Margaretha E. Albers

"The Ordell, Brooklyn Bridge" Margaretha E. Albers, New York Urban Cityscape

1930s

Leon Dolice New York Harbor (Brooklyn Bridge), circa 1939-1940 Signed lower left Pastel on paper 12 x 19 inches Exhibited Roslyn Harbor, New York, Nassau County Museum of Art, Deco ...

Bela de Tirefort View from the Docks on the East River, New York, 1958 Signed and dated lower right Oil on canvas 16 x 20 inches Bela de Tirefort was born in Eastern Europe, painted...

Frida Gugler Building the Westside Highway (Near the George Washington Bridge), circa 1935-37 Signed lower right Oil on canvas 20 x 28 inches Born in Milwaukee, Wisconsin, the pain...

Henry Benson (1930 - 1998) Brooklyn Bridge, East River, 1971 Acrylic on canvas 34 x 28 inches Signed upper left corner: Henry Benson Provenance: Golden Door Gallery, New Hope, Penns...

Lawrence Nelson Wilbur (1897-1988), 'The East River', drypoint, edition 65, 1946. Signed, titled, and annotated 'A. Jones Proof 1946' in pencil. Signed and dated in the plate, lower ...

Genre: Modern Subject: Marine Landscape Medium: Oil Surface: Canvas Country: United States Dimensions w/Frame: 20.5" x 24.5" The imagery of Maurice Kish (1895-1987), whether factories or carousels, reliably subverts expectations. His vision hovers just around the unraveling edge of things, where what is solid and clear becomes ambiguous. He is fascinated, often delighted, by the falling apart. This unexpected, fresh perspective results in oddly affecting pictures of a now long-gone New York. Born Moishe in a town called Dvinsk, Russia (what is now Daugavpils, Latvia), Kish came with his family to New York when he was in his teens. The family settled in Brownsville, and for the rest of Kish’s life Brooklyn remained his home, though he moved from one neighborhood to another. He was close to his parents, who recognized his talent and supported his desire to become an artist. Kish attended the National Academy of Design as well as Cooper Union. His fellow students included many other immigrants and children of immigrants who were particularly receptive to the Modernism coming from Europe. As his career progressed, Kish himself applied different strains of Modernism to different purposes. For him, the story was held above all else. For years, Kish used the skills he acquired in art school to earn his living at a Manhattan glass...

Artist: Margaretha E. Albers, American (1881 - 1977) Title: Twilight Year: circa 1940 Medium: Oil on Board, signed Size: 12 in. x 16 in. (30.48 cm x 40.64 cm)

Artist: Margaretha E. Albers, American (1881 - 1977) Title: South Street, New York Year: circa 1940 Medium: Oil on Canvas, signed l.r. Size: 20 in. x 16 in. (50.8 cm x 40.64 cm)