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Norman Rockwell
Norman Rockwell Lithograph "Extra Good Boys and Girls" (Signed)

1939

$5,950List Price

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Jerome Paul Within Figurative "The Three Men Each at Their Windows Light"
Located in Detroit, MI
Jerome Witkin is an American figurative artist whose paintings deal with political, social and cultural themes, along with serious portraiture that melds...
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Edgar Yeager Figurative Interior Scene
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SALE ONE WEEK ONLY Yaeger was an American Modernist painter from Detroit, Michigan, who is credited with being one of the first painters in this style. The portrait “Untitled” easil...
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Ron Lukas Portrait "Annie Hall" Woody Allen Movie Character
Located in Detroit, MI
SALE ONE WEEK ONLY “Annie Hall” is a brilliant complicated mixed media piece composed of disparate parts and pieces that together make up a successful whole similar to the Woody All...
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1970s Contemporary Figurative Paintings

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Fred Cress Figurative Painting "Mirror, Mirror"
Located in Detroit, MI
SALE ONE WEEK ONLY Complicated exchanges between individuals engaged in conversations, an argument, boredom, a caring exchange, toasting, so many human interactions within an almost five and a half foot square painting containing up to 25 people has been magnificently composed and is continuously captivating. The dynamism and flow of humanity in “Mirror, Mirror” can be compared to the dynamism and flow of humanity found in Breughel’s “Wedding Dance” owned by and located at the Detroit Institute of Arts. Frederick Harold Cress was a British painter who migrated to Australia and won the Archibald Prize in 1988 with a portrait of John Bread. Cress was born in Poona, British Raj, but went to England with his parents in 1948, when he was ten. He was educated at the Birmingham College of Art in England, and migrated to Australia in 1962 as a "ten pound Pom", meaning that he only had to pay ten pound for his fare to Australia. Cress met the painter Anne Judell and married her in 1967; they divorced in 1991. He started his career painting figuratively, but became well known for his abstract work in the late 60s and 70s. He returned to figurative painting in the late 80s after he won the Archibald Prize with a portrait of his friend and colleague, John Beard...
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Charles Pompilius figurative Young Female Nude Oil on Panel
Located in Detroit, MI
"Untitled" portrays a young female nude in an intimate setting within the artist's studio. This painting is done in the classical vein of full portraiture. The model, however, is not posed quietly, but is engaged with a person or object off the frame, or, perhaps in an interior monologue with herself. Regardless of which, the viewer's attention is not only attracted to the beauty of the model's figure, but the intention of her actions. Charles Pompilius...
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Early 2000s American Modern Figurative Paintings

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"Untitled", Inked Profile, Museum Glass, Custom Frame, Mixed Media, India Ink
By Lester Johnson
Located in Detroit, MI
SALE ONE WEEK ONLY “Untitled” painted in India Ink of two heads was done during what has been call Lester Johnson’s Dark Paintings of the 1960s. In 2013 John Yau wrote with much insight about that period of Johnson’s work - “Lester Johnson (1919-2010) was an innovative figurative painter who has never quite fit into any of the accepted narratives of postwar American art, and that alone makes his work worthy of a longer look. The 1960s was an explosively turbulent era marked by assassinations, race riots, space flights, the Cuban Missile Crisis, the Beatles’ and Rolling Stones’ first American tours, and the rapidly escalating Vietnam War. Everyone was wary and on edge. Meanwhile, in the New York art world, all eyes were fixated on the rise and triumph of Pop Art, Minimalism and Color Field painting. Johnson was one of the few artists that attuned to the dismay that everyone was feeling during the violent and schizophrenic time, the sense that it could all come crashing down. However, his work was never overtly political or didactic. While his dark, brooding, monochromatic paintings of anonymous men gained a small and loyal following, they also became part of that largely invisible history of a time when New York was a tough scary and exciting place to be. More than fifty years after they were made, Johnson’s Dark Paintings continue to retain a coarseness that we associate with gestural Abstract Expressionism and Jean Dubuffet’s anti-psychological, anti-personal portraits incorporating sand and gravel. One sees in them the antecedents of Joyce Pensato’s gestural exaggerations of Groucho Marx, Homer Simpson and Minnie Mouse. While Pensato brings an infectious humor to her work, Johnson was more somber. I cannot help but think that both these artists chose their bedraggled subjects out of empathy and a trace of identification.” Lester Johnson, was born in 1919 in Minneapolis, Minnesota. He attended Minneapolis School of Art, where he studied under Alexander Masley who was a former student of Hans Hofmann. Johnson continued his artistic career in New York City where he opened his first studio on 6th and Avenue A. His neighbor there was fellow painter Wolf Kahn. During his time there he would share a loft with Larry Rivers and married the art historian Josephine Valenti. In 1961 he briefly taught at Ohio State University before returning to New York City to share a studio with Philip Pearlstein. Jack Tworkov would invite Johnson to teach at Yale, an offer that Lester Johnson would accept and spend the rest of his life in Connecticut. Johnson passed away in 2010. Johnson's work has been exhibited in the Baltimore Museum of Art, the Albright-Knox Art Gallery, the Fogg Art Museum, Harvard University, the Art Institute of Chicago, the Detroit Institute of Arts, the Kalamazoo Institute of Arts, the Modern Art Museum of Fort Worth, the Wadsworth Atheneum, the Minneapolis Institute of Arts, The Walker Art Center, the Yale University Art Gallery, the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, the Chrysler Museum of Art, the Carnegie Museum of Art, the Museum of Art, the Rhode Island School of Design, the Aldrich Contemporary Art Museum, the Rose Art Museum, Brandeis University, the Hirshhorn Museum and Sculpture Garden, and the Smithsonian American Art Museum. This work has been framed inside of a custom frame with museum glass...
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1960s Abstract Expressionist Figurative Paintings

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