Mark Steven Greenfield

Queen Nzingha Mbande

2021

With Halo, Greenfield brings the stories of Black folk-saints, martyrs, freedom-fighters, survivors, magicians, and visionaries back into view.

With Halo, Greenfield brings the stories of Black folk-saints, martyrs, freedom-fighters, survivors, magicians, and visionaries back into view.

Halo presents an amazing cast of historical black figures, most of whom were legendary and mythic characters in their time, but have been nearly lost to the vagaries and biases of history as seen through a white lens. With Halo, Greenfield brings the stories of Black folk-saints, martyrs, freedom-fighters, survivors, magicians, and visionaries back into view. Many of the figures are from the 1400-1800s, a timeframe that corresponds with Europeans beginning to use racial distinction as a tool to justify slavery. Greenfield honors their simultaneously disturbing and astounding lives by bestowing them with halos, traditionally seen as reverential symbols of adoration and respect. “I am reimagining what a saint is,” Greenfield says. “Maybe in studying their stories, they can inform us on better ways to live.” Thought to have been a descendent of central African royalty...

Halo presents an amazing cast of historical black figures, most of whom were legendary and mythic characters in their time, but have been nearly lost to the vagaries and biases of hi...

"Regal" depicts a woman adorned with an Egyptian crown, symbolizing royalty and ancient heritage. The majestic crown is complemented by a single leaf at her back, which adds an eleme...

Appearance defines what you are made of, being black, made of dressing, our way of approaching, respect, and how we react to things are what we inherit from our four fathers and we are happy and proud of who we are. Black is beautiful, I love black. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issue by The Galley) About Artist Ajenifuja Abiodun...

Symbol of Memories 1 is an original painting by Oladimeji Alabi. Oladimeji created the Symbol of Memories with Mixed Media on a 30W by 50H inches primed canvas. The symbol of Memories is inspired by the story of my childhood. The objects and signs we grew up with as a child in our homes become symbols of our memories today. Art has the ability to evoke strong emotions and convey meaningful messages. One such artwork that does just that is "Symbol of Memories," a stunning piece that uses the mother as a symbol of life and hope. This artwork is made even more significant by the use of damask fabric, which was popular among Nigerian women in the late 70s to 90s and used for making gele, the head ties worn by women. The artwork speaks volumes about the importance of mothers in society. The mother is dressed in a vibrant damask fabric, which adds a sense of richness and texture to the painting. The use of damask fabric in the painting is significant as it represents a part of Nigerian culture and history. Damask was a popular fashion among Nigerian women in the late 70s to 90s and was used to make gele, the head ties worn by women on special occasions. The fabric is often associated with elegance, sophistication, and beauty, which adds a layer of meaning to the artwork. The mother in the painting is the focal point of the artwork, symbolizing the importance of mothers in society. Mothers are the backbone of families, providing love, support, and guidance to their children. They are often the ones who hold families together through difficult times, serving as a symbol of hope and resilience. The use of the damask fabric in the painting also represents the concept of memories. The fabric has a rich history in Nigerian culture, and for many people, it is a symbol of their childhood and the memories they hold dear. The painting serves as a reminder of the importance of preserving memories, both good and bad, and how they shape our lives. Overall, "Symbol of Memories" is a beautiful piece of art that celebrates the role of mothers in society. The use of damask fabric adds a layer of meaning to the painting, representing the importance of preserving memories and the rich culture of Nigeria. The mother as a focused subject symbolizes life and hope, the fabric applied in this art is called damask, which was a popular fashion among Nigerian women around the late 70s to 90s used for making gele(the head ties). Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oladimeji Alabi is an experimental contemporary visual artist based in Lagos. His works are based on social and environmental issues in modern Nigeria and the globe, while highlighting and archiving the social customs of his Yoruba ethnicity. Oladimeji's works are in paintings (acrylics, charcoal, spray cans, and LED), graffiti, illustrations, wood works, street art, and wearable art. Oladimeji studied Fine Art at the Yaba College of Technology in Lagos and has created works shown in exhibitions, auctions, and magazines in Nigeria and beyond. Dimeji's work has been featured in Vogue Germany, Royal Academy, BLK Arthouse Washington, Artist Movement 2020, Galleries of the Community College of Baltimore County, Nike Art...

I draw from the personal narrative of my mother, whose life was marked by adversity yet remained steadfast in her values. Her unwavering commitment to her virtue and essence serves a...