Nicholas Takis

“Studio Interior”

1945

Original oil on wooden panel painting of a young child begging for a coin. The painting is attributed to the hand of Leopoldo Dumini. Circa 1865...

Beautiful oil on mahogany panel painting of the bustling Port of Ostend in Belgium by Louis Clesse. Signed lower right and dated 1942. Titled verso and signed again by the artist ve...

Oil on panel painting by American artist Walter Blackman. Walter Blackman was known for his portraits of beautiful women and this painting is a great example of his finest work. Sign...

Original oil on canvas provocative figurative painting by the American artist Martin Rosenthal. Mid century modern. Signed lower right. Circa 1955. Condition is very good. Present...

Oil on canvas painting by Jean Calogero. Circa 1950. Signed lower right. Condition: Good. Overall in museum quality gold leaf frame 17.5 by 15.75 inches. Provenance: Manhattan Co...

Oil on canvas painting by the Italian artist, Jean Calogero. Circa 1950. Signed lower left Overall in museum quality gold leaf frame 17.5 by 15.75 inches. Condition: Good. Provenan...

August Wilhelm Dressler, Behind the Curtain, 1940, Oil on Wood Panel, 60 x 50 cm. Signed lower left.

We are obsessed with the brilliance of Donald Beal's paintings, and we think you will be, too. The color and sense of light that unites all of his paintings project an unforgettable ...

Cityscape painting on wood panel of Hudson, NY with a purple rooftop against a golden yellow and orange winter sunset and black silhouettes of trees in the distance in purple violet red orange and yellow "Winter Solstice Sunrise on North 5th," by Hudson, NY based artist, Ricardo Mulero 9 x 12 inch oil on wood panel, Painted in 2020 Framed with a custom dark wood Larson Juhl frame Excellent condition, ready to hang as is Ricardo Mulero is fascinated with capturing the brilliance of light and the contrast of natural beauty with utilitarian landscapes. Here, he focuses on the intense golden glow of a winter sunset against a small town skyline. The painting has a smooth texture with no impasto on the surface and is complemented with a dark wood, Larson Juhl floater frame. It's in excellent condition and ready to hang as is. About the Artist: Growing up in Puerto Rico, I observed how people and nature could co-exist in harmony. Today, that principle guides my design and artistic work. My paintings are expressions that draw upon my life experiences, traditions, and surroundings. These unique environments inspire my oil paintings: Puerto Rico, where I grew up, New York City, Fire Island Pines...

Abstract cityscape painting of Hudson, NY rooftops with accents of pink, magenta, green, yellow and teal "Rooftops Power Lines and Five & Diamond," by Hudson, NY based artist, Ricardo Mulero 12 x 6 inch oil on wood panel, Painted in 2021 Excellent condition, ready to hang as is Signed, lower left Ricardo Mulero is fascinated with capturing the brilliance of light and the contrast of natural beauty with utilitarian landscapes. Here, he abstracted the city skyline of Hudson, NY. Buildings and rooftops in shades of magenta, teal, and green are segmented in the foreground and cropped with black power lines. A soft yellow sky is layered with thin strokes of gesturally applied pale blue paint, furthering abstracting the city landscape. The piece is in excellent condition and ready to hang as is. The sides are painted a very dark, warm magenta so framing is not necessary. About the Artist: Growing up in Puerto Rico, I observed how people and nature could co-exist in harmony. Today, that principle guides my design and artistic work. My paintings are expressions that draw upon my life experiences, traditions, and surroundings. These unique environments inspire my oil paintings: Puerto Rico, where I grew up, New York City, Fire Island Pines...

Cityscape painting on muslin of iconic New York City water towers against an abstract maroon, silver, and blue rooftop skyline "41st & 10th" by Hudson, NY based artist, Ricardo Muler...

A mixed media painting showing a seated man with tattoos. In “Illustrated Man” we see a single figure, covered in tattoos; portraits, designs, and patterns coat the man's skin from torso to fingertips. His face remains pure, unscathed from any ink marks; clear-headed and gazing forward. Behind him, Miller presents an obscure tapestry of civilization, an empire of sandy structures under a lapis lazuli night sky. Winding roads lead to city walls, while shadows and foundation-lines melt into creatures; a toothy alligator appears out of a stone façade...