Oil Figurative Paintings

Attributed to Antonio María de la Concepción Reyna Manescau María de la Concepción Reyna Manescau, variously cited as Antonio María Reyna Manescau or simply Antonio Reyna Manescau...

Signed and dated impressionist landscape oil on panel by French painter Henri Duhem. This beautiful piece depicts a view of a cottage beside a path that runs along the bank of Lake Geneva in Switzerland. A full moon illuminates the sky overhead. Signature: Signed lower left and dated 1919 verso Dimensions: Unframed: 7.5"x9.5" This painting is not currently framed but a suitable frame can be sourced if required Provenance: The artist's estate Henri Duhem was descended from an old Flemish family and originally practiced as a lawyer. In 1887, his passion for drawing and watercolors finally led him to go to Paris and enroll in the drawing classes of Henri Harpignies. While there, he became friends with Émile...

Signed post impressionist figurative oil on panel circa 1910 by sought after French painter Henri Le Sidaner. This absolutely stunning piece depicts elegant people taking an evening ...

Signed post impressionist landscape oil on board circa 1914 by French painter Paul Elie Gernez. The work depicts figures walking in the shade of trees...

William Sommer (American, 1867-1949) The Crane Fountain, ca. 1914-15 Oil on canvas Unsigned 26 x 20 inches 32 1/2 x 26 1/4 inches, as framed William So...

Well painted late 19th century/early 20th century English Impressionist landscape oil painting. Ernest Charles Walbourn was born on 16 February 1872 at Dalston, Middlesex. The secon...

English Impressionist landscape/Town scene of a Cornish town, possibly Newlyn. An Australian by birth, Richard Hayley Lever left his native Adelaide at the age of 17 to train as an ...

Gammell Trust #W126. Signed and dated in pencil lower right: "R.H. Ives Gammell, Paris, 1917". Sheet measures 12 1/2 x 10 inches. This is a very early work and despite the fact that...

MANUEL GARCÍA Y RODRÍGUEZ Spanish, 1863- 1925 THE WASHERWOMEN signed and dated "Garcia y Rodriguez" 1910 (lower right) oil on mahogany wood panel 19...

Stunning signed and dated modernist oil on canvas by Argentinian painter Alfredo Guttero. The work depicts a portrait of a young Argentinian woman. It is beautifully and the brush strokes make it almost pointillist like. This work has come from the collection of the esteemed Jewish art collector Gaston Prosper Levy and was gifted top him by the painter. Prosper Levy held one of the most important collections of modern French art - many of the works were taken by the Nazis from his home in France in 1940. This work has been assessed by the Art Loss Register and is not recorded on their database. Signature: Signed, dedicated and dated 1918 upper right Dimensions: Framed: 29"x24.5 Unframed: 26"x21.5" Provenance: Original exhibition number to frame The collection of Gaston Prosper Levy Alfredo Nicolás Guttero was born in Buenos Aires on May 26, 1882. He studies music as a child and from an early age he shows his drawing abilities. He starts a law career which he quits two years later to start painting full time. Ernesto de la Cárcova and Martín Malharro encourage him towards this change and, in 1904 he gets a scholarship to travel to France to further his work. His scholarship only lasted a year, but with his family’s help and his work related to decorative art, he manages to stay in Paris until 1917, where he studies under Maurice Denis. He moves to Spain, and towards 1917, he studies in Madrid and La Coruña. Then he moves to Segovia in 1918. In this occasion he takes parts in a collective exhibition of Argentine painters and sculptors, together with artists such as Fray Guillermo Butler and Pablo Curatella Manes, among others. After his passing through Germany, Austria and Italy, in 1925 he settles in Genova where he holds an exhibition of his entire artistic production to date. After 23 years in Europe, on September 26, 1927, Guttero arrives in Buenos Aires, and on October 20, he holds an exhibit at Asociación Amigos del Arte. That same year, the Comisión Nacional de Bellas Artes acquires for the Museo Nacional his piece: Mujeres indolentes (Indolent women). A week later he takes part in the Feria del Boliche de Arte invited by Leonardo Estarico and Atalaya. Upon his return from Genova, he continues his investigation and development of the pictorial techniques denominated by him as “cooked plaster”, a technical procedure based on a paste of plaster with pigments mixed in with glue that the artist generally applied mounted on wooden supports. As of this moment, Guttero starts in Buenos Aies an intensive array of exhibits and other activities which make a big impact on the local cultural scene, apart from continuing with his personal art production. Between 1927 and 1932, the year of his sudden death, Alfredo Guttero takes part, among other projects, in the “3ª Exposición Comunal de Artes Aplicadas e Industriales 1927- 1928”, where he is awarded the Grand Prize in the Sección Pintura Decorativa; and the “X Salón de Otoño de Rosario” (1928) where he gets the Gold Medal for the Figure category; he presents works in the exhibits organized by Ateneo Popular de la Boca (1928); “XVIII Salón Nacional“ (1929) and is awarded the Second Municipal Prize for his work Playa (Beach). In 1929, he organizes the “Nuevo Salón” in Buenos Aires, Rosario and La Plata. He presents his work at the “XIX Salón Nacional de Bellas Artes” where he gets the First Prize in painting with his work Feria (Street market); in September of that same year he inaugurates his fourth individual exhibition at Amigos del Arte and participates in the selection of paintings which will appear in post cards that this institution would print eventually. In 1930 he is named artistic advisor of the Asociación Wagneriana and director of its Plastic Arts Section. That same year he organizes the “Salón de Pintores Modernos. Primer Grupo” in Buenos Aires; exhibits at Amigos del Arte, at the “Salón de Pintores y Escultores Modernos” and at show rooms in Rosario and Santa Fe. In January, 1931 he takes part in the “First Baltimore Pan-American Exhibition of Contemporary Paintings” and is awarded the Museum of Art Award with his piece Anunciación (Announcement), which he later donates to the Museo Nacional de Bellas Artes de Buenos Aires. That same year he organizes exhibits of Miguel Carlos Victorica and Demetrio Urruchúa in Amigos del Arte and, in May, Guttero presents his work at the Salón Centenario de Montevideo, “Primer Grupo Argentino de Pintores Modernos”. In June he directs together with Falcini, courses on Plastic Art and works on stage scenery for the Colón Theater. Also in 1931, he organizes the “Salón de Pintores Modernos” in Amigos del Arte and takes part at the Salón Nacional, being awarded the Eduardo Sívori Prize. On April 15, 1932 they open together with Pedro Domínguez Neira, Raquel Forner and Alfredo Bigatti the Cursos Libres de Arte Plástico (Free plastic art courses). That same year Guttero is awarded the First Municipal Prize for his work Oda (Ode). In November, he is invited to take part in the “Salón de Arte del Cincuentenario de La Plata” and, on December 1, he dies in Buenos Aires at the age of 50. The following year, between October and November, the Dirección Nacional de Bellas Artes organizes...

Medium: Oil on Canvas Signature: n/a Soldier's Pride was created as a component of Kuppenheimer's six-piece easel-backed World War I advertisement placards for in-store display. These pieces were expertly printed on a coated cardboard substrate so the black background would dramatically display the clothing item. Kuppenheimer & Hart Schaffner Marx...

Signed figure in landscape oil on board circa 1910 by sought after French post impressionist painter Victor Charreton. This charming piece depicts a young girl in a pink dress and ha...

Beautiful signed landscape oil on canvas circa 1910 by sought after French post impressionist painter Victor Charreton. The piece depicts a lone figure trudging through the thick whi...

MANUEL GARCÍA Y RODRÍGUEZ Spanish, 1863 - 1925 FLIRTING AT THE WELL signed and dated "Garcia y Rodriguez" 1913 (lower right) oil on wood panel 8-3/...

Medium: Oil on Canvas Laid on Board Signature: Unsigned The Saturday Evening Post, November 16, 1912 cover Study (Thanksgiving Edition)

Jim’s of Lambertville Fine Art Gallery is proud to offer this piece by Martha Walter (1875 - 1976). Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followed by the Pennsylvania Academy of the Fine Arts. It was at the Academy that Walter’s artistic talent was discovered. An admiring instructor by the name of William Merritt Chase took young Martha under his wing, giving her both inspiration and direction. She additionally enrolled with Chase at his summer school in Shinnecock, Long Island and in 1903, was awarded the Cresson Traveling Scholarship by the Pennsylvania Academy. This sent Martha Walter on travels to France, Italy, Spain, and Holland, where she attended the Grand Chaumiere and the Academie Julian in Paris. Afterwards, she established a studio on the Rue De Bagneaux in France with several other American women artists...

Medium: Oil on Canvas Signature: Signed and Dated illustration World War I scene, titled Will You Tell Her He's All Right, signed upper right and dated '17

Wonderful German genre painting of 17th century tavern scene in style of Franz Hals by Karl Josef Muller (German, 1864-1942) dated 1918. Signed and dated lower left corner "Karl Muller - Hamburg 1918". Condition: Good; professionally restored: Canvas restreched on new stretcher bars; five repairs made to small tears in canvas (see image); cleaned and re-varnished with UV-resistant varnish. Unframed. Image size: 39.5"H x 55"W. We have the original frame which needs some extensive repair to the gesso. Happy to include the frame with the painting as is. Karl Müller was born in Hamburg-Altstadt in 1865. His wealthy Jewish parents Abraham Müller (1832-1896), citizen of the Hanseatic city since 1869, and Henriette "Jette", b. Burchard (born 1832 Neubuckow / Mecklenburg), had a cigar factory at Spielbudenplatz 5 in St.Pauli. When Karl Müller was ten years old, next to factory and warehouse, now at Speersort 11 (Altstadt), there was also a branch in Altona-Ottensen with the address Am Felde 68. The family lived at the time at Pferdemarkt 13 (Old Town). After attending the Jewish Foundation School at the Zeughausmarkt, Karl Müller completed a three-year lithography apprenticeship. From 1886 to 1888, he studied at the Royal Saxon School of Applied Arts in Dresden with the history and decoration painter Donadini, then with Professor Hanke of the Prussian Academy of Arts in Berlin. Karl Müller's painting style was conventional-realistic and did not follow modern trends. In 1891, the oil paintings "Preparation for the Service", "In the guardroom", tattoo", "gymnastics lesson", "covert patrol” and "return from the field service exercise”, whose main motive almost always soldiers formed.In 1893, he painted the" invasion of the 76er " as a horizontal format in black and white, the painting was acquired by the Museum of Hamburg History in 1930. The disposition of Karl Müller could be classified as "kaisertreu" and "national" (Maike Bruhns) at this time - not by chance he acted with his Nicknamed "Soldatenmüller", he successfully participated in exhibitions in Berlin and Hamburg before the turn of the century. Even at this time, the frequent change of residence is striking: 1893 Papendamm 25 (Rotherbaum), 1896 Bundesstraße 9 (Rotherbaum). In 1898 he was in the Hamburg address book as a "genre and portrait painter" with the residential address 1. average 43 (Rotherbaum) out. At the age of 38, Karl married in 1903 in the Hanseatic city of the Jewish Louise Hauer (born 12.2.1872 in Hamburg), called "Lieschen". Before her marriage, she lived with her mother at Grindelberg 78. Her father, Martin Hauer (1836-1897), also born in Hamburg and was a citizen of the city since 1862, owned a factory for soap and perfume. In 1904 and 1911, the two daughters Karla and Lotte were born. 1904, the family lived at this time in the Bogenstraße 20, Karl Müller commissioned a portrait of the emigrated hamburger Henry Jones opening the same lodge in the Hartungstraße 9-11. Already at this time he might have been a member of the Hamburg Artists Association of 1832. Starting from 1908 further change of dwellings on the basis of the telephone books are comprehensible: nearly yearly the family moved and moved thereby from the Grindel quarter over Hoheluft east to Harvestehude and Winterhude. Around 1912 she moved into an apartment in Sierichstraße 156. Here, the landlord Schröder provided the artist with an area of ​​around 45 square meters as a studio on the dry floor. But the building police criticized this use and after some disputes, the painter had to move once again with family and studio. The official telephone directory recorded as an address from 1914 to 1918 Klosterallee 20 (Harvestehude). Friedrich Jansa described Karl Müller's changed motif choice in his artist's glossary in 1912: "In recent years he has been watercolouring a lot in the Hamburg area and now mainly takes his motifs from Hamburg harbor...

Antique American school modernist circus scene by Ann Taube Goodman (Born 1905). Oil on canvas, circa 1925. Signed. Displayed in a modernist fra...

Working Horses is an original oil painting on canvas realized by Alessandro Lupo in 1913. Hand signed and dated lower right. Good conditions, slightly stretched canvas, slight mark...

This is an almost lifesize portrait of a charming blond holding a basket of freshly picked flowers. The girl set against a verdant landscape with blue sky and cumulus clouds. The subject is the friend of the artist's daughter. 78 x 42in. framed. This joyful image of youth looks better in person due to its impressive size and clearly will be a statement piece in any home. Francis Luis Mora ( ( Uruguayan / American, 1874-1940) Studied under Edmund Charles Tarbell...

Original Oil on Canvas by Giovanni Giani, realized by the artist in 1911. Signed and date lower left "G. Giani 1911". Very good conditions.

Medium: Pencil and Oil on Board Signature: Signed Lower Right The Modern Priscilla Magazine Cover, June 1916.

Signature: Signed Lower Right Saturday Evening Post, October 27, 1917, "Who Can Spell Cream of Wheat?" Advertisement.

Medium: Oil on Canvas Signature: Signed and Dated Lower Left Cover illustration for The Saturday Evening Post, June 8, 1912

Signed lower left, 'Friedrich Fehr' (German, 1862-1927), inscribed 'Karlsruhe' and dated '1918'. Friedrich Fehr first attended the Munich Academy of Fine Arts (1878-84) where he st...

JOSÉ MONGRELL Spanish, 1870 - 1937 VALENCIAN FLOWER PICKERS signed “J. Mongrell” lower left oil on canvas 29-1/4 x 45 inches (74 x 114 cm.) framed: 42-3/...

Initialed lower left, 'H.S.' for Henrik Schouboe (Danish, 1876-1949) and painted circa 1915. Henrik Schouboe first studied at the Copenhagen's Royal Academy of Fine Arts from 1894-1901 and, from 1903-1910, in Italy and Paris. He was awarded numerous stipends and scholarships including the Larssen (1902-3) and the Akademie Scholarship in 1908. In 1906, he had exhibited for the first time at the Charlottenborg where his submitted entry was purchased by the leading Danish painter of the time, Kristian Zahrtmann, for his personal collection. Schouboe continued to exhibit both domestically and internationally for over thirty years and was the recipient of a variety of prizes, medals and juried awards including the purchase of his 1908 Charlottenborg entry, 'Young Couple in a Landscape', by the State Museum of Art for inclusion in the Danish national collection. Schouboe's work is held in the permanent collections of numerous museums including Copenhagen, Aabenraa, Maribo and the Aalborg Art Museums. We are pleased to offer a delicate and psychologically penetrating portrait of this beautiful and determined girl on the cusp of womanhood. Reference: Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 30, p. 269; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 12, p. 520; Weilbach, Dansk Kunstnerleksikon, the Castle and Cultural Agency, Copenhagen; Dansk Kunst (Charlottenborg), 1927: Taf. 27, 1928: Taf. 38, 1929: Taf. 46; S. Michaëlis i: Art VII, 1905-06; Vilh. Wanscher i: Kunstbl. 1909-10, 71f; Harald Giersing...

Signature: Signed Lower Right: F X Leyendecker Medium: Oil on Board Sight Size 18.75" x 24.75;" Framed 33.75" x 39.75" RELATED LITERATURE: B. King, "T...

Here is a fine example of the artistry of the American artist, Norwood Hodge MacGilvery. Oil on canvas board. Signed lower right. Circa 1915. Condition is very good. Framed in a ...

Medium: Oil on Canvas Signature: Signed Lower Right Cover of The Saturday Evening Post, November 4, 1916 Literature: The Saturday Evening Post, November 4, 1916, illustrated on the ...

Charming portait with Modernest colors. Provenance: Christie's Mercedes Matter, daughter of the artist, Salander-O'Reilly Galleries, New York. Private Collection. Sale: Skinner, Inc...

Medium: Oil on Canvas Signature: Signed Lower Right "A Successful Man," by Ella Wheeler Wilcox, from book Poems of Optimism (1919).

Medium: Oil on Canvas Signature: Unsigned R. Norton, The Mediator, New York, 1913, cover illustration. Douglas Duer (1887-1964) was a member of New York's Society of Illustrators w...

Signature: Signed Lower Right Medium: Oil on Canvas Cover for Life Magazine, January 1, 1914 Caption: "Which Bird?"

Very finely painted in muted pastel colors is an original oil on canvas board painting by the American artist, Norwood Hodge MacGilvery. Signed lower right. Titled verso along with ...

Artist: Ben Benn, Russian/American (1884 - 1983) Title: People in the Woods Year: 1917 Medium: Oil on Canvas, signed l.r. Size: 31 x 22 in. (78.74 x 55.88 cm) Frame Size: 39 x 30 i...

Medium: Oil on Canvas Mounted to Archival Board Signature: Unsigned Sight Size 17.625” x 14.375;" Framed 23.063” x 20.125" Custom Gilt Framing: Thanhardt Burger (formerly Newcomb Mac...

Medium: Oil on Canvas Laid on Panel Signature: Signed Lower Right The Saturday Evening Post cover, November 12, 1910

Medium: Oil on Canvas Signature: Unsigned This is a study for the very large Howard Pyle mural now in the historic County Courthouse in Hudson County, New Jersey. It was commissione...

Medium: Oil on Canvas Signature: Unsigned Original illustration for March 1918 Pictorial Review Magazine.

Stunning signed landscape oil on canvas circa 1910 by sought after French post impressionist painter Victor Charreton. A wonderful and colourful depiction of a green church garden la...

Signature: Signed & Dated Lower Right 'Big Flat' by Henry Oyen: Appeared in Country Genteman, January 25th, 1919.

CELSO LAGAR Spanish, 1891 - 1966 NATURE MORTE signed "Lagar" lower left oil on canvas 18-1/4 X 21-3/4 inches (46 X 55 cm.) framed: 23-3/8 X 27-1/8 (59 X 68.5 cm.) PROVENANCE Privat...

Hand signed and dated lower right "Arturo Noci 1912". In excellent conditions. Includes wooden frame: 63x78 cm.

Attached is “Anita” (1916), by William Cahill (1878-1924), oil on artist board, 14 x 14 inches, signed & dated l/r. Exhibited at the Salmagundi Club, 1...

John B. Monaco 1916 painting and study of the John Singleton Copley portrait of John Hancock. San Francisco artist and San Francisco city documen...

Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 17.00" x 15.50;" Framed 24.50" x 23.00" The Saturday Evening Post cover, June 22, 1912

Signed lower left. Complemented by a hand carved and gilt frame. Nancy Maybin Ferguson (1872 - 1967) A native Philadelphia, Nancy Ferguson wa...

Signature: Signed Lower Right Medium: Oil on Canvas This illustration was a Saturday Evening Post cover, September 13, 1913.

Medium: Oil on Canvas (on Board) Signature: Signed Lower Left Literature: Reese, Lowell Otus, The Little Injun, Collier's Weekly, November 4, 1916, p. 13, illustrated. Schoonover,...

ENRIQUE MARTÍNEZ CUBELLS Y RUIZ Spanish, 1874 - 1947 PREPARING FOR FISHING signed "E. M - CUBELLS. RUIZ" (lower right) oil on canvas laid on panel 11-1/4 X 15-1/4 inches (28.6 X 38....

Illustration of a carefree young woman in striped pinafore, photographing the outdoors with her Kodak Premo camera, circa 1912. In 1893, at the Chicago World's Fair, George Eastman introduced the "Kodak Girl" as the icon of the new Kodak camera...

Beautiful early 20th century impressionist painting of St. Mark's Basilica, by an unknown artist (American, 20th Century), 19...

Signed and Dated Upper Right An Open Doorway With the American Y.M.C.A". Inscribed upper right "A mon ami Hall Aout 1918 JF Bouchor". Titled verso.

Medium: Oil on Canvas March 10, 1917 Preliminary Study for The Saturday Evening Post Cover

Date: 1915 Medium: Oil on Canvas Dimensions: 40.00" x 28.00" Signature: Signed Lower Right Rip Van Winkle, Cream of Wheat advertisement, 1915 This p...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Martha Walter (1875 - 1976). Born in Philadelphia in 1875, Martha Walter attended Girls’ High School followe...