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Maurice Asselin
Maurice Asselin (1882-1947) A Village, Signed oil on canvas

1927

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Maurice Asselin (1882-1947) The House of the artist, Oil on canvas, signed
By Maurice Asselin
Located in Paris, FR
Maurice Asselin (1882-1947) The House of the painter, Neuilly signed lower left oil on canvas 55 x 46 cm Framed : 63 x 54 cm The subject of this painting is fairly easy to identi...
Category

1930s Post-Impressionist Figurative Paintings

Materials

Oil

Octave Denis Victor Guillonnet (1872 - 1967) Les Oliviers, oil on panel signed
By Octave Guillonnet
Located in Paris, FR
Octave Denis Victor Guillonnet (1872 - 1967) Les Oliviers, A landscape with olive trees signed "EODV Guillonnet" lower right Oil on wood panel 38 x 46 cm...
Category

1950s Post-Impressionist Landscape Paintings

Materials

Oil

Léon Frédéric (1856-1940) Vallée de Nafraiture, Oil on panel
By Léon Frédéric
Located in Paris, FR
Léon Frédéric (1856-1940) Vallée de Nafraiture signed with the estate stamp at the lower left Oil on canvas transfered on panel 29.5 x 44.55 cm Certific...
Category

1930s Post-Impressionist Landscape Paintings

Materials

Oil

Jean Robert Ithier (1904-1977) Ars en Ré, view of the church, oil on canvas
By JEAN ROBERT ITHIER
Located in Paris, FR
Jean Robert Ithier (1904-1977) Ars en Ré, view of the church oil on canvas signed lower left 80.5 x 60 cm No frame The church of Ars en Ré, a pittoresque village on the atlantic i...
Category

1950s Post-Impressionist Landscape Paintings

Materials

Oil

The Mills in Montmartre, Paris, 1907, oil on panel signed and dated
Located in Paris, FR
The Mills in Montmartre, Paris, 1907 Oil on wood panel signed (illegible) and dated "07" on the lower left 18 x 20 cm in good condition : a small inpainting visible on the left borde...
Category

Early 1900s Impressionist Landscape Paintings

Materials

Oil

19th Century French school, Two italian women in a landscape, an oil sketch
Located in Paris, FR
19th Century French school, Two italian women in a landscape, oil on canvas 59 x 43.5 cm Bears a signature and a date on the lower left (see photograph please) but barely lisible ...
Category

1840s Romantic Figurative Paintings

Materials

Oil

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By Enric Porta Mestre
Located in Barcelona, Barcelona
Title: Shepherd in the Pyrenees Artist: Enric Porta i Mestre (1898–1993) Technique: Oil on canvas Style: Post-Impressionism with Expressionist influences Dimensions: Unframed: 23.6 x 31.9 in Framed: 29.9 x 38.2 in Signature: Signed in the lower right corner as "E. Porta". Date: 1956 (according to the inscription on the back). DESCRIPTION OF THE WORK Shepherd in the Pyrenees by Enric Porta i Mestre depicts a rural scene with a striking sense of introspection and evocative charm. The painting portrays a shepherd tending to his flock amidst the mountainous landscape typical of the Catalan Pyrenees. The composition captures the serenity and beauty of nature through vibrant colors and dynamic brushstrokes. The work reflects a Post-Impressionist style with loose, bold strokes and vivid tones, combined with Expressionist influences in its ability to evoke emotions beyond the physical depiction. The energetic and textured brushwork infuses the painting with a lively rhythm, while the rich palette of greens and blues immerses the viewer in the landscape's tranquil atmosphere. In this piece, Porta i Mestre showcases a mastery of color and light, illustrating his deep connection to his homeland and its rural life, which served as a source of inspiration throughout his career. ARTIST BIOGRAPHY Enric Porta i Mestre (La Pobla de Segur, 1898–1993) was a Catalan painter known for his landscapes, still lifes, and costumbrist depictions. Trained in Lleida and Barcelona, Porta debuted in 1922 with an exhibition in the Catalan capital. He later moved to Paris to further his artistic studies, where he connected with avant-garde artists such as Miquel Villà...
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By Ernest Fiene
Located in Miami, FL
Ernest Fiene depicts Fifth Avenue looking down from 57th Street with an unobstructed view of the Empire State Building. The absence of newer glass and steel architecture gives the painting the charm of old New York. The artist captures a dark, moody blue sky as light bounces back from the clouds. This contrasts with the somewhat haunting yellow glow given to pedestrians and street traffic. The people have somewhat of a zombie quality akin to George Tooker. Best viewed with a top and direct gallery light...
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Signed lower right and dated 1930. Lever’s “Fishing Harbor in Brittany” is as much a scene celebrating the boats and quaint architecture of coastal France, as it is a nod to its ...
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Located in Miami, FL
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