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Lydia Viscardi
The Third Girl

2009

$1,000List Price

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*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Mother and Child by BÉLA KÁDÁR (1877-1955) Gouache on paper 86 x 56.8 cm (33 7/8 x 22 3/8 inches) Signed lower right Kádár Béla This work is accompanied by a certificate of authenticity signed by Gábor Einspach on behalf of The First Hungarian Painting Expert's Office. Provenance Private collection, Israel The Hungarian artist Béla Kádár was born in Budapest in 1877 to a working-class Jewish family. Following his father’s death, he was forced to start working from an early age after only six years to primary schooling and was apprenticed as an iron-turner. In 1902, Kádár attended the Academy of Fine Arts in Budapest. After leaving the Academy, he worked at a mural painting company. Only when he visited Berlin and Paris and being exposed to the avant-garde art of the time, did Kádár direct his attention to painting once again. In 1910, the artist won the Kohner prize, and the same year he was awarded his first solo exhibition at the Hungarian National Gallery. By 1918, Kádár moved to Western Europe. Today he is one of the most famous members of the early twentieth-century Hungarian avant-garde. Over the course of his time living in Berlin, Kádár’s style changed. His expressionistic, graphic works were gradually replaced by paintings that were more romantic and delicate in nature. Incorporating and often synthesising stylistic elements of Cubism, Futurism, Constructivism, Neo-Primitivism and German Expressionism, Kádár’s decorative and metaphysical subject matter was often based upon traditional Hungarian folklore, and his subject-matter became increasingly narrative. His paintings in this period often feature surrealistic dream-like imagery, reminiscent of compositions by Marc Chagall. Despite his variety of subjects, ranging from abstracted figures and landscapes to interiors and objects, his paintings are typically rendered in a bright, jewel-toned palette and feature a fractured approach to rendering space. In 1923 in Berlin, Kádár was invited by Herwath Walden to exhibit at the highly influential Galerie Der Sturm...
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Abstract harbor scene with boats, in bold, vivid colors on heavy mould made paper. Hand signed and dated, 1980 22 X 30 not frame Robert Freiman, deaf from birth, was born in March 1917 in New York City. He attended an oral program near his home and later transferred to the Lexington School for the Deaf when he was six. Early in his childhood, his love for drawing, painting and studying became apparent, and as an adult, he continued his studies in New York at the National Academy of Design, Pratt Institute, the Art Students League and the Parsons School of Design. In Paris, France he studied at the Ecole des Beaux Arts. Bob Freiman was especially focused on painting portraits and figures in motion in various mediums, especially the mixed-media combination of watercolor, acrylic and pen. Among his subjects were acrobats, ballet dancers, cyclists and other athletes. He as well focused on abstracts for a time, discovering new media in his works with quick brushwork and expressive movements. In the latter part of his career, his style became abstract and surreal with images of metaphysical landscapes with architectural elements such as arches, towers, pyramids and castles floating in the air. The famed art critic Pierre Rouve wrote: “It is therefore refreshing to see them revitalized by the colourist wealth and virile handwriting of Robert Freiman, probably the best American water-colorist since John Marin. He worked in Provincetown and Nantucket and regularly exhibited there. He showed at Doll & Richards gallery of Boston alongside John Chetcuti, Lloyd Goodrich, Tod Lindenmuth, William Meyerowitz, Dwight Shepler...
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Mary Dwyer, Susan B. Anthony On the Road Again, 2014, Arcylic Paint, Wood Panel
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Located in Darien, CT
This series of paintings portrays the ardent women involved in the American Suffrage Movement which led up to the 19th Amendment which passed in 1920. ...
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Rene Lynch, Day is Done, 2016, Oil on canvas, 18 x 18 x 1 in, Symbolist
By Rene Lynch
Located in Darien, CT
Born: Decatur, IL. Lives & Works in Brooklyn, NY. Her work has been widely exhibited nationally and internationally, including several solo exhibitions in Germany in Munich, Cologne and Berlin with Galerie Kaysser, in NYC and San Francisco with Jenkins Johnson Gallery and Tokyo and Osaka, Japan and NYC with HPGRP Gallery. Additional NYC solos include Bond Gallery, 490 Gallery, BOE, and MBM Gallery, and a large scale public art piece at One Main Window in Dumbo, Brooklyn. She has also presented major works at Kenise Barnes Fine Art, DFN Gallery, Lesley Heller Workspace, many years at “Take Home a Nude” for The New York Academy at Sotheby’s and numerous art fairs, and university galleries. Recent museum exhibitions include a solo at Kunstlade Museum, Zittau, Germany, The Hunterdon Museum in Clifton, NJ twice. as a featured artist in Munich at the Haus der Kunst Contemporary Art Institute. PS1 Museum of Modern Art, NYC, The Kotonah Museum of Art, NY, The Virginia Museum of Fine Art, and Shore Institute of Contemporary Art, Long Branch, NJ. She currently has a painting in the exhibition Beyond Suffrage at The Museum of the City of New York. Lynch’s work has been featured and written about in numerous publications including The New York Times, The Boston Globe, Art and Antiques magazine, American Art Collector magazine, German Bunte magazine, Oxford American magazine, and NY Arts magazine among many other publications. Rene Lynch has had several catalogues published about her work. Her art is featured on the cover of Boulevard Magazine Spring 2018. Her paintings were recently featured in scenes with Richard Gere in the film Norman. Her work can be found in numerous private and public collections throughout the United States, Germany, France, Switzerland, Italy, Austria, Turkey, Russia and Japan. Rene Lynch studied painting and art history at Virginia Commonwealth University, The Business of Art, Curatorial Studies Program, New York University, and Printmaking, Manhattan Graphics Center. Lynch has been awarded several fellowships, including; two fellowships from P.S.1 Museum of Modern Art, NYC, four fellowships from The Virginia Center for the Creative Arts, and two fellowships from Oberpfalzer Kunstlerhaus, Germany, and AIR Ruhpolding, Germany, also The Manhattan Graphic Center for printmaking, and the Millay Colony, NY and twice from Soaring Gardens, PA, and Palenville InterArts, NY among others. She has been invited to give Artists Talks at the Brooklyn Museum, NY, the Aldrich Museum, CT, the Hunterdon Museum, NJ, the Kunstlade Museum, Germany, Sotheby's Auction House, NY, Chelsea Art Museum, NY, Abrons Art Center, NY, New York Foundation for the Arts, New York Academy of Art, NY, Lumine, Tokyo, Japan, Umeda Gallery, Osaka, Japan, Jenkins Johnson Gallery, NYC, Kenise Barnes Gallery, NY, Pratt Institute, NY, Red Dot Art Fair, NY, Metaphor Contemporary Art , NY, Tribeca Arts Center, Manhattan Community College, Marymount Manhattan College, Kutztown University, PA, Simmons College, MA, LIU, Brooklyn, NY Lynch is co-founder/director/curator of Metaphor Contemporary Art with Julian Jackson. Since 2001, they have presented over 90 solo and group exhibitions of new works by hundreds of artists at their Brooklyn, NY gallery, and at several international art fairs, placed numerous works in private and public collections including US Embassies, banks, hotels and hospitals, published several exhibition catalogs, and presented numerous artists’ and critics’ talks and panel discussions. In 2017 Lynch & Jackson co-curated with HPGRP the NY Art Lab with 35 artists in Osaka, Japan and curated and produced recent art auction benefits, involving hundreds of artist: ArtHillary art auction at Kathryn Markel Fine Arts, NYC, 2016, White Hawk...
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Mary Dwyer, Elizabeth Cady Stanton_Seneca Falls 1870s_2014_acrylic on board,
By Mary Dwyer
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These new paintings illuminate individuals of the American Suffrage Movement. Elizabeth Cady Stanton, Ida B Wells and Alice Paul, each one intelligent, brave and incredibly relentless in the struggle to attain voting rights for American women. This series of paintings portrays the ardent women involved in the American Suffrage Movement which led up to the 19th Amendment...
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Mary Dwyer, Ida Tarbell, 2017, watercolor on paper, Suffragists and Journalists
By Mary Dwyer
Located in Darien, CT
The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...
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Mary Dwyer, Nellie Bly, 2017, watercolor on paper, Suffragists and Journalists
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The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...
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Mary Dwyer, Rachel Carson, 2017, watercolor on paper, Suffragists and Journalists
By Mary Dwyer
Located in Darien, CT
The inspiration for Mary Dwyer's work revolves around storytelling, historic events, a love of political cartoons and early portraiture paintings. An integral part of this work is research. Spurred by an innate curiosity, she creates political, historical and personal paintings. In the last few years Dwyer has been researching and painting the American Suffrage movement. In this research she discovered that the people working as both Suffragists and Abolitionists also started their own newspapers and published their own pamphlets. They became journalists, as no one was covering their story. Dwyer's paintings are a celebration of both the voter’s rights activist and the visual pageantry of the Suffrage movement. The use of color in her Suffrage paintings speak to the vibrant pageantry and the visual marketing used during the movement. Sashes, button, banners, flags and ribbons were made by women and marketed for women. The significance of free press is paramount in a free and fair society. The importance of journalist has become a theme that has continued in her present work. Recently she has been working on a Memorial Paintings...
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