaves and so you have to dive deep, where the imagination is no longer condemned by ridiculous torments. , even if it is at the risk of encountering a neutrality that could well make one think of nothingness.
In my paintings, one can believe that I repeat genres of landscapes with variations. It's the case. Everything remains to be done and everything will always remain to be done. It is a way of opposing the idea of a total theory in painting which is often satisfactory today." Louis-Paul Ordonneau
About the Seller
5.0
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 2008
1stDibs seller since 2018
12 sales on 1stDibs
- ShippingRetrieving quote...Shipping from: Paris, France
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllTake some fresh air #2 Hélène Duclos 21st Century painting Contemporary art blue
By Hélène Duclos
Located in Paris, FR
Oil paint on canvas
Signed lower right
Category
2010s Contemporary Figurative Paintings
Materials
Canvas, Oil
Incoherence of compulsory ways #1 - Hélène Duclos, Contemporary figurative paint
By Hélène Duclos
Located in Paris, FR
Oil on canvas
Signed lower right
Unique work
1 / Hélène DUCLOS, 2016 – Artist Statement
“Questioning the human condition and the position of being alive – What is it to be a living being? Who / what can we believe? Who / what can we trust? How real is our view of the world? And how is that perspective angled, and ultimately limited? These are the issues at the heart of my work as an artist.
Painting, drawing, engraving and embroidery give me the freedom to approach my subjects from an ambivalent and flexible standpoint. I am building up a dynamic body of work, like pieces that you can put together in one way or another to shape different structures, pierced with numerous openings. And the title that I give each piece acts as a possible clue as to how to enter inside that system.
I can portray both softness and monstrosities. I focus on the links and barriers lying between living beings and their surroundings, and evoke how permeable these connections are. My aim is not to create a visual documentary reporting fact, but rather immerse myself in observing everyday life, and in a host of images depicting real events (pictures, photos and videos). Instilled with these images, I can give a more personalized, unique and allegorical vision of the world around me.
I am also interested in the key transition periods of human existence, those turning points that forge our identity within a family, a group, and society as a whole at the heart of a specific environment. I centre on what makes up and creates cohesion (rituals, myths and tales….), and indeed the opposite - what leads to life becoming shattered, hindered and frustrated (moving populations, exile and migration…)
Amidst a landscape roaming with wild beasts and hybrid creatures, between love and separation, metaphors for our own desires and fears lie in hiding, or reveal themselves in the painted or embroidered spaces. Sometimes they are etched with lines, symbols and tiny architectural designs. These works might depict our inner landscapes, as if harking back to a primordial and cosmic point of origin.
My most recent collections recreate the images of bodies or landscapes using abstract zones and figurative details that have no direct link with either anatomy or geography. Intimacy and the unspeakable are themes that run throughout my work, and I make sure to incorporate areas of both visual tension and relief, so as to give the viewer the space to project him or herself into the work. And here, such paradoxes can only be reached through the interplay between abstraction and figuration.”
2 / Thierry Delcourt
Psychiatrist, psychoanalyst and author of works on the process of artistic creation, and the conditions of existential and social creativity :
"Entering into the world of Hélène Duclos in her drawings, paintings, embroidery and words means letting yourself be carried away by a torrent towards strange shores of creation where only a few artists have ever dared to venture. As if perched on a watchtower on the threshold of different worlds, Hélène Duclos throws us out of our depth, plunging us into spaces filled with destitute mankind, and guiding us through her stem-like maze of a scheme, bristling with roots and clues. But the mystery here, like a poetic, human rebus that never ends, only compels us to take a closer look.”
3 / Hélène Duclos ‘s biography :
After graduating from the Duperré School of Applied Arts in Paris with a degree in textile design, I set off on a six-month sea voyage from Vannes in Brittany, to Dakar. On returning to France, I set up my atelier...
Category
2010s Contemporary Landscape Paintings
Materials
Canvas, Oil
Do not retrace our steps #1 - Hélène Duclos, 21st Century, Contemporary art blue
By Hélène Duclos
Located in Paris, FR
Oil and acrylic on canvas
Signed lower right
Unique work
1 / Hélène DUCLOS, 2016 – Artist Statement
“Questioning the human condition and the position of being alive – What is it to...
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Canvas, Oil, Acrylic
No extenuating circumstances #1 Hélène Duclos 21st Century Contemporary art blue
By Hélène Duclos
Located in Paris, FR
Oil and acrylic on canvas
Signed lower right
Unique work
1 / Hélène DUCLOS, 2016 – Artist Statement
“Questioning the human condition and the position of being alive – What is it to...
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Canvas, Oil, Acrylic
Look at things from distance #2 Hélène Duclos 21st Century Contemporary art red
By Hélène Duclos
Located in Paris, FR
Oil paint and acrylic paint on canvas
Signed lower right
Unique work
1 / Hélène DUCLOS, 2016 – Artist Statement
“Questioning the human condition and the position of being alive – W...
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Canvas, Oil, Acrylic
The protecting genius disappearance-Hélène Duclos, Contemporary figurative paint
By Hélène Duclos
Located in Paris, FR
Oil on canvas
Signed lower right
Unique work
1 / Hélène DUCLOS, 2016 – Artist Statement
“Questioning the human condition and the position of being aliv...
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Canvas, Oil
You May Also Like
Late Summer Rectangle Oil Panting on Canvas Nature Outdoors Tree Modern In Stock
By Gertjan Scholte-Albers
Located in Utrecht, NL
Late Summer Rectangle Oil Panting on Canvas Nature Outdoors Tree Modern In Stock
Born in Valthermond, 1971 - The Netherlands
During his studies decided Gertjan to leave the concept...
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Canvas, Oil
Triptych, Oil painting on Canvas, Contemporary Landscape, Snow, Nature
Located in AIX-EN-PROVENCE, FR
Work : Original Oil Painting, Unique Work. Handmade artwork. Ready to Hang.
Medium : Oil and Acrylic painting on Canvas.
Artist : Deniz Bayav
Subject : Floraison Mortelle (Title / F...
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Canvas, Oil
Contemporary Figurative Oil Painting on Canvas - Blended Cities - Blend 44
Located in Vilnius, LT
Rodion Petroff (b. 1985) graduated from the Vilnius Academy of Fine Arts and has been exhibiting in Europe and abroad since 2005.
He has had 15 solo exhibitions in Lithuania, Sweden...
Category
2010s Contemporary Figurative Paintings
Materials
Canvas, Cotton Canvas, Oil
Drinking Ponds 2 Oil Painting on Canvas Outdoors Tree Nature Modern In Stock
By Gertjan Scholte-Albers
Located in Utrecht, NL
Drinking Ponds 2 Oil Painting on Canvas Outdoors Tree Nature Modern In Stock
Born in Valthermond, 1971 - The Netherlands
During his studies decided Gertjan to leave the concept of...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Canvas, Oil
The Tree 1 - Contemporary Landscape Painting, Nature, Trees, Warm Colours
By Bogumił Książek
Located in Salzburg, AT
Bogumił Książek was educated at the Cracow’s Academy of Fine Arts (1995-2000).
2003 -2009 he lived and worked in Florence, Italy
2009 - 2020 he lives ...
Category
2010s Contemporary Figurative Paintings
Materials
Canvas, Oil, Acrylic
Large oil on Canvas Painting -- Titanic Overture
By Gary Masline
Located in Troy, NY
This oil on canvas painting is an example of the artist's fascination with the moments just before something unexpected happens. The painting gives a scene often enacted in Northeast...
Category
2010s Contemporary Landscape Paintings
Materials
Canvas, Oil
$5,200 Sale Price
35% Off
Recently Viewed
View AllMore Ways To Browse
Day Of The Dead Art
Seaweed Art
River Of No Return
Mountain Meadow
Fallen Leaves
New Meadows River
The Discerning Palette
Vintage Cowboy Signs
Canadian 19th Century Painting
Man Gate
Abstract Sailboat
English Seascape
Eric Way
Hope Joseph
John Jones Frames
John Morgan
Mid Century Paris Street Scene
Mountain Stream Painting