Canvas Figurative Paintings

Nicely painted early American impressionist view of Brooklyn and the Hudson River by Martin Petersen (1866 - 1956). Oil on board. Framed. Signed verso.

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around...

Gaetan de Seguin paints figurative works, with an abstract character. The various colors highlight that not one person is the same, and his artworks celebrate this individuality in a...

Ignasi Mundó Marcet (1918-2012) - woman in white - Oil on canvas Canvas measures 73x60 cm. Frame size 76x63 cm. MUNDO Ignasi Ignasi Mundó trained at the School of La Lonja, with Joa...

Large Landscape Painting of the Hudson River, New York State, USA by British Contemporary Artist, Angela Wakefield. Art measures 48 x 36 inches Wakefield's work is a unique blend ...

"Portrait of a Lady" by Douglas Swainson (British, mid 20th century) signed oil painting on canvas, framed painting: 18 x 14 inches Beautiful oil p...

Jean-Pierre Cassigneul b.1935 French La terrasse devant la mer (The Terrace by the Sea) Signed “Cassigneul” (lower left) Oil on canvas laid on panel This monumental, three-panele...

Jouska is an introspective artwork that explores the universal experience of replaying and reimagining past conversations, searching for control over moments that are inherently unco...

A stunning depiction of boats docked in a Cape Cod harbor. Nemethy uses a bold impressionistic technique with thick use of paint and wonderful impressi...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) The painting depicts an old-fashioned barber shop, The background showcases the classic decor of the barber shop, including Vintage posters flaunting the hairstyles of yesteryear, showcasing the timeless Afro, the tailored flat-tops, and the meticulous parts — each style a statement of identity and pride. Off in the corner stands a vintage radio, the spiritual storyteller of the room, murmuring Jazz and Afrobeat rhythms — a harmonious time capsule that echoes the beat of African culture as much as the progression of its fashion. "Vintage Vibe" is a celebration of a proud heritage, marking the intersection of traditional grooming rituals and the timeless aesthetic of the African fashion legacy. It salutes the continuity of style, the evolution of self-care from the foundations laid out by ancestors to the modern interpretations we see today. In this room, history intertwines with the present, evoking a sense of nostalgia and the inclination to preserve the unique cultural threads woven through time. About Artist Oluwaseun Ojebiyi...

"The Power (People)" 1970  Olaf Karlsen (b. 1947) Oil on canvas Signed front and back. 28 1/4 x 40 inches (frame) Olaf Karlsen  has managed to remain a m...

Untitled is an oil on canvas painting with a canvas size of 59 x 75.5 inches, signed 'felix mas' upper right, unframed. Spanish artist Felix Mas has a rare gift for capturing his vi...

Original oil painting on canvas. Hand signed on front by the artist. Artwork is in excellent condition. Certificate of authenticity included. Stretched. All reasonable offers will b...

My waiting times, my fraying hours. The mere thought of the future makes me shiver. No longer at ease with these groans and moans, I take a bow out of my fearsome worries. Suddenly, ...

"Leta and the Hill Myna" is a painting by American Pop artist Mel Ramos. The work is signed verso "Mel Ramos". Mel Ramos is a California based Pop artist best known for his paintings of superheroes and female nudes, including Marilyn Monroe and Scarlet Johansson, with pop culture imagery. Many of his subjects emerge from Chiquita bananas...

A fine painting of a group of Spanish flamenco dancing and music playing women in a garden outside a house painted by Allan Österlind (1855-1938). Oil ...

Pierre Coquet - Still life with cherries Reference number F373 The painting is not framed but it could be with a painted black oak floater fra...

Rose,Red,Blu Flowers, Shipping Free MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of Culture, by the Foundation f...

Alex Balaguer BALAGUER , Alex ( Barcelona 1968 ) During early childhood, Àlex Balaguer began to sketch motorcars symbolic of Maranello’s trademark vehicle. Self-taught in the art wor...

America Martin "Woman on Lawn Blanket" Oil & Acrylic on Canvas 45 x 80 in. 46.75 x 81.75 in Framed Exploring the identity of both her namesake and country, LA-based America Martin ...

The French-Prussian War is an original modern artwork realized by the French painter Raoul-Joseph Arus in the last decades of the XIX Century. Original Oil painting on Canvas. Hand...

The girl's gentle gaze, calm demeanour, and virginal dress convey a sense of innocence and purity. The large pearl earring may symbolise wisdom, intuition, and inner knowledge. The p...

Female figurative back in oil with 22 karat gold on mylar mounted to wood and framed in maple. A sophisticated nude in muted green, gold, and pink. The painting is 17 x 8 3/4 inches....

"The First Night Of The Red Dress" is a painting by Bulgarian Eleonora Droumeva. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Co...

Paul-Emile Perboyre French, (1851-1929) The Surrender Oil on canvas, signed & dated 1916 Image size: 20.5 inches x 25 inches Size including frame: 26.25 inches x 30.75 inches Paul-E...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "In 'Romanian Morning' from my 'Madeleine' series...

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...

A thwarted lover cannot conceal her shame so she jumps into the lake to become a fish but her beauty cannot be hidden - thus the legend of the mermaid is born. Here, Bruno Surdo bri...

Annieo Klaas Daydream No. 1 2024 Oil on Canvas 30 x 24 inches (76.2 x 60.96 cm) Signed lower right COA provided *On stretcher frame - gallery wrapped - ready to hang Annieo Klaas i...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. In the symphony ...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of...

Brown earth tone contemporary figurative painting of 3 femail figures by Moroccan artist Said Housbane. Acrylic on canvas. Size: 56 x 60 inches. Offered in wood frame. Said Housbane...

Green Water in the Lake District of England with Lush Trees, Vintage Oil Painting by British Artist, David James. Dramatic skies and beautiful reflections are a feature of this lands...

Nude woman at washbasin oil painting on canvas by Frank H.Mason American artist Frank Herbert Mason was born on February 20, 1921 in Cleveland, Oh...

Decorative painting, oil on canvas. Oriental market scene. Illegible signed. Dimensions without frame. Frame partially damaged.

You will receive this painting stretched, with painted edges and completely ready for hanging. Framing is not obligatory and depends only on your preference. This series of works a...

Gaza, a Provocative and haunting figurative work painted with warm golden and burgundy red hues. ‘Gaza’ takes its inspiration from images of women in turmoil that the artist has seen...

"It Happened This Way" Surrealist Pop Art in Acrylic on Canvas Vibrant, expressive composition by T. Scott Stromberg (American, b. 1964). This piece is laden with symbolism and pers...

Louis-Gabriel BLANCHET (Versailles, 1701 – Rome, 1772) Presumed self-portrait of the artist Oil on canvas H. 73 cm; W. 60 cm Circa 1730 Originally presented in a Restoration period frame with a "Mignard" cartouche, this beautiful painting initially appeared to us as a work from northern Italy. However, it exuded a rather French form of refinement, suggesting that its artist may have assimilated a dual influence from both sides of the Alps. We thank our colleague and friend Philippe Mendès for spontaneously and judiciously "bringing out" the name of Louis-Gabriel Blanchet, a Romanized French portraitist, whose spirit and stylistic characteristics we clearly recognize here. Blanchet's "French" years, before his final departure for Rome in 1728, following his winning of the second Grand Prix for painting after Subleyras in 1727, are extremely poorly documented. His father, Gabriel, was valet to Blouin, himself Louis XIV's first valet at the time. According to Thierry Lefrançois, Blanchet was one of the few students of Nicolas Bertin (1667-1736), whose studio he is said to have joined in the early 1720s. At a baptism on March 24, 1724, where he was godfather, he is mentioned as a painter in the picture store of the Duke of Antin, the director of buildings between 1708 and 1736. At this time, he was probably already married to Jeanne Quément, with whom he had a daughter also named Jeanne, who would marry Nicolas Aviet, the son of a valet in the queen's wardrobe, in Versailles in 1738. When Blanchet arrived in Rome in October 1728, he was accompanied by Subleyras, Trémolières, and Slodtz. He enjoyed the goodwill of Vleughels, the director of the Académie de France, which had been based at the Palazzo Mancini since 1725, even though the latter was not always kind to our resident. From 1732, he was under the protection of the Duke of Saint-Aignan when he took up his post as ambassador to Rome. Along with Slodtz and Subleyras, they formed a trio of friends, joined by Joseph Vernet shortly after his arrival in Rome in 1734. Slodtz and Blanchet, on the occasion of Subleyras's marriage in 1739, were there to attest that their friend was not bound by any marital commitment, and Blanchet was a witness at Vernet's wedding in 1745. It is most likely from these early years in Rome that our portrait of the artist dates, the expression and turn of his face irresistibly reminiscent of a self-portrait. The still relatively youthful features may correspond to Blanchet's thirty-something years, and the fluffy wig was still fashionable at this time. The painting fits well with the depiction of a young painter wanting to display both the beginnings of success and a certain simplicity or restraint. A slight smile expresses a form of assurance in this man with a gentle, sincere gaze and a face radiating a keen sense of wit. We find here the air of intimacy present in almost all of Blanchet's portraits, even those from the 1750s and 1760s, as well as an almost complicity with the viewer. The spirit of the painting is quite close to that of the presumed portrait of Bouchardon (painted around 1730) and the portrait of Pannini, painted in 1736, but it possesses a more natural quality, notably thanks to the absence of decorum. Our work exhibits the characteristics of Blanchet's paintings: elegance, luminosity (especially in the whites), vibrant and refined colors (here, the harmony of the garnet of the garment and the slate blue of the background, whose uniformity is tempered by a very sketched landscape and a grove of greenery), light complexions, rather rosy cheekbones, often full lips, and rather tight framing. According to the Academy's rules, Blanchet's stay should have ended in the spring of 1732, but, for reasons unknown, he remained in the Eternal City until his death, as did his friend Subleyras, with whom he shared accommodation until the late 1730s. The latter regularly called upon him to collaborate on his paintings, such as The Meal at Simon's. Through Saint-Aignan's intervention, Blanchet was employed in the late 1730s by the Stuart princely family, then exiled in Italy. He notably produced copies (now lost) after Liotard of the portraits of Charles Edward and Henry Benedict, the sons of James III Stuart. The latter also commissioned three other portraits (now in the National Portrait Gallery in London), whose more formal character contrasts with the intimate spirit of Blanchet's portraits. Blanchet frequented English painters, such as the landscape painter Richard Wilson, and studied with the Scottish portraitist Katherine Read...

Signed and dated oil on canvas pointillist landscape by Canadian painter Caroline Armington. The piece depicts a view of the Pont Neuf bridge over t...

"Noon Sly at Sand Creek" (2022) Is a beautiful impressionist landscape by contemporary painter Harold Deist, which depicts a valley on a partly cloudy day. Harold Deist has been pai...

The central figure in Afobaje is a majestic and regal woman, representing the embodiment of motherhood. She exudes an aura of wisdom, strength, and grace. Adorned in traditional Afri...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK Christmas is one of the main motifs in the histor...

Ignacio Gil Sala (1913-2003) - Toledo - Oil on canvas Oil measures 73x92 cm. Frameless. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who kn...

In this oil painting, I've poured my passion into capturing a moment of pure, serene anticipation. The subject, viewed from behind, gazes upon the vast, vibrant ocean, embodying a se...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

"The Split (paradise lost)" David Stern (Germany, b. 1956) Acrylics and pigments on cotton 52 inches by 65 inches Hand signed by artist, certificate of authenticity available Colors:...

Carl Smith is an American artist who has been living in Berlin, Germany, since 2001. He works with a combination of silkscreen printing, collage, and painting to create his urban ins...

The Scottish Glen by F. E. Jamieson (1895-1950) signed with the artists pseudonym, W. Richards oil on canvas, framed framed: 27 x 37 inches canvas: 20 x...

Grand Palais is an acrylic on canvas painting, 36 x 18" canvas size, signed ‘L Kondakova’ lower right, and framed in a custom, ornate, gold-leaf frame. Grand Palais seems to present...

Margaret Maitland Howard. English ( b.1898 - d.1983 ). Pan, God Of Nature, Playing Panpipes. Oil On Canvas. Signed Lower Left. Image size 22.6 inches x 18.1 inches ( 57.5cm x 46cm ). Frame size 26.8 inches x 22.2 inches ( 68cm x 56.5cm ). Available for sale; this original oil painting is by the English artist Margaret Maitland Howard and dates from the 1930s. The painting is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted with new fixtures. The canvas has been lined and mounted on a newly constructed custom made stretcher. The painted surface has benefitted from cleaning and conservation, all of which was performed on our instruction, supervision and approval. This vintage painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower left. Margaret Maitland Howard was an accomplished and versatile English artist whose works spanned the early to mid-20th century. Known for her evocative and often mythologically inspired oil paintings, Howard’s work reflects a deep engagement with classical themes and her knowledge of nature, and the human form. She was also proficient working in watercolours and pastels and an accomplished sculptor. Margaret, who was always known as “Marjorie” was born in Friern, Barnet, London on 31 July 1898, the daughter of artist and civil servant Henry James Howard. She grew up at Sutton, Surrey, where she spent most of her life. She spent many years living and working from St. Katherine’s, Malgrave Road, Sutton, Surrey. She was educated privately, at the Byam Shaw and then attended the Vicat Cole School of Art, completing her studies at the Royal Academy Schools, where she won five silver medals and other awards. She was also the recipient of a British Institute scholarship and extension and won the 1926 prize for her portrait work at the National Welsh Eisteddfod in Swansea. She exhibited paintings at the Royal Academy, showing at least ten works of classical and biblical themes at Summer Exhibitions between 1923 and 1935. She was one of the early group of women who painted nudes, a practice which was considered somewhat risqué and vulgar in the early twentieth century. She also exhibited at other leading galleries and in the provinces and consistently pursued her art despite the challenges posed by the societal norms of the time. Howard had a significant professional career for a woman of her generation. Just after World War II she was appointed draughtsman to the Institute of Archaeology at London University where she worked from 1948 to 1960. This is now part of University College, London. Here, she worked as an illustrator and sculptor, creating models for Professor Frederick Zeuner to use in his lectures. She also illustrated one of his important books (Zeuner, F.E. Dating the Past, London: Methuen). She also created the bust of Gordon Childe, now in the Institute’s Library. After her retirement from the Institute of Archaeology she collaborated with Ian Wolfran Cornwall on his series of books about the prehistoric world. In 1956, whilst working for the British Institute for the Study of Iraq, she moved to Balawat and supervised the archaeological work at the site of an ancient Assyrian city in northern Mesopotamia. She subsequently prepared drawings of the Balawat Gates, which was significant and technical work. In addition to illustrating various books on ancient history and anthropology, Howard was also known as an illustrator of fictional books, producing an illustrated edition of the Fables of Aesop that was published by John Lane at The Bodley Head in 1926. She also illustrated Elizabeth Ward...

This powerful and graphically composed image of a black man with white angel wings was painted in a realist style by African American artist Thomas Blackshear...

Son of a soil which also means a "peasant" is a personality that leaves by the soil, on the soil, and around the soil… Painting Ships in a well-protected tube from Nigeria This work...

"Summer in the Highlands" by F. E. Jamieson (British 1895-1950) signed lower corner oil painting on canvas, unframed canvas: 16 x 24 inches Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting is signed by Jamieson to the lower corner. F. E. Jamieson (1895-1950) We are extremely fortunate to have been handling the works of the enigmatic British artist, F. E. Jamieson since the year we began art dealing, 1989. Over this time, coupled with our love of the Scottish landscape, we have bought and sold many hundreds of his paintings, in all their various guises and subjects and are considered by many to be a leading authority on the artist and his work. We are also in the early stages of publishing the Catalogue Raisonne for this artist, of which this painting will be featured. Mr. Jamieson was largely a painter of Scottish landscapes and loch scenes...

Painted from a sketch from life, a nude, female figure sits with an orange cloth draped around her shoulders. Ramiro places the figure on a pedestal, draped in white linens. The fig...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 2009 Title: Christ and the Sinner Size:...

Unborn Sound #14 is a unique painting by contemporary artist Maho Maeda. This painting is made with acrylic, coloured pencil and ink on cotton canvas and carved wood, dimensions are ...