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Norman CartonMid Century Modern abstract cityscape, unique oil painting, signed twice, Framedca. 1951
ca. 1951
$10,000
£7,637.06
€8,747.84
CA$14,265.61
A$15,548.24
CHF 8,096.82
MX$187,600.96
NOK 101,780.30
SEK 95,548.03
DKK 65,335.23
About the Item
Norman Carton
Mid Century Modern Cityscape, ca. 1951
Oil on canvas painting (signed twice)
Signed twice: hand signed on the front and also signed on the back
Unique
Frame included:
This work is elegantly double framed in a handmade wood frame
Measurements:
Framed
19 inches by 23 inches by 2.5 inches
Painting
15 inches by 18.5 inches
Oil on canvas painting
Signed twice: hand signed on the front and also signed on the back
Early Abstract Expressionist Cityscape
This brightly colored work reveals his distinctive Modernist style and the early influence of Abstract Expressionism
The Estate of Norman Carton is now represented by the Hollis Taggart Gallery
NORMAN CARTON BIOGRAPHY
Ukraine-born American Expressionist Norman Carton has a visually-recognizable style which speaks of a particular era. His formal art education began at the Pennsylvania Museum School of Industrial Art and then, from 1930 until 1935, he studied at the Pennsylvania Academy of Fine Arts under Arthur B. Carles and Henry McCarter, both important American Modernists known for their heightened use of color. Subsequently, Carton took courses at the Barnes Foundation where he had access to the renowned collection of works by American and European Modernists. Like so many artists of his generation, Carton was immersed in the new ideas and exciting artistic developments of the Avant-garde. His personal evolution brought him to his own signature form of abstraction which is defined by gesture, balance and a truly engaging palette. His first solo exhibition was organized in 1949 at the Philadelphia Art Alliance, quickly followed by shows at Dubin Gallery in Philadelphia and Laurel Gallery in New York.
Carton was awarded an impressive commission jointly from the Philadelphia Museum and National Museums of France which provide the opportunity for travel to Europe. Equally as remarkable, the painter received a one-man show at The Sorbonne where he gave lectures in the early 50s. He also participated in several salon shows including Realtiies Nouvelles and the Salon d’Automne, and showed at the Musée d’Art Juif where he was a finalist for the Prix d’Art. His talent as a designer also brought him into the theater world of Paris, creating stages and costumes at the Paris Opera.
Upon his return to the States in 1953, Carton’s success continued. He was in the throes of the AbEx movement in New York, showing at the Whitney, (the museum purchased one of his paintings) and his work hung along with that of Joan Mitchell, Franz Kline, Adolph Gottlieb, among others. Martha Jackson, Granite Gallery, Staempfli all showed his work during the next two decades. He exhibited widely participating in more than a hundred exhibitions during his career. Along with his extensive list of shows, he was a devoted teacher throughout his life. His works can be found in many museums. Carton’s artistic talents allowed him to be a muralist, graphic and theater designer, newspaper artist, as well as an innovative and recognized painter.
-Courtesy Hollis Taggart Gallery
- Creator:Norman Carton (1908 - 1980, American)
- Creation Year:ca. 1951
- Dimensions:Height: 19 in (48.26 cm)Width: 23 in (58.42 cm)Depth: 2.5 in (6.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Fine original condition with no apparent issues.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745216886812
Norman Carton
Norman Carton was an American artist and educator known for Abstract Expressionist works in oil on canvas. While this was his most recognized style and medium, Carton was primarily a colorist and also worked as a muralist, classically trained portrait and landscape artist, sculptor, theater set and fabric designer, and illustrator as well as in a variety of abstractions. He has a large museum collection and commercial history, showing in more than 20 solo and 135 group exhibitions." He was awarded numerous awards, prizes and fellowships for painting. In the 1930s he was part of the WPA creating murals. In the 1940s, he founded a fabric design and production firm which was featured in Interiors magazine, Vogue, Harper's Bazaar, and Women's Wear Daily. These were hand-printed fabrics and his clients were Nina Ricci, Hattie Carnegie, Lord & Taylor, and others. In 1962 Norman Carton opened his own Dewey Gallery in NYC. Carton's works continue to be included in present day exhibitions including at Quogue Gallery entitled 1950s and 1960s Works on Paper,, at the Nassau County Museum of Art entitled Blue in 2020 as well as Energy: The Power of Art in 2019, and at the Anita Shapolsky Gallery in 2019 entitled Inspiration & Exploration. Norman Carton's 2020 solo exhibition at Quogue Gallery was reviewed by Charles A Riley. A representational portion of Carton's papers which include correspondence, writings, notes, exhibition catalogs and sketchbooks were donated to the Smithsonian Archives of American Art where they remain.
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