Board Figurative Paintings

Suchitra Bhosle's "The Visitor" is an original, handmade oil painting that depicts floating white and pink roses with a hummingbird approaching. About the Artist: Suchitra Bhosle is an India-born artist based in California. Suchitra paints in a representational realistic style drawing inspiration from 20th century naturalist painters. She embraces impressionism to depict everyday representational scenes. Suchitra excels at capturing and expressing the mood of her subjects, often in contemplative classical settings. This lends a timeless yet intimate quality to her paintings. Though primarily a portrait and figurative painter, she has recently been painting urban and architectural subjects. Suchitra is represented in leading fine art galleries across USA including Santa Fe, Washington D.C., Carmel and Houston. Her paintings have won awards at international juried shows hosted by The Portrait Society of America, Oil Painters of America and American Impressionist Society.

Georg Stoopendaal (1866–1953) A Woman in the Field oil on board signed G.S unframed 23 × 31 cm (9 × 12 ¼ in) framed 33 × 41 cm (13 × 16 ⅛ in) In this quietly atmospheric scene, a ...

Artist: Hayk Gasparyan Work: Original oil Painting, One of a Kind Medium: Oil on Cardboard, Year: 2025 Style: Abstract, Figurative Title: Party Size: 13.5" x 17.5" x 0.1'' inch (35x4...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Paper Year: 2025 Style: Figurative art Title: Figure Size: 11.5" x 18" x 0.1'' ...

Addison Thomas Millar Lady in a Interior Oil on canvas board 14 x 10 inches Millar's father emigrated to the United States from Scotland in 1845. He grew up in Warren, Ohio. During his primary education, he took some painting lessons from John Bell, a local landscape painter. In his late teens, he won three consecutive awards from The Youth's Companion, in their annual art contests. This prompted his parents to allow him to go to Cincinnati to take formal lessons from the genre painter, De Scott...

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

Suchitra Bhosle's "Dappled Light Siesta" is an original, handmade oil painting that depicts a young man resting calmly on a lush green hill. About the Artist: Suchitra Bhosle is an...

"In the Spotlight" (2024) by Dianne L Massey Dunbar is a playful oil painting that depicts two empty Coca-Cola bottles. This piece measures 12 x 9 inches and ...

Joseph Rerolle (French, 1829 – 1901) A girl at a woodland stream, Leman Oil on paper laid down on board Signed ‘J. Rerolle’ (lower left) 13.7/8 x 16.3/4 in. (35.3 x 42.5 cm.)

Spring in the forest. 1978, oil on cardboard, 50x35 cm Landscape with trees at spring Valiahmetov Amir Hasnulovitch (1927 07 01 Kazan - 2014 Moscow) He graduated a Art Institut of M...

Ships in port. Oil on cardboard, 56,5x64,5 cm He learned at State Technique of Riga, architecture department. 1937 –Latvian academy of Art, landscape Studio of V. Purvitis, with dip...

This painting captures an impressionistic scene at the beach in St. Tropez with beautiful brushwork and whimsical colors. This piece captures the beach and times of the early 20th Ce...

A fluidly painted impression of this well known sailors' haven at Pin Mill on the River Orwell, Suffolk. Hugh Boycott Brown (1909-1990) Thames Bar...

"La Place au Bistro des Filles" by Gerard Valtier is an original oil on canvas that measures 35x46 inches. The bright colors of this impressionistic painting create a lively evening scene of people walking and dancing outside of the shops along a canal. Empty gondola's float on the water, lit by the street lamps. Many appreciate the energetic work of the brush to describe the foliage or the luminous backgrounds irradiated with numerous vibrant colors. Seething with colors, sparkling, blazing, molten gold: the whole mystery of Gerard Valtier’s painting lies in the working of this colorful living chemistry, where the thickening cover of the glaze catches the reflections of the light, which progressively becomes incandescent. The contrasting blue and yellow, basically naturalistic colors - characteristic of the impressionist palette - create a feeling of bedazzlement which send out their own light, directly imitating the natural effects of light itself. Thus, the property of the color, the interaction of colors as well as their power to create some light, definitely are the basis of Valtier’s work. The artist can paint everything: barges along the quay, the busy crowds, Venice and its carnival, the bride and her procession - his whole painting is under the sign of the feast. Unlike Renoir or Cezanne, Valtier does not hesitate to use black as a true color, not one designed to soften or drain the pure color, as in the shadows. One will also appreciate the energetic work of the brush to describe the foliage or the luminous backgrounds irradiated with numerous vibrant colors. Valtier has had exhibitions throughout the world and has received many awards. He paints from his studio in Arles, France. He is listed in Mayers, Akoun, La Cote des Peinteres, Bordas International, and Financial Art.

"Couple on Bench at the Beach" is an original pastel drawing on paperboard by Francesco Spicuzza. The artist signed the piece in the lower left. This drawing depicts two figures sitting on a bench in front of a body of water. The artist used mostly pastel colors for this piece. 6 7/8" x 9 7/8" art 18 1/2" x 21 3/8" frame Francesco J. Spicuzza, born in Sicily on July 23, 1883, came to America at the age of 8. He supported himself as a fruit peddler until a newspaperman gave him $4 a week to go to school. He attended classes at the Milwaukee Art Students League, where he studied under Alexander Mueller. There he learned to paint in the then-fashionable "Munich School" technique, with detailed realism in heavy browns and grayed-out hues. Spicuzza completed eight grades in four years, and then in 1911, three businessmen advanced him enough money to allow him to study in New York under artist and teacher John Carlson. It was during this time that Spicuzza changed his style of painting, developing an impressionistic use of color, form and atmospheric renditions. After a period of grinding poverty, one of Spicuzza's pictures won a major New York competition. It was the first of 60 wins, both in the U.S. and Paris. He became a fashionable painter, and many of the leading collections have his work. Spicuzza's typical works were beach scenes, still life, landscapes and portraits done in pastels, oils, ink, charcoal and watercolors. Much of his work traced the history of Milwaukee in the early 1900s. He was probably best known for his scenes of women and children splashing in the waves...

Windy day. 1981, oil on cardboard, 40x62 cm

This Western Landscape by New England Impressionist painter Richard Edward Miller is a 12.5 x 23.5 inches, oil on board painting from 1931. A plein-air and impressionist painter as ...

Suchitra Bhosle's "I Will Bring You Good Luck" is an original, handmade oil painting that depicts white and orange koi fish mingling and surfacing in the shallow blue water of a koi ...

Allen Dean Cochran’s Nude Woman Sitting by Stream is a captivating exploration of serenity and nature, rendered in vibrant hues of green and blue. The painting features a nude woman ...

Morning melody 2021., cardboard, oil, 70x50 cm

This painting depicts an impressionistic Plein Air scene of Brunch at Fanelli n Soho Manhattan. The thick brush strokes and fun marks creates an atmosphere reminiscent of city life. ...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Impressionist winter pastoral scene of a quaint snow covered home by Solebury, Bucks County PA. Willett has portrayed this charming scene in a most intimate, yet energetic way, and h...

"Market in Paris" is a European townscape and market Scene by American Impressionist painter Albert Van Nesse Greene, featuring towns people at a busy outdoor market. The painting i...

Helena Malarewicz-Krajewska (born 14 July 1910 in Biecz , died May 7, 1998 in Warsaw) is a Polish painter, active advocate of socialist realism. Studied between 1928 and 1929 at the...

This lively composition by Harold Fletcher Trew captures the bustling atmosphere of a continental marketplace, painted with bold colour and expressive brushwork. The scene is structu...

"Horses Running", a bold abstract impressionist oil painting with heavy impasto. By Sheila Hedricks. Oil on board. In a period hand...

Basket Weaver with his Baskets for the Market 1950s figurative oil Expressive and detail portrait of a weaver and his baskets, heading to market by California impressionist nna Oley...

Good wholesome mid-century Americana is on full display in the joyous illustration that depicts a red horsedrawn sled of merrymaking folks being rreated at an inn. Signed lower left ...

Boats Approaching the Coast Kohler Fritz Moritzberg, Germany 1887 – 1972 Düsseldorf, Germany German Painter Signature: Signed bottom right and placed Medium: Oil on board Dimension...

George Taylor's "Feeding the Chickens" is a delightful impressionist landscape that captures the serene beauty of rural life with a gentle, luminous palette. This charming painting p...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Venetian Skyline at Sunset Oil on board, unsigned, from the artist’s studio Presented in a new hand-made English contemporary ...

This charming composition by Harold Fletcher Trew captures the quiet dignity of an old European street, rendered with his characteristic clarity of line and subtle tonal palette. A t...

Abstract Figurative ARTIST: Hayk Gasparyan WORK: Original oil Painting, One of a Kind Medium: Oil on Cardboard, Unique style, YEAR: 2016 STYLE: Abstract, Figurative SUBJECT: Dialogue...

Luminoso quadro con fiori azzurri in un prato primaverile 1978 GLEB SAVINOV (Charkev, 1915 – San Pietroburgo, 2000) Le opere di Gleb Savinov si trovano in varie collezioni private ...

Artist: Hayk Gasparyan Work: Original oil Painting, One of a Kind Medium: Oil on Cardboard, Year: 2025 Style: Abstract, Figurative Title: Celebrity Size: 13.5" x 17.5" x 0.1'' inch ...

Artist: Hayk Gasparyan Work: Original oil Painting, One of a Kind Medium: Oil on Cardboard, Year: 2025 Style: Abstract, Figurative Title: Walking Size: 13.5" x 17.5" x 0.1'' inch (35...

Fiona Carver Summer in St Ives Original Contemporary Painting Oil on Panel Image size: H 11cm x W 16cm Framed size: H 24cm x W 29cm Sold in a hand painted wooden frame (Please note t...

Campy and sexy illustration of two French chorus girls for the mid-century Avon paperback Les Girls. Story of the Folies Bergere Unsigned and unframed. George Ziel...

Artist: Hayk Gasparyan Work: Original oil Painting, One of a Kind Medium: Oil on Cardboard, Year: 2025 Style: Abstract, Figurative Title: Serenade of Form Size: 13.5" x 17.5" x 0.1''...

Artist: Hayk Gasparyan Work: Original oil Painting, One of a Kind Medium: Oil on Cardboard, Year: 2025 Style: Abstract, Figurative Title: Abstract Muse Size: 13.5" x 17.5" x 0.1'' in...

Artist: Hayk Gasparyan Work: Original oil Painting, One of a Kind Medium: Oil on Cardboard, Year: 2025 Style: Abstract, Figurative Title: Mirror Size: 17.5" x 13.5" x 0.1'' inch (45x...

Jim Beckner's (US based) "Intersection" is an original, handmade oil painting depicting an urban scene below the El 1's tracks with patterned shadows. About the Artist: (Born 1970...

Jim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...

James Parfitt (British, b. mid-20th century) Greenhouse Interior, ca. 1994 Oil on canvas In this intimate and richly detailed scene, James Parfitt offers a quiet celebration of hort...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Trees in a Landscape Oil on board, signed, from the artist’s studio This atmospheric landscape by Charles Bertie Hall captures...

Medium: Oil On Board Painting Size: 24.25 x 16.25 inches Frame Size: 29.75 x 21.75 inches Condition: This artwork is in good overall condition for its age. Signature: Signed Artist...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

"Cold Walk" by Clyde Steadman (United States) is a handmade nude portrait painting that is unframed, but ready to hang. Clyde Steadman got his start as an artist drawing people in c...

Light game 1993, cardboard, oil, 100x91 cm

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Cardboard Year: 2025 Style: Figurative art Title: Woman with Flowers Size: 17" ...

"Other Side of the Island" (2024) by Sheri Farabaugh (United States Based) is a handmade still life oil painting that depicts a serene view from an island, looking out across the wat...

A "Flapper of 1800" is depicted in profile with her maid holding a hat box and cradling a little monkey. The maid is a step to the right and a step behind her. Overlapping garments v...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Evening Regatta Oil on board, unsigned, from the artist’s studio Presented in a new hand-made English contemporary frame This ...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Regatta Scene Oil on board, unsigned, from the artist’s studio This vibrant coastal study by Charles Bertie Hall captures the ...

Title: Woman with Glass Author: Ramón Pichot Soler (1924-1996) Technique: Oil on hardboard Dimensions: 18.1 x 15 inches Framing: Unframed Estimated year: 1970s Descripti...

"Mountain Waters, Romans 1:11-12" (2025) by Thomas Kegler is an original, handmade oil painting that depicts a mountain river with serene waters. About the artist: Thomas Kegler’s ...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Sailboats at Sunset, Nantucket Oil on board, signed lower left, from the artist’s studio Presented in a new hand-made English ...

Ramón Pichot Soler (1924-1987) - Woman and flowers - Oil on panel Oil measures 33x41 cm. Frameless. Ramon Pichot i Soler (Figueres, 1924 - Barcelona, May 24, 1996) was a Catalan pai...