[Bruce Sargeant (1898-1938)] Two Men in Boxing Gloves
View Similar Items
Mark Beard[Bruce Sargeant (1898-1938)] Two Men in Boxing Glovesn.d.
n.d.
About the Item
- Creator:Mark Beard (1956, American)
- Creation Year:n.d.
- Dimensions:Height: 24 in (60.96 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU93232882761
Mark Beard
Contemporary New York City-based artist Mark Beard has long demonstrated command in a variety of mediums — he works in oil paint, bronze, ceramics and more. Beard is known mainly for his portraits and figurative paintings, but he is prolific in figurative drawing and nude photography as well.
Beard was born in Salt Lake City, Utah. In 1986, he began working as a set designer, and for the next decade, he created more than 20 sets in New York City, London, Frankfurt, Vienna and Cologne. As a painter and printmaker, Beard didn’t wish to confine himself to a rigid style and instead sought to explore Impressionism, Art Nouveau and other movements in a range of mediums. In order to freely move from one style to the next, Beard created several different personas, assigning a specific biography to each one.
Beard's most prominent artistic alter ego is Bruce Sargeant, whom the artist has positioned in exhibitions as an early 20th-century painter. Beard's work as Sargeant is a detailed study of the male physique. The paintings often feature sculpted athletic men engaged in physical activities like wrestling and rowing. The work is steeped in homoeroticism, and the artist’s name itself is a reference to painter John Singer Sargent — while he’s best known for his Edwardian-era portraits, John Singer Sargent also created murals and drawings of male nudes that were similarly reflective of a homoerotic sensibility.
Beard is also an accomplished landscape painter. His great-grandfather, George Beard, was a regional painter and photographer of the Rocky Mountains. Mark spent summers at his grandfather's 19th-century log cabin retreat as a child. These formative experiences are reflected in his own stunning landscape paintings.
Beard's artwork is held in many high-profile museum collections, including the Whitney Museum of American Art, the Museum of Modern Art, the Metropolitan Museum of Art, the Wadsworth Atheneum Museum of Art and the Museum of Fine Arts, Boston.
Today, Beard resides in the Manhattan loft that he purchased in 1994 with his partner, James Manfred. It serves as both his home and his studio. The space is filled with his oil paintings, drawings and sculptures.
On 1stDibs, find Mark Beard paintings, drawings, photography and more.
- [Bruce Sargeant (1898-1938)] Exercising En Plein AirBy Mark BeardLocated in New York, NYOil on canvas Signed in red, u.r. $3250.00 + $200.00 framing This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure in the modern art mo...Category
21st Century and Contemporary Realist Figurative Paintings
MaterialsOil, Canvas
- Homage to Giovanni Colacicchi, "Fine d'estate 1932"By Mark BeardLocated in New York, NYOil on canvas Signed in red, u.l. This artwork is offered by ClampArt, located in New York City. Price includes framing.Category
2010s Nude Paintings
MaterialsOil
- [Bruce Sargeant (1898-1938)] Bathers by the ShoreBy Mark BeardLocated in New York, NYSigned in red, u.r. Oil on canvas 66 x 84 inches This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York...Category
2010s Figurative Paintings
MaterialsOil
- [Bruce Sargeant (1898-1938)] Salvation in the TropicsBy Mark BeardLocated in New York, NYDouble-sided oil painting on panel Signed in red, u.r. 24 x 18 inches, 29 x 23 inches in distressed black painted wood frame $5600.00 + $200.00 framing This artwork is offered by ...Category
21st Century and Contemporary Realist Figurative Paintings
MaterialsPanel, Oil
- UntitledBy Stuart KleinLocated in New York, NYAcrylic on paper Signed in pencil, verso 10.5 x 8 inches, sheet 21 x 18 inches, frame This work is offered by ClampArt, located in New York City. Price includes frame.Category
Early 2000s Contemporary Figurative Paintings
MaterialsAcrylic, Paper
- UntitledBy Stuart KleinLocated in New York, NYAcrylic and acrylic ink on paper Signed in pencil, verso 10.5 x 8 inches, sheet 18.5 x 16 inches, frame This work is offered by ClampArt, located in New York City. Price includes frame.Category
Early 2000s Contemporary Figurative Paintings
MaterialsAcrylic, Paper, Ink
- Echoes 2 - painting Paula Craioveanu oil on canvasBy Paula CraioveanuLocated in Forest Hills, NYEchoes 2 Composition with Two Female Nudes, oil on canvas, 35.5x19.5in / 90x50cm Part of WIngs of Gods, solo show. Shipped as it is, stretched, directly from the artist's studio.Category
2010s Academic Figurative Paintings
MaterialsCanvas, Oil
- Composition with Two Male Nudes - painting Paula Craioveanu oil on canvasBy Paula CraioveanuLocated in Forest Hills, NY"Composition with Two Male Nudes", oil and silver leaf on canvas, 35.5x23.5in / 90x60cm Part of my Male Nude series. Shipped as it is, stretched, directly from the artist's studio.Category
2010s Academic Figurative Paintings
MaterialsCanvas, Oil
- Baigneuses (Bathers)By Louis-Joseph CourtatLocated in New Orleans, LAFrench Academic painter Louis-Joseph Courtat displays his mastery of composition and the female form in this entrancing oil on canvas. Entitled Baigneuses, the work was painted for and exhibited at the 1885 Paris Salon, the foremost exhibition of painters in the Western world. Large in size, it captures two nude bathers within a tranquil beach scene. While the artist's skill for landscape painting is on display, it is his command of form, light and color that bring this canvas to life. The artist specialized in paintings that glorified the nude, and his skill is clear in the luminosity of his models' skin and the classical beauty of their form and proportions. With their soft, undulating curves and flowing hair, Courtat's models reflect the two key influences on the young painter, that of the great Jean-Auguste-Dominique Ingres as well as his teacher Alexandre Cabanel. Like these two greats who came before him, Courtat similarly follows in the artistic tradition of the female nude that is traceable to classical antiquity and the Italian Renaissance. Born in Paris in 1847, Courtat studied at the famed École des Beaux-Arts under Cabanel. He was one of the Academic master's first students at the school, where he began to teach in 1864. Displaying considerable skill at an early age, Courtat won the Prix de Rome around 1870, and subsequently studied in Rome for a number of years. He returned to Paris in 1873 to make his debut at the Salon, where he was met with immediate success, receiving a third class medal. He received medals again in 1874 and 1875, a remarkable achievement for a painter of his age. In addition to the monumental nudes...Category
19th Century Academic Nude Paintings
MaterialsCanvas, Oil
Price Upon Request - Love & the Jester - Oil Painting of SacrificeBy Jesus NodarseLocated in Brooklyn, NYOil Painting of a Love and Sacrafice by Cuban Artist Jesus Nordarse. Oil on Canvas. 18 x 18 inches. THE MAN: Jesús Nodarse Valdés was born in Sagua la Grande, Cuba in 1973. He studi...Category
2010s Academic Figurative Paintings
MaterialsCanvas, Oil
$2,800 Sale Price20% OffFree Shipping - Le Martyr de Saint Sebastian (Academic Figurative Oil Painting in Gold Frame)By Mark BeardLocated in Hudson, NYAcademic style figurative oil painting on canvas 48 x 24 inches unframed 58 x 32 x 3 inches in gold leaf wood frame This vertical, contemporary figurative painting of Le Martyr de Saint Sebastian was made by Mark Beard under his fictitious artistic persona, Hippolyte-Alexandre Michallon. Painted in a modern Academic style, Beard paints this Christian saint with dramatic detail and emotional gravity. The scene is a common artistic depiction of Sebastian who according to traditional belief, was killed during the Roman emperor Diocletian's persecution of the Christians. Here the artist depicts a nearly nude Saint Sebastian standing stoically while tied to a rustic brown post. A lush green forested terrain decorates the background while a white neo-classical building sits in the distance, which is perhaps the tomb where Saint Sebastian's remains were laid to rest. Saint Sebastian's pale blue-grey, stone-like stone tone is characteristic of Mark Beard's work who often portrays muscular young men similarly to Greek statues. The vertical Academic style figurative oil painting is complimented with a vintage style gold leaf wood frame. The painting is signed 'H. A. Michallon 1872' in red oil paint in the lower right corner. The gold frame is also signed and inscribed with black oil paint in several places (please see images). Mark Beard is a contemporary artist who made this work under the pseudonym Hippolyte A. Michallon who painted during the late 1800's so slight wear (see images) is intentionally staged to align with the factitious artist's purposed history. About the artist: Mark Beard is perhaps the most literal example of an artist pulled in so many different directions that he chose to “invent” six different personae in which to channel his overflowing energy and need for expression. Each painting style is radically different from the next, so it remains entirely believable that the work could stem from six completely different people of different time periods and different schools of thought. With a background in set design, Beard has always been one who could conjure total magic with anything available. Mark Beard has exhibited with Carrie Haddad Gallery for nearly twenty years and there has never been a dull moment. Mark Beard, born in 1956 in Salt Lake city, now lives in New York City. His works are in museum collections worldwide, including the Metropolitan Museum of Art, New York City; the Museum of Modern Art, New York City; the Whitney Museum of American Art, New York City; the Boston Museum of Fine Arts; and the Harvard, Yale, and Princeton University Art Museums; among many others. We would not be the least bit surprised to see new ‘personas’ emerge in the coming years. About: Hippolyte - Alexandre Michallon, 1849 -1930 The long and peripatetic artistic career of Hippolyte-Alexandre Michallon began in a conventional fashion. The only son of prosperous bourgeois parents in Tours, he first studied drawing with his mother, an accomplished amateur painter of insects. His father, an undertaker who appreciated his son's talent and supported his ambition to become a painter, sent him to Paris at age sixteen to enroll in the studio of Francois-Edouard Picot (1786-1868), an eminent history painter and professor at the Ecole des Beaux-Arts, with whom he studied for three years, until Picot's death. Under his aging teacher's guidance and tutelage, Michallon entered the preliminary stages of the Prix de Rome contest at the Ecole three times, winning an Honorable Mention in 1869 for his composition entitled The Solider of the Marathon. For the next twenty years Michallon regualarly exhibited paintings on historical and biblical themes at the Paris Salon, as well as commissioned portraits. By his own account, the most ambitious work of Michallon's career was a thirty-foot canvas depicting Noah's Ark, which he exhibited in the Salon in 1875. Michallon began painting atmospheric but zoologically correct images of exotic animals in the wild. These achieved a certain popularity among French and foreign collectors alike, providing Michallon with financial security for the first time in his career. Michallon moved to England in 1893. His outstanding technical skills easily earned him a position on the faculty of the Slade School of Art in 1900. The craze for animal paintings proved short-lived. He continued to teach at Slade for the next two decades, but his classes gradually dwindled in size as the academic approach and methods he espoused went from outmoded to downright unpopular. Finally in 1922, finding himself reduced to a single pupil, the talented young American Bruce Sargeant, he retired from Slade, persuading Sargeant to leave with him and undergo private instruction at home. Several years later he retired to a cottage at St. Ives, Cornwall, where he lived quietly until his death in 1930, forgotten by all but a few former students, among them Edith Thayer Cromwell...Category
Early 2000s Academic Figurative Paintings
MaterialsCanvas, Oil
- Fairest Rose - French Academic Nude Oil Painting by Delphin EnjolrasBy Delphin EnjolrasLocated in Marlow, BuckinghamshireSigned nude in interior oil on canvas circa 1900 by French academic painter Delphin Enjolras. The piece depicts a red-haired nude resting on a bed in a lush boudoir with a sheer scar...Category
Early 20th Century Academic Nude Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllRead More
Lori Grinker’s Artful Photographs of a Young Mike Tyson Are a Knockout!
The New York photographer tells us how an encounter with the then-13-year-old boxer led to a decade-long project that saw them both go pro.
In Marc Yankus’s Photos, New York Landmarks Are Pristinely Devoid of People
A new exhibition at Manhattan's ClampArt gallery shows off the artist's portraits of urban architectural icons.