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La Ba QuanEmotional2011
2011
$2,880
$3,60020% Off
£2,142.49
£2,678.1120% Off
€2,511.90
€3,139.8720% Off
CA$4,028.05
CA$5,035.0620% Off
A$4,497.43
A$5,621.7920% Off
CHF 2,359.75
CHF 2,949.6920% Off
MX$55,506.25
MX$69,382.8120% Off
NOK 29,662.41
NOK 37,078.0120% Off
SEK 27,754.44
SEK 34,693.0620% Off
DKK 18,739.18
DKK 23,423.9820% Off
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About the Item
‘Emotional’ is a large expressionist figurative oil on canvas painting of vertical format created by Vietnamese artist La Ba Quan in 2011. Featuring a palette made of grey, brown, blue, green and pink colors, the painting evokes the fascinating technique of a Chaim Soutine. This expressionist painting is marked by the striking presence of a man sitting on the ground, holding a turquoise bottle in his left hand. The deformity of his right leg and hands suggests that this man is handicapped. Our hearts are immediately drawn to the ordeal he is obviously going through, and the tortuous lines play their part in rendering the difficulty of his life. La Ba Quan creates extensive texture with thick layers of paint applied on his canvas with a pallet knife. Unframed this expressionist vertical oil on canvas painting is signed upper right. With its strong subject and great dimensions, this painting will be a focal point in any room, whether placed above a console table, credenza or sofa.
In his own words: “Many men, many minds, many joys and sorrows too. Everyone has his or her own hapless things; less or more depends on a man’s characteristics and endurance. Men in a certain way can exchange segments of sufferings for entertainments, but with too many agonies inside they just keep all in themselves and considerately observe them in sad and painful silence. From time to time numerable human faces have shown up with tears or happiness. There are some blissful laughs, but people cannot conceal the past austerity and other grievous aspects. I have met many faces, from luxurious places to the end corners of many streets… Their wrinkles can show many portraits of indefinite as they are telling the world with their wordless stories that are finished only when men and women will not reserve their misery or bliss in life. I have painted them, depicting their joyful or sorrowful conditions and trying to narrate their living stories.
La Ba Quan graduated with a Master of Fine Art Degree from the Hanoi University of Fine Arts in 2010. His paintings often reflect on his life and his father's life. He admires his father who endured hardship during the war time and these memories return in his haunting portrait images. La Ba Quan has participated in exhibitions several times in New York, and also in the UK, the Netherlands and Israel as well as in Vietnam.
- Creator:La Ba Quan (1976, Vietnamese)
- Creation Year:2011
- Dimensions:Height: 40 in (101.6 cm)Width: 32 in (81.28 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Rye, NY
- Reference Number:1stDibs: LU425313303602
La Ba Quan
La Ba Quan is a Vietnamese fine art painter, born in 1976 in Nam Dinh Province. His subject of matter are human emotions, joy and sorrow, powerfully depicted in his distorted portraits. Quan graduated from College of Arts Nam Dinh at Nam Dinh province in 1999. After experiencing in various kinds of work, in order to gain knowledge and skill, Quan decided to come back and got his Bachelor of Art degree at Hanoi University of Fine Arts in 2005 in Vietnam. To enhance the methodology and logic and literary argument, he studied and got the Master of Fine Arts degree at Hanoi University of Fine Arts in 2010. La Ba Quan paints with thick layers of paint, often directly from the tube using a palette knife to achieve his result. Since 2005, he has been working on a series of portraits named The emotion of an old man. This series of paintings, as well as many of his other works, are inspired by his father who endured hardship and poverty during the war time. His paintings directly reflect on his life and his father's life, showing the admiration and gratitude towards his nation, which suffered the painful war period, and whose memories return in Quan's haunting portrait images. Focused on individual stories and personal conditions, he manages to narrate their living tales and paint their wordless misery, inner feeling and sorrow and sometimes, happiness.
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