Board Figurative Paintings

April Skiers, Nendez by Lucy Pratt [2022] original and hand signed by the artist Oil on Board Image size: H:49 cm x W:58 cm Complete Size of Unframed Work: H:49 cm x W:58 cm x D:1cm Frame Size: H:67 cm x W:77 cm x D:3cm Sold Framed Please note that insitu images are purely an indication of how a piece may look April Skiers, Nendez is an original oil on board painting by artist Lucy Pratt. Nendez is nestled in the heart of the 4 Vallées in Switzerland. Featuring Lucy Pratt's elegant use of impressionist style mark...

Suchitra Bhosle's "Poem at Dusk" is an original, handmade oil painting that depicts a pink rosebush in an evening glow. About the Artist: Suchitra Bhosle is an India-born artist ba...

"Park Benches" is a 10 x 11 1/2 inches, oil on board impressionist street scene by American impressionist painter and member of the Women's Artists Group "The Philadelphia Ten", Nancy Maybin Ferguson...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Sailboats at Sunset, Nantucket Oil on board, signed lower left, from the artist’s studio Presented in a new hand-made English ...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Venetian Skyline at Sunset Oil on board, unsigned, from the artist’s studio Presented in a new hand-made English contemporary ...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Coastal View with Sailboats Oil on board, signed, from the artist’s studio Presented in a new hand-made English contemporary f...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Domed Skyline at Sunset Oil on paper, signed lower left, from the artist’s studio In this expressive work, Charles Bertie Hall...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Nantucket Oil on board, signed, from the artist’s studio This vibrant painting by Charles Bertie Hall presents a series of imp...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Coastal Shoreline with Rocks Oil on board, signed on reverse, from the artist’s studio This luminous coastal study by Charles ...

Harrods View painted Plein Air All Prima. Discover new works by Tushar Sabale available to buy online and in our art gallery at Wychwood Art. Tushar Saba...

Todd Carpenter's (US based) "Crystallized" is an oil painting that depicts a black and white landscape of soaring peaks. Bio/artist statement: Todd Carpenter is a Los Angeles based...

A walk in the forest. Cardboard, oil. 8x6.2 cm

"In the Spotlight" (2024) by Dianne L Massey Dunbar is a playful oil painting that depicts two empty Coca-Cola bottles. This piece measures 12 x 9 inches and ...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Trees in a Landscape Oil on board, signed, from the artist’s studio This atmospheric landscape by Charles Bertie Hall captures...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Regatta Scene Oil on board, unsigned, from the artist’s studio This vibrant coastal study by Charles Bertie Hall captures the ...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Regatta Scene Oil on board, unsigned, from the artist’s studio This vibrant coastal study by Charles Bertie Hall captures the ...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Sailboats on the Horizon Oil on board, unsigned, from the artist’s studio In this seascape, Charles Bertie Hall captures the v...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Sailboat at Sunset Oil on board, unsigned, from the artist’s studio This intimate seascape by Charles Bertie Hall captures a s...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Sailing at Sunset Oil on canvas, signed lower left, from the artist’s studio This lively small-scale seascape by Charles Berti...

Charles Bertie Hall (Anglo-American, 20th/21st Century) View of the Statue of Liberty Oil on board, unsigned, from the artist’s estate This evocative painting by Charles Bertie Hall ...

Charles Bertie Hall (Anglo-American, 20th/21st Century) Views of Nantucket Oil on canvas board, unsigned, from the artist’s estate This charming work by Charles Bertie Hall presents ...

Spring in the forest. 1978, oil on cardboard, 50x35 cm Landscape with trees at spring Valiahmetov Amir Hasnulovitch (1927 07 01 Kazan - 2014 Moscow) He graduated a Art Institut of M...

Nathan Hoffman Brighton Beach, July 31, 1946 Signed, dated, and estate stamped on the reverse Oil on artist's board 10 x 13 1/2 inches Provenance: Esta...

Painter, vacation, summer, impressionism, picnic, 1950s Russia,Green

Addison Thomas Millar Lady in a Interior Oil on canvas board 14 x 10 inches Millar's father emigrated to the United States from Scotland in 1845. He grew up in Warren, Ohio. During his primary education, he took some painting lessons from John Bell, a local landscape painter. In his late teens, he won three consecutive awards from The Youth's Companion, in their annual art contests. This prompted his parents to allow him to go to Cincinnati to take formal lessons from the genre painter, De Scott...

Ships in port. Oil on cardboard, 56,5x64,5 cm He learned at State Technique of Riga, architecture department. 1937 –Latvian academy of Art, landscape Studio of V. Purvitis, with dip...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Chelsea Cafe" by Richard Gower is a captivating original figu...

Preparing the Boat" by Clara Belle Owen is a luminous impressionist depiction of a young boy approaching a grand sailboat, ready to prepare it for an impending journey. The painting ...

Title: Bullfighting Scene Artist: José María Tuser Vázquez (1919-1986) Technique: Oil on board Dimensions: 25.6 x 21.3 in (65 x 54 cm) Frameless Period: Second half of the 20th century Art Movement: Figurative Expressionism with Impressionist influences Condition: Good, with visible signs of aging on the surface DESCRIPTION OF THE WORK This painting captures a crucial moment in a bullfight, where the matador, dressed in a dazzling traje de luces (suit of lights), elegantly holds the red cape (muleta) while facing a wounded bull. The scene conveys tension and drama through energetic and loose brushwork, with strong contrasts of light and color that enhance its expressiveness. The abstract background, built with gestural brushstrokes in warm, earthy tones, reinforces the dynamism and immediacy of the moment. The thick texture of the paint and the vibrant colors in the matador's attire and cape are characteristic of Figurative Expressionism, giving the work a strong emotional impact. Tuser masterfully captures the essence of movement and the intensity of the bullfight through a painterly approach reminiscent of Impressionism, but with a greater emphasis on gesture and expressive color, making his work stand out for its raw energy and dramatic depth. ARTIST BIOGRAPHY José María Tuser Vázquez (Barcelona, 1919 - 1986) was a Spanish painter specialized in bullfighting themes, gaining recognition in the 20th-century art scene for his expressive depictions of the corrida (bullfight). He studied at the School of Arts and Crafts in Barcelona, where he developed a strong mastery of color and composition. From 1947 onwards, his work focused almost entirely on bullfighting, creating posters, illustrations, and paintings that capture the emotion and spectacle of the arena. He was a frequent collaborator with El Ruedo magazine, where his illustrations and covers solidified his reputation. Additionally, in the 1940s, he designed series of postcards featuring traditional Spanish costumes for the Artigas Publishing House. His work has been auctioned in several art houses and is highly valued among collectors of bullfighting paintings. His influence and legacy in tauromaquia (bullfighting art...

At the bridge. Cardboard, oil. 6.2x8 cm

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Martha Walter (1875 - 1976). Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylvania Academy of the Fine Arts. It was at the Academy that Walter’s artistic talent was discovered. An admiring instructor by the name of William Merritt Chase took young Martha under his wing, giving her both inspiration and direction. She additionally enrolled with Chase at his summer school in Shinnecock, Long Island and in 1903, was awarded the Cresson Traveling Scholarship by the Pennsylvania Academy. This sent Martha Walter on travels to France, Italy, Spain, and Holland, where she attended the Grand Chaumiere and the Academie Julian in Paris. Afterwards, she established a studio on the Rue De Bagneaux in France with several other American women artists...

Windy day. 1981, oil on cardboard, 40x62 cm

Meadow. Cardboard, oil. 6.2x8 cm

Oil on board Board size: 13 x 16 inches Framed size: 18.25 x 21.25 inches Signed with initials lower left

This artwork is part of a series of oil pastels from Marc Chaubaron, who aimed to keep a record of the old Saint-Goustan French port. It features a vie...

Mom, birth, baby, green, motherhood, Mother's Day KLARA VLASOVA (Moscow, 1926-2022) MUSEUMS St. Petersburg, State Russian Museum Moscow, Pushkin Museum Moscow, Museum of History ...

Jim’s of Lambertville is proud to offer this artwork by: Martha Walter (1875-1976) Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylva...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Paper Year: 2025 Style: Figurative art Title: Figure Size: 11.5" x 18" x 0.1'' ...

Inscribed, verso, with artist's name, Axel Helsted (Danish, 1847-1907) and painted circa 1895. Additionally titled, verso, 'Madonna'. Accompanied by a Certificate of Authenticity. ...

Charles Vezin Factories on The River Signed lower right Oil on canvas board 12 x 13 15/16 inches After spending half his years as a partner in a highly profitable wholesale dry-goo...

Signed oil on board landscape by French impressionist painter Maximilien Luce. The work depicts a view of rolling French countryside on a summer's day with white clouds contrasting t...

Suchitra Bhosle's "I Will Bring You Good Luck" is an original, handmade oil painting that depicts white and orange koi fish mingling and surfacing in the shallow blue water of a koi ...

Morning melody 2021., cardboard, oil, 70x50 cm

Boats Approaching the Coast Kohler Fritz Moritzberg, Germany 1887 – 1972 Düsseldorf, Germany German Painter Signature: Signed bottom right and placed Medium: Oil on board Dimension...

In Geri's own words: "My love for art began in my early teens when I signed up for art class in high school and soon discovered that I had a passion for drawing and oil. Growing up i...

Signed oil on canvas laid on board landscape by American Impressionist painter Abram Molarsky. The work, painted in mostly pastel shades of green, blue and purple depicts a view of b...

Helena Malarewicz-Krajewska (born 14 July 1910 in Biecz , died May 7, 1998 in Warsaw) is a Polish painter, active advocate of socialist realism. Studied between 1928 and 1929 at the...

Impressionist New York City winter city-scene depicting the New York City Library on 42nd Street with pedestrians going through the snow in a most intimate, yet energetic way. Christ...

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

Juan Gil y Gil (1900-1984) - Landscape with hermitage - Oil on panel Oil measurements 27x35 cm. Frameless Painter. He began his artistic training in Paris, which he later continued ...

We all wear masks. Someone has a sad mask, someone has a funny one. There are masks of cruelty or melancholy. My mask is like this one in love with the whole world. I give my love t...

"La Place au Bistro des Filles" by Gerard Valtier is an original oil on canvas that measures 35x46 inches. The bright colors of this impressionistic painting create a lively evening scene of people walking and dancing outside of the shops along a canal. Empty gondola's float on the water, lit by the street lamps. Many appreciate the energetic work of the brush to describe the foliage or the luminous backgrounds irradiated with numerous vibrant colors. Seething with colors, sparkling, blazing, molten gold: the whole mystery of Gerard Valtier’s painting lies in the working of this colorful living chemistry, where the thickening cover of the glaze catches the reflections of the light, which progressively becomes incandescent. The contrasting blue and yellow, basically naturalistic colors - characteristic of the impressionist palette - create a feeling of bedazzlement which send out their own light, directly imitating the natural effects of light itself. Thus, the property of the color, the interaction of colors as well as their power to create some light, definitely are the basis of Valtier’s work. The artist can paint everything: barges along the quay, the busy crowds, Venice and its carnival, the bride and her procession - his whole painting is under the sign of the feast. Unlike Renoir or Cezanne, Valtier does not hesitate to use black as a true color, not one designed to soften or drain the pure color, as in the shadows. One will also appreciate the energetic work of the brush to describe the foliage or the luminous backgrounds irradiated with numerous vibrant colors. Valtier has had exhibitions throughout the world and has received many awards. He paints from his studio in Arles, France. He is listed in Mayers, Akoun, La Cote des Peinteres, Bordas International, and Financial Art.

Joaquin Terruella Matilla (1891-1957) - Landscape - Oil cardboard Oil measures 14x10 cm. Frame measures 25x20 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla,...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

David Solot, a dentist and painter, was born in Falciu (Romania) and settled in Paris in 1928. His art was surrealistic dentally inspired plus portraits and city landscapes. **************************** Translated from an article by Luana Hrisanti Rigot: "In 1956, at the Charlotte Norberg Gallery (Paris), he presented his first personal exhibition, composed of an ensemble of surrealist paintings of professional inspiration (dental elements). Two years later, at Gallery Royale (Rochefort), he exhibits another 50 paintings on the subject. At that time, a decisive event for the painter David Solot was made: a great new-York-born antibiotic producer Lederle Cy learns about his work and contacts him through the US Ambassador to Paris, proposing an advertising contract and buying the reproduction right for 24 of its canvases. A year later, the same company bought the right to print three of its cloths in color. This was the starting point of his international notoriety. In 1959, the American Dental...

Artist: Eduard Matevosyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Cardboard Year: 2025 Style: Figurative art Title: Woman with Flowers Size: 17" ...

Medium: Oil On Board Painting Size: 24.25 x 16.25 inches Frame Size: 29.75 x 21.75 inches Condition: This artwork is in good overall condition for its age. Signature: Signed Artist...

The fantasy oil painting, titled “The Bride,” captures the fleeting moments before the bride steps out to meet her future at the altar. She stands on the cusp of a new life, her hear...

Ernst Louizor (1938-2011) a beautiful oil painting on board. This vibrant artwork depicts a bustling village scene, elegantly mounted in its original carved wooden frame from Haiti. ...