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Lalu Prasad ShawBabu, Pastel on Paper Board, by Modern Indian Artist Lalu Prasad Shaw "In Stock"2019
2019
About the Item
Lalu Prasad Shaw - Babu - 12 x 8 Inches
Pastel on Paper Board, 2019
( Unframed & Delivered )
Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Prasad Shaw’s works lay the most emphasis on his subject’s physical characteristics. Capturing the expressions of his subjects perfectly with the greatest economy of line and colour each of Shaw’s paintings has an intimate feel to it.
Influenced by the pre-independence Company School of art, the traditional Kalighat Pat and the Ajanta cave paintings, Shaw’s works, mainly executed in gouache or tempera, like his own person, are simple and graceful, having a very still, well-composed and smooth exterior. This senior artist draws his inspiration primarily from nature and the milieu surrounding the great Bengali middle class, often depicting pleasant and quiet scenes from his own life on his canvases and papers. His style is unique and modern in its adaptation of academic and traditional Indian formats.
A particularly notable aspect of Shaw's paintings is their simple yet sophisticated look. One notices a seamless synthesis of different stylistic elements to achieve a phenomenal effect.
About the Artist and his work :
Born : 1937 in Bengal.
Education : completed his education in fine arts at the Government College of Arts and Crafts in Kolkata.
International Shows :
1970 - Second British Biennale in London;
1974 - Norwegian Print Biennales;
1978 - Norwegian Print Biennales;
1971 - The seventh Paris Biennale;
1984 - The second Asian Art Biennale hosted by Bangladesh.
Honours and Awards :
1981 - All India Graphic and Drawing Exhibition, Chandigarh
1978 - Award for Graphic Art and Drawing, India
1976 - Birla Academy Award for Graphic Art, India
1971 - National Award in Graphic Art, India
1959 - West Bengal Lalit Kala Academy's Award for Graphic Art, India.
- Creator:Lalu Prasad Shaw (1937)
- Creation Year:2019
- Dimensions:Height: 12 in (30.48 cm)Width: 8 in (20.32 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Kolkata, IN
- Reference Number:1stDibs: LU604315897952
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In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness.
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1955-60: Studied at the Government College of Art and Crafts, Kolkata.
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1979: The Sao Paolo Biennale.
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In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness.
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About the Artist and his work :
Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India.
Family Background :
His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings.
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Education :
1955-60: Studied at the Government College of Art and Crafts, Kolkata.
1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17.
Professional Experience :
1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras.
1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’.
1987 : Joined Kala Bhavan , Santiniketan as a professor of painting.
Selected Exhibitions :
1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi.
1979: The Sao Paolo Biennale.
1980: The exhibitions at the Fukuoka Museum, Japan.
1982: The Royal Academy, London.
1982: The Hirschhorn Museum, Washington D.C.
1986: The II Havana Biennale.
1989: ‘Festival of India’, in Geneva.
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Signed in Bengali
Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well.
In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness.
Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms.
About the Artist and his work :
Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India.
Family Background :
His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings.
1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board.
Education :
1955-60: Studied at the Government College of Art and Crafts, Kolkata.
1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17.
Professional Experience :
1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras.
1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’.
1987 : Joined Kala Bhavan , Santiniketan as a professor of painting.
Selected Exhibitions :
1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi.
1979: The Sao Paolo Biennale.
1980: The exhibitions at the Fukuoka Museum, Japan.
1982: The Royal Academy, London.
1982: The Hirschhorn Museum, Washington D.C.
1986: The II Havana Biennale.
1989: ‘Festival of India’, in Geneva.
2002: Saffron...
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Face of a Young Man, Dry Pastel on Paper by Artist Jogen Chowdhury "In Stock
By Jogen Chowdhury
Located in Kolkata, West Bengal
Jogen Chowdhury
Face of a Young Man, Dry Pastel on Paper
7 x 9.25 inches , 2022 (unframed size )
The framed size of the work is 17 x 20 ( approx. )
The work will be shipped inclusive of framing.
Signed in Bengali
Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well.
In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness.
Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms.
About the Artist and his work :
Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India.
Family Background :
His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings.
1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board.
Education :
1955-60: Studied at the Government College of Art and Crafts, Kolkata.
1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17.
Professional Experience :
1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras.
1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’.
1987 : Joined Kala Bhavan , Santiniketan as a professor of painting.
Selected Exhibitions :
1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi.
1979: The Sao Paolo Biennale.
1980: The exhibitions at the Fukuoka Museum, Japan.
1982: The Royal Academy, London.
1982: The Hirschhorn Museum, Washington D.C.
1986: The II Havana Biennale.
1989: ‘Festival of India’, in Geneva.
2002: Saffron art...
Category
2010s Modern Mixed Media
Materials
Paper, Pastel, Mixed Media
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