Canvas Figurative Paintings

We believe in life after death, where the spirits of our ancestors reside. In Javanese tradition, they believe that ancestral spirits are always with us and take care of us even thou...

Smart people learn from their own mistakes while wise people learn from the mistakes of others. Options have always existed throughout the history of human life. Sometimes the choice...

This painting illustrates the story of the worldly desires of humans who never feel that they have enough, always wanting more in terms of fashion, position, wealth and so on. It is human nature to always desire to pursue something they consider beautiful and exotic. About the Artist Saepul Bahri is an established painter from Indonesia with a distinctive surrealist style with flexible and twisted human body figures. He has an interest in body anatomy and started painting human bodies with their bones when he was in middle school. Saepul also likes the imagination of the sea and waves, this is what then gives the shapes of flexibility and twists to the figures in his works. There are number of artists who inspired him such as Rene Magritte, HR Giger...

Tamansariswara is a fun learning concept as taught by the father of Indonesian education, KH Dewantara. He called the school a 'taman' which means a park, a place to play and learn i...

Oil on Canvas, Signed Dated 2013 14 x 18 Inches

Karen Shahverdyan „Autumn balance“ 90 X 110cm, oil on canvas

Amy Johnson CBE: Ordre de l'Empire britannique (1903-1941) was one of the most influential and inspirational woman of the twentieth century. She was the first woman to fly solo from England to Australia in 1930 and set a string of other records throughout her career. Even The Queen of Crime, Agatha Christie, had been sufficiently impressed by Amy's achievement in flying solo to Australia. Althought Christie didn't name her directly, it was clearly Amy that her character was referring to in the novel « Peril at End House ». The book features Christie's famous character Hercule Poirot. In this painting Tom Adams use the technique of collage. Dimension with frame 89 cm H x 102 cm W x 7 cm D Dimension without frame 64 cm H x 87 cm W About the artist: Thomas Barclay Adams was born in Providence, Rhode Island, U.S.A. to a family of distinguished architects and planners. He was trained at the Chelsea School of Art and Goldsmith's College between 1946-1950. In 1949 he received a National Diploma of Painting. Between 1953-60 Adams illustrated natural and Regimental history pages for Eagle and natural history features for Eagle, Girl and Swift. In 1958 he founded Adams Design Associates with Anna and Andy Garnett, where he produced large murals in the then-new medium of laminated plastic for various firms such as The Royal Bank of Scotland, Chartered Bank, Aspro Nicholas and Airscrew Jiewood. In 1960 Adams Design Associates became DANAD Designs with a group of architects and designers. In 1965 Adams joined his father, the late James W.R. Adams OBE, eminent town planner and landscape architect, who was planning and design consultant to the Poster Advertising Planning Committee, for whom he helped produce a book: "Posters Look to the Future". He mounted an exhibition at the Tea Center in Regent Street opened by Sir Hugh Casson in 1966. During this period, Adams met Virgil Pomfret and joined his artists' agency. Apart from a few gaps when pursuing other activities (like running art galleries), Adams has been with Pomfret ever since. With Virgil's representation, Adams began a career as a book cover illustrator, most notably for the early John Fowles' novels The Collector, The Magus and The French Lieutenant's Woman (Cape) and the now famous paperpack covers for Agatha Christie (Collins UK and Simon & Schuster USA). This period covered 1963-1975. A book on these cover paintings, with commentary by Julian Symons and an introduction by John Fowles was published in 1981 by Dragons World. Adams has won various awards for illustration, notably the American Society of Illustrators, The American Art Directors Association, and The Design and Art Directors Association, UK. In 1967 Adams opened the Fulham Gallery, which not only gave first exhibitions of some now famous artists, but was for several years the center of the late '60's phenomenon - the poetry print. With C.Day-Lewis (the Poet Laureate) and artist Joseph Herman and John Piper, Adams produced the investiture print for the Prince of Wales. Adams also designed posters for Mark Boyle's light shows (The Sensual Laboratory), going on tour with The Jimmy Hendrix Experience and The Soft Machine. His connection with the modern world of rock music continued when he met Lou Reed, an admirer of his Christie and Raymond Chandler covers. Reed asked Adams to design the cover for his first UK solo album. As a result of this friendship with Lou Reed, Andy Warhol offered to sponsor an exhibition of Tom's work in New York. Adams did eventually work in the States in the early 70's where he was asked by Marshall Arisman to teach at the New York Central School of Art. Around this time, having completed a private commission to paint a portrait of Benjamin Britten...

Mariusz Zdybal (born in 1955) He was awarded with "Golden Palm" at the international painting competition in Cannes and his works has been shown in Cannes, Warsaw, Gdansk and Berli...

A 11” x 14” x 1" Magic Realism Figurative Artwork by artist Evgeniya Golik. This piece is a Mixed Media Inkjet Print on Canvas. A certificate of authenticity will accompany the piece...

A 12” x 12” x 1" Surrealism Figurative Artwork by artist Evgeniya Golik. This piece is a Mixed Media Inkjet Print on Canvas. A certificate of authenticity will accompany the piece up...

A 20” x 16” x 1.25" Magic Realism Figurative Artwork by artist Evgeniya Golik. A certificate of authenticity will accompany the piece upon its purchase or delivery. Evgeniya Golik ...

A 26” x 20” Magic Realism Figurative Artwork by artist Evgeniya Golik. A certificate of authenticity will accompany the piece upon its purchase or delivery. Evgeniya Golik (also kn...

In the "Fantasy/Metaphysical" series by American artist Eugene Hawkins, the convergence of surrealism and metaphysics unfolds as an exploration of existential themes common to all. C...

This is a possible self portrait by the famed female surrealist artist. It is also strikingly similar in style with it's exaggerated eyes to her portrait of Jean Genet, ( Leonor F...

Surreal figurative painting. An insect man in slow metamorphosis who lives in a world inaccessible to us, in a parallel reality that is forbidden to us. A magical place where there i...

Mohamad Khayata’s original figurative artworks are the result of five years of displacement and deal with themes of migration, memory, and identity. Mohamad’s paintings convey an arr...

Oil on canvas. Framed. Signed lower right.

"Two Seas and a Moon" Surrealism American Scene WWII Modern WWI Denver WPA Era Arnold Ronnebeck (1885 - 1947) Two Seas and a Moon 30 x 22 1/2 inches Oil on Canvas, c. 1943 Signed u...

Very large Late 20th century surrealist oil on canvas by British artist Derek Carruthers. The painting is signed to the bottom right. An imposing and highly colourful painting of co...

Item is in excellent condition and has only been displayed in a gallery setting. This specific work has the following story: Model dancer: Kristina Tavarovskaya In this metaphysical...

Oil on canvas. Signed Aress. Oil mesures 33x24 cm. Frame mesures 48x39 cm.

Mohamed Charinda Senza Titolo 2000s Acrylic on Canvas Canvas measurements: 92.5 x 76.5 cm Frame size: 90 x 74.5 x 3 cm Signed lower left "Charinda"; Signature on verso inverted "Cha...

Acrylic on canvas by Mikidadi Bush, signed and dated on the front. Bush's work deals with themes related to animist culture, creating visions that combine dreamlike and ordinary atmo...

In the eyes of the beholder " is a still life with an apple in the style of symbolism. Oil painting by Lilia Volskaya. Size: 50x40cm. Frame size: 55x45cm. Each of us is faced with ...

In "You Are Not Alone Anymore," Andreas Claussen's oil on canvas from 2023, measuring 35.43 x 47.24 x 1.18 inches, the artist masterfully intertwines surrealism with realism, challen...

"Keep the Fire Alive," an evocative piece from Andreas Claussen's 'FLOOD' series, is a 2023 oil on canvas that elegantly captures the essence of determination against a serene, wintr...

Bold Eagle And Figurative Abstraction Artist signed lower right corner, : 54 X 68 X 1.25 in. Yankel (Jacob) Ginzburg (Russian/American, Born 1945). An original Surrealist acrylic pa...

Andreas Claussen's 2023 masterpiece "There Is No Paradise Without Food," a significant work from his acclaimed 'FLOOD' series, is a compelling oil on canvas that stretches over dimen...

Andreas Claussen's "Axe, Tree, Raft. That’s a Plan," is a 2023 oil on canvas from the compelling 'FLOOD' series, with dimensions of 23.62 x 31.50 x 0.79 inches. This painting thought...

Spring Garden" landscape in the style of Paul Cezanne. Impressionism" original oil painting by Volskya Lilya Magical iridescence of colors on canvas. For...

“Since I was young, I have loved nature – the trees, flowers, and butterflies. Growing up in Phoenix, AZ these things were not around and so I began to paint the world in which I wan...

ABOUT THE ARTIST MARTA RYNKIEWICZ is a Polish contemporary artist (born in 1983). She studied painting with Professor Henryk Czenik and graphic arts with Professor Jerzy Krechowic...

Yankel (Jacob) Ginzburg (Russian/American, Born 1945). An original Surrealist acrylic painting on canvas. Titled "DC On The Grow". A colorful work featuring a roaring tiger, among sh...

Title: Light And Shade Medium: Oil on canvas Size: 12 x 16 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting ...

Jean Pierre Serrier (French, 1934-1989) Oil on canvas painting depicting four figures Hand signed lower right. Measures (frame) 26.5" x 30" wide, and (sight) 18.25." x 22.25" wide. Jean Pierre Serrier (1934 – 1989) was a French painter known for surrealism and absurdist art. Jean-Pierre Serrier was born in Montparnasse, Paris and attended the Académie des Beaux-Arts in Paris. the son of Louis and Solange Serrier. His father fought in World War II and became a prisoner of war. In 1940, as a six-year-old, he and his mother fled Paris for Corrèze in southwest France. Childhood memories of close escapes from German bombardments would later influence his absurdist philosophy of life. Passionate about drawing, in 1951 he applied and was admitted to the École nationale supérieure des arts appliqués et des métiers d'art in Paris. He shared an attic apartment in the 16th arrondissement with fellow student Jean-Baptiste Valadié. For income, he decorated shop windows. A trip to Spain provided motifs for early works. His student work might be characterized as art naïf (Naive art). While still a student, he sold a ceramic artwork to the poet and publisher Pierre Seghers, who would later commission drawings from him. He frequented jazz clubs in Saint-Germain des Près, and while listening to Sidney Bechet at the Vieux Colombier, he met his wife, Yvette.One of the last French Surrealist and follower of Nietzsche. His art conveyed the message to all of mankind that we are only human. The other Surrealist to center his art in philosophy was Rene Magritte whose paintings reflect his understanding of Sigmund Freud. He had his first exhibition in 1955, before being sent to Algeria to complete his military service. After graduating in 1955, he was drafted for military service, spent time in Germany and Morocco, and was sent to the front lines of the Algerian War. In 1959 he exhibited works at two Parisian galleries and at Juan-les-Pins on the Côte d'Azur. From 1961, he exhibited annually at the Salon des Artistes Français. In 1962, the City of Paris purchased his painting Un dimanche In 1961, Serrier made his first visit to the United States to exhibit at a New York gallery. In 1975 and 1979, he had successful exhibitions in New Orleans, and his work was included in art and news magazines, including Time and Newsweek. Beginning in the 1950s, his works included stylized portraits similar in some ways to the "big eyes" art of Margaret Keane, though it is uncertain that either artist influenced the other. Keane painted children, and so did Serrier, sometimes from life, but Serrier’s models are usually somewhat older, though uniformly slender and with androgynous features. A gallery owner introduced Serrier to American collectors Edgar Garbisch and his wife, Bernice Chrysler (daughter of Chrysler founder Walter P. Chrysler), who had a particular interest in naïve art; they commissioned a series of portraits from Serrier. At the same time, he met Reine Ausset in Paris, who in 1961 invited him to New York to take part in an exhibition at Galerie Norval on 57th Street. The show also included work by Moïse Kisling, and the exhibition program explicitly linked the two artists, saying that Serrier, who considered Moise Kisling "the Master," had found his own technique, but "the same vision joins the grand Kisling to the young Serrier: plenitude of shapes, sureness of palette, precision in outlines." In the 1960s he began painting slender, young, androgynous figures in groups, set in sparse landscapes with suggestions of the surreal and sometimes wearing costumes of the Commedia dell'arte. In some of these paintings the eyes of the figures are completely black, a motif that would continue in his later work. In 1965, he exhibited at Forest and Reed Gallery in London. Also in 1965, he discovered the small town of Martel, and with his old roommate Jean-Baptiste Valadié purchased a house that they opened as the gallery La Licorne (The Unicorn) in 1967. Responding to the political upheavals of May 1968 in France, and following the advice of Geneva gallery owner Roger Ferrero, Serrier's work became increasingly complex, idiosyncratic, and surreal. Imagery included the Tower of Babel, bodies suspended in space, and crowds of people all dressed alike, with identical features and entirely black eyes. Mannequins, playing cards, nudes, and levitating orbs also figured in the work. In a nod to Magritte, his men sometimes wear bowler hats. Another influence may have been the works of the Franco-Belgian surrealist Gaston Bogaert (1918-2008). Serrier's first major exhibit of these works, in Geneva in 1971, was titled Le Réalisme Fantastique. (Magic Realism) In 1972, he was made a member of the Société du Salon d'Automne, under whose auspices he was invited by the Polish government to exhibit in Warsaw in 1973, as part of a cultural exchange across the Iron Curtain. In 1976, he served on the jury of the Salon d'Automne. In 1975, New Orleans gallery owner Kurt E. Schon brought his work to several cities in the United States. A copiously illustrated monograph in English, Surrealism and the Absurd: Jean Pierre Serrier, was published in 1977. Author Thomas M. Bayer wrote: Serrier's world is one where—to use Friedrich Nietzche's term—the "human herd animal" is being confronted with the overwhelming task of coping with the world, his solitude, and at times, his resignation in the face of its monstrous size and duration. It is a world where the characterless, "blind" man faces the institutions, rules and symbols that made him into the being he now is…But Serrier does not lose himself in this world he portrays. He never forgets the old French tradition, the "black" humor, à la Molière. This classical humor at times is more felt than seen, in a manner that can be terribly funny, because it is horrifying, laughable, poignant and always true. Serrier told a friend, "In each of my paintings there's a message of hope amid the crowd of stereotypical figures. It could be an escaping dirigible, or a nymphet who flees like a deer under the red and blue trees of paradise...

Figurative Magical oil Painting, Figurative Painting 34" x 65" inch by Ion Xiua. Mixed technique. A magical moment, in which we recognize that we are one with the animals. The animal...

"I Am Not Alone" by Joshua Salami is a captivating artwork that delves into the profound bond between a woman and her cherished pet, transcending the conventional role of a companion...

Title: Production Plan-2 Medium: Oil on canvas Size: 12 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paintin...

"Conversation With Myself" delves into the realms of self-discovery and introspection. The young man's introspective pose invites viewers to reflect on their inner dialogue and explo...

"I Am Not Alone" by Joshua Salami is a captivating artwork that delves into the profound bond between a woman and her cherished pet, transcending the conventional role of a companion...

David Ochieng Untitled 2013 Acrylic on Canvas Canvas measurements: 73 x 118 cm Frame size: 75 x 120 x 3 cm Signed lower right "Ochieng Malindi Kenya ...And god created a woman.......

Musicians At a Party is a colorful, abstract, surrealist painting by Armenian artist, Vatche Geuvdjelian painted in 2022. Artist’s Statement “𝘛𝘩𝘦𝘳𝘦 𝘢𝘳𝘦 𝘵𝘩𝘳𝘦𝘦 𝘪𝘮𝘱𝘰�...

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...

"Visitor In My Studio" is a colorful, abstract, surrealist painting by Armenian artist, Vatche Geuvdjelian painted in 2022. Artist’s Statement “𝘛𝘩𝘦𝘳𝘦 𝘢𝘳𝘦 𝘵𝘩𝘳𝘦𝘦 𝘪𝘮𝘱�...

Title: Together Medium: Oil on canvas Size: 12 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2013 Artist: ShaoHua Nong...

Title: Staircase Medium: Oil on canvas Size: 12 x 16 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2015 Artist: ShaoHua Nong...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around questions of trust, inte...

"Enemonalisa" is a thought-provoking artwork by the talented artist Daniel Oguche Junior, which brings a unique and powerful reinterpretation of the iconic Mona Lisa portrait. In thi...

Strange Botanica is an acrylic on canvas painting, with an image size of 30 x 24 inches, signed 'afn' lower right and framed in a contemporary black moulding. Anne Faith...

Title: Room Medium: Oil on canvas Size: 16 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2014 Artist: ShaoHua Nong...

The Crying Seer is an acrylic on canvas painting with a canvas size of 60 x 48 inches, signed 'afn' lower center and framed in a contemporary black moulding. Anne Faith...

Glass Houses (Right) is an acrylic on canvas painting, with a canvas size of 30 x 48 inches, signed 'afn' lower right and framed in a contemporary black moulding. Anne Faith...

Title: Separate Medium: Oil on canvas Size: 11.5 x 8 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2015 Artist: ShaoHua Nong...

Glass Houses (Left) is an acrylic on canvas painting, with a canvas size of 30 x 48 inches, signed 'afn' lower right and framed in a contemporary black moulding. Anne Faith...

In continuing with representing fine artists that are connected to the music industry we are please to announce that we are the only gallery in the United States representing the wor...

Title: Embrace Medium: Oil on canvas Size: 16 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2015 Artist: ShaoHua Nong...

Part of Daniela Astone's series of figures in different ethereal and surrealistic spaces. "The Kiss" brings to mind Gustav Klimt's famous 1908 painting of the same name but instead of an abstracted gold background, Astone creates a mysterious creature enveloping and suspending the figure in mid-air. The dark monster looks ominous until you notice the nude figure leaning into her partner, her hands lightly caressing or leaning on the the amorphous creature. Her body is relaxed and her eyes closed. As a classical artist who paints the nude figure everyday, Astone is masterful at depicting women at ease in their natural bodies rather than women self-conscious of their nudity—posing but fearful of exploitation at the same time—a theme in art history that continues today. Some of the sweeping strokes of black are inspired by Japanese paintings techniques, and on the lighter areas there are rain drop falling from a blue-grey cloud in the background. Artist Bio Daniela Astone was born in Pisa, Italy, in 1980 and raised in Porto Santo Stefano...

Mental closeness connects two dissimilar beings, despite great differences. keywords; surrealism, portrait, oil painting, earth tones, figurative painting, strangeness, contemporary...