Kerry Smith

Johnny Hodges - The Big Sound (Grammy, Album Art, Iconic, Rock and Roll, Pop)

2016

Kerry Smith Aretha Franklin - Lady Soul Mixed Media on Crescent board Year: 2022 Size: 21x22in Framed Signed, dated by hand COA provided Ref.: 924802-1622 *Black frame with a mirror...

Kerry Smith Etta James - At Last Mixed Media on Crescent board Year: 2022 Size: 21x22in Framed Signed, dated by hand COA provided Ref.: 924802-1621 *Black frame with a mirror-gloss ...

Kerry Smith Ella Fitzgerald Sings Duke Ellington Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1636 *Black frame with a mirr...

Kerry Smith Pearl Jam - No Code Mixed media on Crescent board Year: 2017 Size: 21x22in Framed Signed, dated by hand COA provided Ref.: 92-0470 *Black frame with a mirror-gloss finis...

This is more than a cover illustration depicting the legendary Charlie Parker playing the saxophone. It's an inventive graphic design concept from trailblazing illustrator Robert Weaver. By showing the subject in two parts. The artwork's visual idea is as radical as Parker's music. A wide shot and a close-up butted together dynamically communicates an energetic motion and movement in a still image. Signed lower right. Record album cover illustration for Charlie Parker: Bird with Strings Live at the Apollo, Carnegie Hall and Birdland (Columbia Records, 1976). From Wikipedia: Robert Weaver (July 5, 1924 – September 4, 1994) was an American illustrator who was considered a pioneer of a contemporary approach to the field that began in the 1950s. Biography Beginning in 1952, he embarked on a mission to combine the visual ideas found in fine art with the responsibility of journalist. At the time, many practitioners of illustration were expected to paint and draw for advertising and magazine assignments with artwork that was conservative, idealized and saccharine, while other illustrators such as Ronald Searle, Arthur Szyk, George Grosz, Kathe Kollwitz and later Ralph Steadman and Tomi Ungerer injected their own opinion into the matter. Weaver joined this latter tradition by moving his role of an illustrator from a page decorator to a journalist. He ventured from the typical haven of an illustrator's studio into the world and used a pencil to observe, record facts, and draw real life based visual essays, the way that illustrators such as Burt Silverman and Franklin McMahon did. This approach would later be termed "visual journalism" and in 1983 would form the basis of a special masters degree, Illustration as Visual Essay, from the School of Visual Arts in New York. He died at his home in Manhattan on September 4, 1994.[1] Career and legacy In an article for the AIGA in 1990, noted graphic art historian Steve Heller categorized Weaver as a journalistic illustrator. Other artists included Bob Gill, Jack Beck, Robert Andrew Parker, Thomas B. Allen and Philip Hays. They received crucial assignments from a group of visionary art directors that included Cipe Pineles...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

This vibrant and dynamic artwork by Koko Hovagumin is a celebration of jazz through color and form. Measuring 20x24 inches, the painting features a lively composition that captures t...

This painting is in excellent condition and has only been shown in a gallery setting. The painting measures 78" x 35" and 81"x 38" with frame. Known for his hyperrealist nudes and portraits, Jose Borrell captures both the human form and emotions. Transcending beyond mere documentation, Borrell transmits the personality and essence of his subjects. His latest series focuses on twentieth-century American jazz saxophonist Ben Webster, and true to Borrell's signature trait, the paintings transmit the vibrant energy of the acclaimed musician. Born in 1909 in Kansas City, Missouri, Ben Webster studied violin in elementary school and taught himself piano. In 1927-1928 he played for silent movies in Kansas City and in Amarillo, Texas. After a friend introduced him to basic chords on the saxophone, he devoted himself to the instrument and played with many emerging orchestras in the bustling 1930s Kansas City jazz...