Peter Korling

The 8998

Presenting a just discovered an Iconic Hollywood original oil on canvas by American artist David Rose(1910-2016.) Rose's formal study of art began in the 1...

Presenting a just completed original oil painting by American/Azerbaijan artist Fidan Kim. Fidan’s attention to detail subject and pallet are quickly gaining her recognition as one of the great emerging artist’s of the day. Many of her paintings take more than a year to complete due to the complex detail and methods she uses to create her paintings. “The Unseen Love”, is an original oil on canvas, signed, completed in 2022, suitably framed it has just arrived at our West Hollywood gallery...

Born in Latvia, Kalman Aron(1924 - 2018), survived four years in camps during the Holocaust surviving in many ways due to his natural artists talent. As liberations came with the end of the war, he was able to study art at the Fine Art Academy of Vienna. Kalman Aron spent his life paintings portraits, landscapes, cityscapes as well as imagery from his impression of the war. He was widely commissioned and collected. Observation in Echo Park...

Presenting qn exceptional oil on panel by American artist Ron Blumberg(1908-2002) Ocean Park bench, is an original oil on panel, signed, c.1957, painted ...

An early,rare oil on canvas by American artist Ron Blumberg. Blumberg was classically trained at La Grande Academie Chaumiere in Paris, 1932, before moving to New York where he became a National Academy artist and a member of the Art Students League. "The Crossing...

A rare, early original painting by American artist Robert McIntosh(1916-2010) McIntosh was extremely prolific and exhibited throughout his lifetime, including first prize awarded at the Los Angeles County Museum in 1948. "Japanese Farm...

This large green field overlooking the Long Island Sound Beach depicts a parent without definition, mother or father, observing their child in the gr...

Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...

This painting is illustrated in the Catalogue of the 1945 Encyclopedia Britannica Collection of Contemporary American Painting, p.84. Written and edited by Grace Pagano. "Painting ...

Lydia Radda (1891-1967) Aquarium, circa 1935 Oil on panel Signed “Radda” lower right 13 x 16 inch Painter born in Corbeil-Essonnes in 1891, Julie Florent was active in Paris at the ...

David Febland is a prominent American artist working today. He pulls together imagery from his travels and composes them in a scene that is full of movement. The work is imbued wit...

Febland creates wonderfully dynamic technical and dramatic narratives. The works are evocative of many places in America(especially that of his newer works which seem to sew-togethe...