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Marcel VertèsCircus performance, oil on canvas by French / hungarian artist Marcel Vertes
$2,659.13
£1,900
€2,268.77
CA$3,646.07
A$4,070.93
CHF 2,123.51
MX$50,058.11
NOK 26,801.30
SEK 25,232.48
DKK 16,925.03
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About the Item
Marcel Vertes (French/Hungarian, 1895 – 1961)
‘Circus performance’
Oil on canvas board
Signed `VERTES` (to the reverse)
20 x 24 in. (51 x 61 cm.)
Provenance: With the Hammer Galleries, New York
Hungarian by birth, the young artist Marcel Vertès worked as an illustrator for various magazines in Budapest. Following WWI, he moved to Paris to study at the acclaimed Académie Julian. These were formative years for the development of his painting style as he became influenced by the avant-garde Paris art scene at the time. In 1935, he travelled to New York and had his first one-man show there two years later. Back in Paris, when fashion designer, Elsa Schiaparelli launched the campaign for her new perfume called Shocking in 1937, she asked Vertès to design the advertisements, considered somewhat bawdy and “shocking” for the industry.
In the years following WWII (Vertès and his wife departed Paris two days before the Nazi occupation), Vertès divided his time between New York and Paris. The contacts he made in America would result in many lucrative commissions throughout his career. He designed the murals (which remain today) for the Café Carlyle in the Carlyle Hotel in New York City and also the wall decoration for the Waldorf Astoria’s Peacock Alley. In 1952, his attention turned to Hollywood and in a second collaboration with Elsa Schiaparelli, he designed the costumes and sets for John Houston’s film, Moulin Rouge, which depicted the life of Toulouse Lautrec. In the film, it was Vertès who provided the drawings of Toulouse Lautrec at work as he sketched the colorful personalities of the Moulin Rouge. For his work on the film, Vertès won two Academy Awards.
- Creator:Marcel Vertès (1895 - 1961, Hungarian)
- Dimensions:Height: 20 in (50.8 cm)Width: 24 in (60.96 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:In very good order, possible retouchings to pinholes (upper right). In a carved wood frame with white and grey paint effects, minor chip (lower left).
- Gallery Location:Petworth, GB
- Reference Number:1stDibs: LU540315177812
Marcel Vertès
Emmanuel Marcel Vertès, born Vértes Marcell in Újpest (Hungary) on 10 August 1895 and died in Paris 16th arrondissement on 31 October 1961, was a Hungarian-born French painter, engraver, illustrator and costume and film designer. After studying with Ferenczy at the Beaux-Arts in Budapest, Marcel Vertès produced political posters during the First World War. Going into exile at the end of the hostilities, like his comrades Mihály Bíró and Róbert Berény, he studied at the Académie Julian in Paris. He made a name for himself in France in the mid-1920s, particularly for his lithographs and illustrations. He published L'heure exquise, a series of erotic engravings, followed by Le pays à mon goût. His favourite subjects were the circus, balls and brothels. His real fame came with an album of lithographs entitled Dancings. Among the works he illustrated were Chéri and La Vagabonde by Colette, L'Europe galante by Paul Morand and Le Cirque by Ramón Gómez de la Serna, published by gallery owners Madeleine and Pierre Trémois. He was associated with the Hungarian cartoonist Alex Szekely.
In the 1930s, he also worked for fashion magazines such as the English edition of Vogue, the American rival Harper's Bazaar and the Gazette du Bon Ton. An engraver, watercolourist and costume designer, this artist also collaborated with Elsa Schiaparelli on numerous occasions, including advertising campaigns for perfumes, the creation of fabrics and even a portrait of the couturier. Mobilised at the start of the war, he was demobilised the following year and left for Biarritz. After passing through Spain, he returned to New York with his wife shortly afterwards and settled in 57th Street, continuing his collaborations and illustrations with the fashion world.
In the early 1950s, Marcel Vertès enjoyed a high profile in artistic circles, justified by a talent often described as exceptional. His drawings were characterised by a great economy of line and colour, and he also produced illustrations in black and white.
It was during this period that he worked on John Huston's Moulin Rouge as costume designer and set designer. He won two Oscars for this film. He moved back to Paris in the late 1950s and died there in 1961.
He is buried in the Père-Lachaise cemetery (90th division).
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