Panel Figurative Paintings

The painting belongs to the MUSIC series, dedicated to the classic jazz of the 1950/60s. It is made on a rigid panel, it is a unique piece and is authenticated by the artist. Acryl...

'Fun on the Beach' is a fabulously warm and inviting piece that would bring the beach inside your own home! Losada Romeu paints with such delicate hues bringing together colours that...

The painting belongs to the MUSIC series, dedicated to the classic jazz of the 1950/60s. It is made on a rigid panel, it is a unique piece and is authenticated by the artist.

Signed and titled oil on panel figures in landscape circa 1920 by French impressionist painter Andre Devambez. The piece depicts couples and families en...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Vanitas Oil Painting on Linen Canvas Still Life In Stock Born in Den Helder, The Netherlands in 1976. Victor Muller is a young artist with a considerable and amazing oeuvre. He crea...

Alejandro Rubio La Casa Amarilla (The Yellow House), 2022-2025 Oil on panel 18 x 18 inches This is a one-of-a-kind oil painting on a wooden panel.

"Dancers reading III", Impressionist Indoor scene with tow girls. Oil on panel. Measurements in centimeters: 61 x 61 cm / In inches 24.02 x 24.02 “ Framed: 78 x 78 x 4 cm. / In inches 30.71 x 30.71 x 1.57 " This artwork, signed IF by Scottish artist Iain Faulkner...

Ron Hick's (US based) "Axiomatic Appeal" is an original, handmade oil painting that depicts an impasto rendering of a male figure with dark hair and an abstracted background. Ron Hi...

The subject of Richard Gibbons' painting entitled "La Boheme" is based on the opera by Puccini of the same name - a love story of a poor seamstress and her artist friends in 1830 Boh...

Textured mixed technique, 2021 Figurative Magical Painting. This is one of my early works, where I delve deeper into our connection with animals through a human and magical lens. Ani...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

Valerio D'Ospina's (Us based) "BLT Ride" is an oil painting depicting a forest and light with a motion blur. Valerio D’Ospina was born in Taranto in 1980. On July 14, 1999 he receiv...

The Cocktail Paintings It's Five O'Clock These four cocktail paintings are completed at a certain point at which time the artist will start to add a mosaic style pattern to the en...

Scott Conary's "Beneath" is an original, handmade oil painting that depicts fabric draped over a surface with light hitting every fold. About the Artist: Raised where the East Coast...

Suchitra Bhosle's "Downstream Riot" is an original, handmade oil painting that depicts white and orange koi fish mingling and pressing together in the shallow blue water of a koi pon...

Based on Georgia Hinaris' love of the Horror Film genre, all that appears may be so much more in her work. The artist takes inspiration from these types of films with their stark cin...

"Victoria" is portrait of a young female with flowing blond hair and draped in white. Purple flowers adorn her hair as well as her dress. Her pale skin, as well as her gaze away f...

Brian Keith Stephens' painting "All the Wild Ones Act 4" (2018) is a delightful exploration of wildlife through the lens of contemporary artistry. Rendered in oil on panel, this orig...

Master painter Bruno Surdo brings humor to the painting "Trick or Treat". His classically posed figures sport various Halloween costumes and stand in front of a factory. The painting is framed in a simple black frame. Bruno Surdo Trick or Treat oil on panel 18h x 24w in 45.72h x 60.96w cm BRS046 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden Mike & Jill Rose SELECTED PUBLICATIONS Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment “Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014 “Master Class” What’z Up Magazine, Fort Wayne, 2011 ”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011 “Illuminated Images” Fort Wayne Reader, 2011 “Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010 “Art and Calamity” Art Papers, 2009 “Versions of the Present, Techniques of the Past” American Artist Magazine, 2004 “Living Artists” Crow Book Publishing, Chicago, IL 2004 “The New Master” by Craig Keller, Chicago Social Magazine, 2004. “Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002 “Mural Depicts Tragedy of 9/11” Art Section...

Suchitra Bhosle's "A Moment in Time" is an original, handmade oil painting that depicts a woman, in all white, crouching with her knees pulled to her c...

This painting by Astrid Ritmeester belongs to a series she has called 'Memories' Ritmeester also works as a costume and graphic designer for theatre productions. Astrid Ritmeester...

Original Painting by Eric Zener

GREG MILLER "Wonder Palms" Acrylic, Collage on Panel 24 x 60 in. Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller explores his relation...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographic stills, repurposing them...

The partially shrouded male nude stands in front of a doorway outlined in black. The rich burgundy background does not give us any clues as to where the figure is yet the darkened d...

In Shivers, a disease is spread through the throat, resulting in a zombie-like infection. In this painting, coupled with an image from The Eyes of Laura Mars, is a reference to ideological possession and the use of compelled speech. It is a concern towards those who display totalitarian traits in their quest for justice, too caught up in their own righteousness to really consider the damage they are doing. The do in the background stands above the lifeless body of a woman, it is dogma and its dismantlement of womanhood. Inspired by the films Shivers, 1975 The Eyes of Laura Mars, 1978 Georgia Hinaris Eyes of Shivers oil on panel 16h x 24w in 40.64h x 60.96w cm GHS003 Horror films are the most profound and visceral of films, garnering the most extreme responses: vehement hatred and cultish admiration. Horror elicits a controlled neurosis while exposing the rejected weaknesses and brutalities of humanity. I embrace the power of cinema and its ability to alter perception, as it is media that is a reflection of our primordial desires. I’m fascinated by concepts involving the limits of human perception, the ambiguity of morality in relation to nature, the paradoxical nature of reality, and the human struggle to reckon with uncertainty. Humans bear the burden of being as we are, all caught in a flux of unbelievable cognitive abilities and animalistic instincts. Every painting is in its own universe and I cater to it. Nothing is precious. Chaos is embraced. Georgia Hinaris, b. 1993, Chicago, Illinois Education 2019 MFA Painting, New York Academy of Art, New York, NY 2015 BFA Painting, Pratt Institute, Brooklyn, NY Exhibitions 2020 Summer Exhibition, Flowers Gallery, New York, NY Summer Juried Exhibition, Prince Street Gallery, New York, NY 2019 Di Donna Gallery, New York, NY AXA Art Prize, San Francisco Art Institute, San Francisco, CA, Richard Gray...

Kevin Weckbach's (US based) "Gonske' House" is an original, hand made oil painting that depicts an adobe house in Taos with a colorful entrance and blooming flowers in the foreground. Artist Statement: "Subject matter to me is a vehicle for me to explore how I observe life. My urban influences are an assembly of varied fabrics stitched together to form a tapestry. It is not to resemble a literal story of what it is; moreover, it is a quilt that explains my visual expression. What I find particularly interesting in human intervention in nature is how we are still intertwined with it. Roads, buildings, and farmlands bend with the natural curves of mountains, hills, and streams. City nights are lit up like lightning bugs...

Wonderful signed oil on panel cattle and figures in landscape by French impressionist painter Jean-Francois Raffaelli. The work depicts oxen being loaded onto ships in Honfleur, France en route to England. Signature: Signed lower right Dimensions: Framed: 18"x16" Unframed: 9"x8" Provenance: Exhibition Jean Francois Raffaélli held at Galerie Simonson, 19 Rue Caumartin Paris - October 1929 (number 44) Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

Michael Carson's (US based) "Resigned" (2024) is an original, handmade oil painting. About the Artist: Mike Carson is a Minneapolis painter, and graduate of the Minneapolis College ...

Valerio D'Ospina's (US based) "Viridian's Ride" is an oil painting depicting an urban street in green, at night, with a motion blur. Valerio D’Ospina was born in Taranto in 1980. O...

Judd Mercer presents "Counterbalance," an original, handmade oil painting created in 2025. This significant work measures 36 inches in height by 48 inches in width, rendered on a dur...

ARTIST STATEMENT I'm currently working with figures and portraits and combine human forms with botanicals to explore our relationship with natural elements. Capturing the movement of the figure or an expression of a living soul presents endless possibilities and inspiration enabling me to blend with different themes. I've studied classical methods of oil painting with a focus on the 17th century Dutch Masters. The subjects I am drawn to are individuals with character, athletic figures and blooming floral arrangements with elegance and ethereal beauty. The reference for my work comes from my direct observation of natural day light in my north light studio illuminating and blanketing the form of my subjects. I am fascinated and challenged by the process of transforming a flat, blank canvas into the illusion of dimensional form, atmosphere and mood. That process is usually well thought out but sometimes painted direct and use intuition to complete my idea. Both of these methods present challenges but each way fills the void of the other and opens up the possibility of new visual ideas to meet my objective. BIOGRAPHY For Michael Van Zeyl, portraiture is much more than a one-sided translation of the artist’s point of view taking form in a subject. It’s an engaging visual dialogue that renders a soul in light, shadow and pigment, continuing the conversation for future generations to appreciate. While subtle observation and technical skill are only part of Michael’s gift, his experience has honed his craft to the highest standard. His talents were apparent by age seven and he spent subsequent decades mastering a wide range of painting techniques. In particular, 17th century Dutch and 19th century impressionist styles have resonated with him and surfaced in his own works. His formal training began at the American Academy of Art in Chicago, continuing on at Chicago’s Historic Palette & Chisel Academy and the Art Students League in New York, where he studied with the most accomplished artists who also paint directly from life under natural light. Michael is currently a faculty and board member at the Palette & Chisel and has been the club’s most popular instructor for several years. Michael’s work is already appreciated in many public and private collections, such as the United States District Court, University of Chicago, DePaul University School of Law, Chicago Theological Seminary and American Hotel Register. He has received awards from the Portrait Society of America, The Artists Guild, the Oil Painters of America and the 2014 recipient of the Dorothy Driehaus Mellin Fellowship for Midwestern Artists. EDUCATION 1987-1990 American Academy of Art, Chicago, IL 1999-2000 American Academy of Art, Chicago, IL - Life Drawing & Oil Painting Palette & Chisel Academy, Chicago, IL - Painting & Life Drawing Art Students League, New York, NY - Painting EXHIBITIONS 2017 “Anne Harris...

Signed verso. As Darsney’s work has developed, his compositions and influences have evolved. An auto-didactic artist, Darsney draws inspiration from a variety of sources, including The Boston School and iconic masters such as Vermeer, Rembrandt and Degas. These artists’ attention to detail and adherence to classical ratio, coupled with Darsney’s own innate sense of structural integrity, inform his vision. He is also particularly influenced by the art on view in Boston museums and collections as seen here with his portrayal of The Daughters of Edward Darley Boit...

Acrylic and oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for ...

Judd Mercer's (US based) "Illumination" (2024) is an original handmade oil painting depicting a landscape with the sun rising, shining brightly on a large rock formation in the dista...

"Sexy Red", an original oil painting by the acclaimed artist Jason Walker, was meticulously crafted in 2019. This 33 x 33-inch masterpiece on panel magnificently presents a series of radiant red donuts, their shimmering finishes glistening against a lush pink backdrop. With the framed dimensions measuring at 36.25 x 36.25 inches, this artwork elegantly marries the sensations of gastronomic allure and visual indulgence. Walker's adeptness with the oil medium is palpable, turning this creation into not just an optical banquet but also a showcase of his unparalleled finesse. Priced at $13,950, "Sexy Red" stands as a sublime acquisition for enthusiasts who appreciate the confluence of opulence and artistry. Artist Bio: Jason Walker’s imagery reflects popular culture: from Disney’s Mary Poppins or Mickey Mouse to frosted doughnuts. As observer and conveyor of cultural icons, he is an anthropologist and his beautiful and often endearing paintings resonates with art viewers. But this Toronto artist is also an analyst. Conceived with the clear-eyed vision...

Clyde Steadman's "Country Road" is an original, handmade oil painting that depicts an impasto painting of a pastoral setting.

Beach Girls II - As we wait for summer to arrive we can dream of days at the beach where all are cares are thrown to the wind. The sun roasts us as we relax into the soft sand. But w...

The Three Emperors is a triptych, which Papamichalopoulos has created a Byōbu-ē folding screen. Each panel measures 150x40 cm / 59 x 16 inches. The piece is created using ink, egg-...

"Great Horned Owl" by Anne Siems, is a captivating figurative-narrative painting featuring a wise owl, with an 18th century feel, surrounded by soft color palette and strong composition. ANNE SIEMS (b. 1965, Germany) Artist Statement I was born in Berlin, Germany. From 1969 to 1971 I lived near Buenos Aires, Argentina. My first extended stay in the US was as an exchange student in 1986. Then in 1991, after finishing my MFA in Berlin, I moved to Seattle, WA. My work has moved from semi-abstract, room-filling plant and insect drawings...

Judd Mercer’s "Transmission" (2024) is an original, handmade oil painting rendered on panel, capturing a luminous moment of human presence within the wild. Measuring 24 x 24 inches (...

The Spanish artist Mònica Castanys is inspired by everyday scenes. Moments, femininity and light are the basis of her paintings. Her color palette is reminiscent of the Impressionist...

Mark Andrew Bailey's "Bad Hombre XXXII" is an original, handmade oil painting that depicts an impressionistic, monochrome portrait of an old western cowboy or Vaquero (Mexican Cowboy...

Karen Offutt approaches The Strength Within 30 x 26 oval , oil on panel with an atmospheric sensitivity combining shape, tone line, and color. Karen ...

Richard Gibbons Movement (#172) oil on panel 43h x 22w in 109.22h x 55.88w cm Richard Gibbons 1972–1973 American Academy in Rome Archaeological Study Grant 1950 Born in Toledo, OH ...

A Rhode Island native, I earned a BFA from Rhode Island School of Design. Since then I’ve worked as a freelance artist, decorative painter, teacher and master painter at a folk art c...

Heinz-Otto Laub was born 1944 in Cologne (Germany), studied at the KA Munich under Mac Zimmermann and is actually working in Bonn. He is known in the first place for his surrealistic...

Oil painting of bare, shady woods in California. Sunlight hitting the trees and dappling shade onto the ground is what interests the artist. Joseph Altwer is a traditional realist ...

Loneliness – Nijoujou Pine is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments, Indian ink and gold leaf on Japanese paper mounted on panels...

June Glasson is an artist, illustrator, and designer. She live in Laramie, WY. Her paintings have been exhibited at the National Portrait Gallery in London, Nature Morte Gallery in B...

Brian Keith Stephens' "Butterfly Kisses for You #3" (2018) is an evocative wildlife portrait, skillfully executed in oil on linen mounted to wood. With dimensions of 11 inches high b...

"Friday Morning in Sag Harbor" is an oil painting of a small village Main Street painted en plein air by Amy Florence. Framed in gold tradition frame made in Italy, 18 x 21.5 inches...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Acrylic on wooden panel Lee Yu Min is a Korean artist born in 1987 who lives and works in Daejeon, South Korea. She is specialized in Korean painting, completing her doctoral studi...

“I thought the world was turned upside down when I started this body of work right after the 2016 presidential election. Little did I know. I had gone to the Woman's March in Washing...

Acrylic & oil on wooden panel Marie-Pierre Autonne is a French artist born in 1960 who lives & works in Angers, France. She studied at Penninghen in Paris, France. She worked for se...

Classically trained artist, Andrew Conklin, has captured the moment just before or just after the subject, Ashley, has laid down her guitar. She is seated on a Tom Vac Chair...