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Leon Herbo“Gypsy Girl”1885
1885
About the Item
Original oil on mahogany wooden panel of a young gypsy woman in a colorful headdress and costume. Signed middle right and dated 1885, Brussels. Original inscription paper label verso signed by the artist. The condition is very good. Recently professionally cleaned. The painting is housed in its magnificent original ornate gold leaf frame in fine condition. Overall framed measurements are 23.5 inches by 20.5 inches. Provenance: From a Wall, New Jersey collection.
BIOGRAPHY - Leon Herbo (1850 - 1907)
Female beauty was much prized in the 19th century and for the first time a number of pictures were painted whose sole purpose was the depiction of beauty; not so much in the form of specific portraiture, but more as homage to feminine beauty in its own right. It was this climate of receptivity that encouraged Greuze, and later Leon Herbo and others like him, to paint series of portraits of attractive girls. It is incontestable that the appeal of the most risqué cosmopolitan beauties depicted in many pictures lay in their citizenship of the demimonde. Emile Zola’s Nana may have figured for the model of some of these paintings, as she did in Manet’s portrait of her.
The vogue for titles such as La Mysterieuse or La Belle Dame sans Merci (A Beautiful Woman Without Mercy), presented the late 19th century woman as an intriguing creature, emphasizing the inner qualities of the female sex while at the same time presenting their decorative exterior. Herbo’s La Charmeuse (The Charmer) is one work from an important group of paintings done by the artist during the late 19th century, paying tribute to the beautiful women of his time, and exploring their sensual and seductive nature.
Leon Herbo was a Belgian genre and portrait painter, born in Templeuve on October 7, 1850. A pupil of Legendre and Stallaert at both the Academies of Tournai and Brussels, Herbo mastered the art of fine detail. He then continued his studies in France, Germany and Italy before returning to settle in Brussels. His debut exhibition was in 1875, and he took part in exhibits throughout Europe. He was a prolific artist and it is believed that he produced over 1200 paintings during his lifetime.
In 1876, Herbo, Julien Dillens and Emile Namur founded L’Essor, the Belgian realist school. The group’s members were concerned with realism, each of them, however, finding their own style and emphasizing their varied personalities. The Brussels based group organized annual exhibitions from 1876 – 1881, as well as later exhibitions for its members in Oestde, Antwerp and London. In 1891, on the occasion of the group’s 15th anniversary, the “Essorians” opened at the Brussels Museum with a historic retrospective exhibition of the works of their founding members; among them were a number of works by Herbo.
In 1889 Herbo received an Honorable Mention at the Universal Exposition in Paris and was made a Knight of the Order of Leopold. He continued working in Brussels and began teaching at the Academy, where he would soon take over as Director.
Today, examples of his work can be found in both public and private collections. Biography taken from Rehs Gallery.
- Creator:Leon Herbo (1850 - 1907, Belgian)
- Creation Year:1885
- Dimensions:Height: 14 in (35.56 cm)Width: 10.75 in (27.31 cm)Depth: 3.25 in (8.26 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU14114596292
Leon Herbo
Herbo Léon, born on October 8, 1850, in Templeuve, was a renowned Belgian painter celebrated for his captivating portraits of women in relaxed settings, as well as his skillful renderings of actors and actresses. His artistry extended to genre scenes, often infused with Orientalist themes, and his wife frequently served as his muse. His artistic journey began at the Académie des beaux-arts de Tournai under the guidance of Léonce Legendre, the Director of the Academy. Subsequently, he further honed his skills at the Académie Royale des Beaux-Arts in Brussels from 1869 to 1874, achieving the top ranking in the preparatory competition for the Prix de Rome. Following extensive travels through Germany, Italy, and France, he eventually settled in Brussels. In 1875, Léon Herbo marked his formal debut at the Salon van Brussel, continuing to showcase his work there until the close of the century. In 1876, he co-founded “L’Essor,” a progressive group challenging the conservative norms of the Academies. His exhibitions extended beyond Belgium, encompassing showings in Paris, at the Salon, as well as in Munich and Berlin. His notable achievements include an honorable mention at the Exposition Universelle in 1889. During the same year, he collaborated with the animal painter Alexandre Clarys on a monumental canvas depicting Queen Marie Henriette’s encounter with the military squadron named after her. Known for his prolific output, Herbo crafted numerous works for commercial purposes, designed for reproduction through chromolithography or porcelain decoration. Notably, he gained acclaim as a portrait painter, offering fixed-price portraits with a guaranteed likeness. His reputation was such that he was often sought for posthumous portraits. A striking example is the portrait of the late Crown Prince of Belgium, Léopold Ferdinand, Count of Hainaut, commissioned by Queen Marie-Henriette. Léon Herbo passed away on June 19, 1907, in Ixelle. While the majority of his paintings reside in private collections, some are on display at prestigious institutions such as the Royal Museums of Fine Arts of Belgium, the Museum of Painting and Sculpture in Kortrijk, and the Musée des Beaux-Arts Tournai.
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