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Ramon CarullaCuban Art Abstract Oil Painting Latin American Mixed Media Ramon Carulla
About the Item
Ramon Antonio Carulla (Cuban, born 1936).
Artist signature to lower right. Label verso. Retains original JOY MOOS GALLERY label.
Dimensions: 38.5 X 28 inches. Paper is 28 X 19.5 inches.
This painting is a mixed media with oil paint, on paper
It is hand signed recto and signed and titled verso.
An abstract naive, folk art, work depicting a male figure with geometric forms.
Ramon Carulla, born in Havana, Cuba in 1936 moved to the United States in 1967. He has exhibited widely throughout the United States, Latin America and Europe. He has participated in personal and group exhibitions in Canada, Venezuela, Mexico and Spain and throughout the USA.
Select Gallery Exhibitions:
Lowe Art Museum (Coral Gables, Florida),
The Museum of Fine Arts (Montreal, Canada),
The International Monetary Fund (Washington, D.C.)
The Art Expo (New York City).
Select Awards:
First Prize at the VI Graphic Biennial of Latin America (1983; San Juan, Puerto Rico),
the Silvia Daro Dawidowicz Award for Painting (1980; Metropolitan Museum)
the Samuel Golan Award (1982, Fine Art Auction Exhibition; CH 2, Miami, Florida).
the Cintas Fellowship (Institute of International Education; United Nations, New York)
SELECTED INDIVIDUAL EXHIBITIONS
2005 Sonnet Gallery (Sarasota, Florida)
2000 Ramon Carulla: People and Places - Corbino Galleries,
1998 The Dreamers - Cuban Collection Fine Art (Coral Gables, Florida)
1997 The Immigrant Series – Metro-Dade Cultural Resource Center (Miami, Florida)
1996-96 Ramon Carulla: Works on Paper – PJorn (Hamburg, Germany)
1994 Ramon Carulla: New Paintings, Plates & Boxes – The Barbara Scott Gallery
Rostros para recordar – Galería Traz (Mexico City, Mexico)
1993 Ramon Carulla, Exhibición Personal – Contemporary Art Museum (Panama)
1992 Ramon Carulla: Recent Work - The Barbara Scott Gallery (Bay Harbor, Florida)
1991 Cabinet Room – The Capitol (Tallahassee, Florida)
1988 Sofa & Hostage Series – Jay Moos Gallery
1987 20 Years After – Bacardi Art Gallery (Miami, Florida)
1985 Malcom Brown Gallery – (Cleveland, Ohio)
Mask Series – Forma Galley (Miami, Florida)
Masks, Hats, Other Headgear: A Retrospective - Schweyer-Gallardo Gallery
1983 Recent Works – VI Graphic Biennial (San Juan, Puerto Rico)
1980 Life Boundaries Series – Virginia Miller Gallery (Coral Gables, Florida)
1975 Atelier J. Lukacs (Montreal, Canada)
1967 Bacardi Art Gallery (Miami, Florida)
Ramón Antonio Carulla (born December 7, 1936 in Havana, Cuba) is a Cuban artist.
During his artistic life he took part in many collective exhibitions like "I Bienal de Artistas Noveles de Cuba". Centro de Arte Internacional, Havana, Cuba, 1965. He was included too in Drawing ’85"", 7th International Drawing Biennial. Middlesbrough Fine Arts Museum, Cleveland, Reino Unido, 1985. He was also one of the selected artists for "The Latin America Graphic Arts Biennial", Museum of Contemporary Hispanic Art (MOCHA), New York, U.S.A, 1986. That year he was also presented the 8 Norwegian International Print Biennale Fredrikstad 1986. Fredrikstad, Noruega, 8th International Exhibition of Graphic Art: Triennial of Graphic Art. Frechen, R.F.A. In 1995 he participated in The 3rd Sapporo International Biennial. Hokkaido Museum of Modern Art, Sapporo, Japan. Ramon Carulla is included in the book MEMORIA: CUBAN ART OF 20TH CENTURY By Jose Veigas-zamora & Cristina Vives alongside masters like Amelia Pelaez and Wifredo Lam (Ramón Alberto Carulla) moved to the United States in 1965 and had his first one-man show exhibit shortly after in 1967 at The Bacardi Art Gallery (Miami, Florida). Since his first exhibit fifty years ago his work has been widely exhibited in multiple solo and group exhibitions throughout the United States, Canada, Puerto Rico, France, Poland, Spain, Romania, Switzerland, England, Germany, Yugoslavia, Norway, Mexico, Venezuela, Panama, Argentina, Brazil, Japan, Taiwan, South Korea, Egypt and Dubai.
Joy Moos gallery was an influential Miami gallery specializing in folk art, self-taught visionary, outsider and contemporary art (Galerie Moos, Montréal; Joy Moos Gallery, Miami. Joy was a recognized photographer, jewelry designer and interior decorator. She wrote a catalogue on Purvis Young and promoted Cuban artist Ramon Carulla. Her gallery also showed major contemporary artists such as Robert Rauschenberg of Captiva Island and Edward Ruscha of Los Angeles.
MUSEUMS AND PUBLIC COLLECTIONS
Art History Department, University of Miami, Coral Gables, Florida
Art in Public Places, Miami-Dade County, Miami, Florida
Barnett Bank Corporation Collection, Miami, Florida
Bass Museum, Miami Beach, Florida
Boca Raton Art Museum, Boca Raton, Florida
Cabo Frio International Print Biennial Collection, Cabo Frio, Brazil
CBS International Corporation Collection, New York, New York
Centre International of Art Contemporain, Paris, France
Cincinnati Art Museum, Cincinnati, Ohio
Cintas Foundation, Institute of International Education, New York, New York
City Art Gallery, Lodz, Poland
Contemporary Museum of Art, Panama City, Panama
Contemporary Museum De Velez-Malaga, Malaga, Spain
Continental Bank International, Chicago, Illinois
Cuban Museum of Art & Culture, Miami, Florida
Detroit Institute of Art, Detroit, Michigan
Eastern National Bank, Coral Gables, Florida
Florean Museum, Maramures, Romania
Hollywood Art & Culture Center, Hollywood, Florida
Ino-Cho Paper Museum, Kochi-Ken, Japan
Instituto de Cultura Puertorriqueña, San Juan, Puerto Rico
Instituto Cultural Domecq, Mexico City, Mexico
International Museum of Contemporary Art, Bahia, Brazil
Japan Print Association Collection, Tokyo, Japan
Jersey City Museum, Jersey City, New Jersey
Joan Miro Foundation, Barcelona, Spain
Kanagawa Arts Foundation, Kanagawa, Japan
Kanagawa Prefectural Gallery, Kanagawa, Japan
Lehigh University Art Museum, Bethlehem, Pennsylvania
Lowe Art Museum, University of Miami, Coral Gables, Florida
Miami-Dade Public Library Permanent Art Collection, Miami, Florida
Museo Jose Luis Cuevas, Mexico City, Mexico
Museo Nacional del Grabado, Buenos Aires, Argentina
Museo Rufino Tamayo, Mexico City, Mexico
Museum of Art, Fort Lauderdale, Florida
Museum of International Contemporary Graphic Art, Fredrikstad, Norway
Museum of Contemporary Arts, São Paulo, Brazil
Museum of Fine Arts, Montreal, Canada
Museum of Modern Art of Latin America, Washington, DC
National Center of Art, Giza, Egypt
Norton Gallery Museum of Art, Palm Beach, Florida
Pace Collection, Miami, Florida
Pace Collection, New York, New York
Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania
Pontifical University of Campinas, San Paulo, Brazil
Radford University Museum, Radford, Virginia
Sharjah Art Museum, Sharjah, Dubai
Societe des Artistes Internationals, Paris, France
Sungkok Art Museum, Seoul, South Korea
Tama University Art Museum, Tokyo, Japan
Tucson Museum of Art, Tucson, Arizona
The New School of Social Research, New York, New York
The Art Museum, Florida International University, Miami, Florida
The Samuel P. Harn Museum of Art, University of Florida, Gainesville, Florida
Silvia Daro Davidowicz Permanent Collection, University of Miami Library, Coral Gables,
Smithsonian Archives of American Art, Washington, D.C.
- Creator:Ramon Carulla (1936)
- Dimensions:Height: 38.5 in (97.79 cm)Width: 28 in (71.12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor wear.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38212675322
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View AllCuban Art Abstract Oil Painting Latin American Ramon Carulla Surrealist Folk Art
By Ramon Carulla
Located in Surfside, FL
Ramon Antonio Carulla (Cuban, born 1936).
Oil paintings on paper. Titled "When Dreams Become Reality"
Artist signature lower right. Title on verso.
Retains original Joy Moos Gallery label. Sheet measures measures approximately 14 in. x 22 in. (paper). Framed 20.5 X 28.5
This painting is a mixed media with oil paint, on paper
It is hand signed recto and signed and titled verso.
An abstract naive, folk art, work depicting depicts colorful imaginative Surrealist figures. .
Ramon Carulla, born in Havana, Cuba in 1936 moved to the United States in 1967. He has exhibited widely throughout the United States, Latin America and Europe. He has participated in personal and group exhibitions in Canada, Venezuela, Mexico and Spain and throughout the USA.
Select Gallery Exhibitions:
Lowe Art Museum (Coral Gables, Florida),
The Museum of Fine Arts (Montreal, Canada),
The International Monetary Fund (Washington, D.C.)
The Art Expo (New York City).
Select Awards:
First Prize at the VI Graphic Biennial of Latin America (1983; San Juan, Puerto Rico),
the Silvia Daro Dawidowicz Award for Painting (1980; Metropolitan Museum)
the Samuel Golan Award (1982, Fine Art Auction Exhibition; CH 2, Miami, Florida).
the Cintas Fellowship (Institute of International Education; United Nations, New York)
SELECTED INDIVIDUAL EXHIBITIONS
2005 Sonnet Gallery (Sarasota, Florida)
2000 Ramon Carulla: People and Places - Corbino Galleries,
1998 The Dreamers - Cuban Collection Fine Art (Coral Gables, Florida)
1997 The Immigrant Series – Metro-Dade Cultural Resource Center (Miami, Florida)
1996-96 Ramon Carulla: Works on Paper – PJorn (Hamburg, Germany)
1994 Ramon Carulla: New Paintings, Plates & Boxes – The Barbara Scott Gallery
Rostros para recordar – Galería Traz (Mexico City, Mexico)
1993 Ramon Carulla, Exhibición Personal – Contemporary Art Museum (Panama)
1992 Ramon Carulla: Recent Work - The Barbara Scott Gallery (Bay Harbor, Florida)
1991 Cabinet Room – The Capitol (Tallahassee, Florida)
1988 Sofa & Hostage Series – Jay Moos Gallery
1987 20 Years After – Bacardi Art Gallery (Miami, Florida)
1985 Malcom Brown Gallery – (Cleveland, Ohio)
Mask Series...
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Cuban Art Abstract Oil Painting Latin American Ramon Carulla Surrealist Folk Art
By Ramon Carulla
Located in Surfside, FL
Ramon Antonio Carulla (Cuban, born 1936).
Oil paintings on paper. Titled "When Dreams Become Reality"
Artist signature lower right. Title on verso.
Retains original Joy Moos Gallery label. Sheet measures measures approximately 14 in. x 22 in. (paper). Framed 20.5 X 28.5
This painting is a mixed media with oil paint, on paper
It is hand signed recto and signed and titled verso.
An abstract naive, folk art, work depicting depicts colorful imaginative surrealist figures with a carousel horse. This reminds me of a Latin American Niki de Saint Phalle. Dreamlike imagery.
Ramon Carulla, born in Havana, Cuba in 1936 moved to the United States in 1967. He has exhibited widely throughout the United States, Latin America and Europe. He has participated in personal and group exhibitions in Canada, Venezuela, Mexico and Spain and throughout the USA.
Select Gallery Exhibitions:
Lowe Art Museum (Coral Gables, Florida),
The Museum of Fine Arts (Montreal, Canada),
The International Monetary Fund (Washington, D.C.)
The Art Expo (New York City).
Select Awards:
First Prize at the VI Graphic Biennial of Latin America (1983; San Juan, Puerto Rico),
the Silvia Daro Dawidowicz Award for Painting (1980; Metropolitan Museum)
the Samuel Golan Award (1982, Fine Art Auction Exhibition; CH 2, Miami, Florida).
the Cintas Fellowship (Institute of International Education; United Nations, New York)
SELECTED INDIVIDUAL EXHIBITIONS
2005 Sonnet Gallery (Sarasota, Florida)
2000 Ramon Carulla: People and Places - Corbino Galleries,
1998 The Dreamers - Cuban Collection Fine Art (Coral Gables, Florida)
1997 The Immigrant Series – Metro-Dade Cultural Resource Center (Miami, Florida)
1996-96 Ramon Carulla: Works on Paper – PJorn (Hamburg, Germany)
1994 Ramon Carulla: New Paintings, Plates & Boxes – The Barbara Scott Gallery
Rostros para recordar – Galería Traz (Mexico City, Mexico)
1993 Ramon Carulla, Exhibición Personal – Contemporary Art Museum (Panama)
1992 Ramon Carulla: Recent Work - The Barbara Scott Gallery (Bay Harbor, Florida)
1991 Cabinet Room – The Capitol (Tallahassee, Florida)
1988 Sofa & Hostage Series – Jay Moos Gallery
1987 20 Years After – Bacardi Art Gallery (Miami, Florida)
1985 Malcom Brown Gallery – (Cleveland, Ohio)
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Located in Surfside, FL
WEISBUCH, Claude.
Oil on Canvas
Framed size: 39” H x 28” W
Canvas, without frame: 32” high x 21 ¼” wide.
Carved wooden frame with antique gold-leaf finish
Claude Weisbuch, 1927-2014 French painter, draftsman and engraver. He studied at the Ecole des Beaux-Arts (School of Fine Arts) in Nancy and upon graduation became a professor of engraving at the Ecole des Beaux-Arts de of St. Etienne. His first solo exhibition was in 1957.
In 1968 , he became a full member of the Society of French Painters-Engravers .
In 1997 he was awarded the Legion of Honor
His work is essentially devoted to engraving, by which he likes to translate, thanks to the line, the life, movement and character of his characters: Punchinels, harlequins, musicians or equestrian scenes. He practices various techniques ( lithography, drypoint etching etc.) that he puts to use in the illustration of bibliophile books.
Claude Weisbuch is also a painter and draftsman. His favorite colors are ochres, browns and whites, with which he seeks to introduce the effects of light by compositions where the line and finesse of the drawing preserve the life found in his engravings.
His precise and dynamic line delivers a moving and swirling work on themes he loves: theater, opera, equestrian, musicians, card players, Kabuki dancers and many portraits.
His works have the appearance of unfinished sketches mixing few colors but a great vivacity of the line. He illustrated many limited edition signed fine art books. Alon with Christo, Arman and Cesar he is considered among the great post war French artists of the last generation.
Exhibitions
1957: Saint Placide Gallery, paintings and engravings
1958: Galerie de Presbourg, Paris, paintings - Saint Placide Gallery, Paris, paintings - Galerie des Arts, Nancy, etchings
1960: Galerie Hervé, "Extraordinary Pantomimes", Paris, paintings
1961: Salon of the young painting and painters witnesses of their time
1962: O'Hanna Gallery, London , paintings
1963: Galerie Hervé, "Portrait Of Man", Paris, Paintings - Nichido Gallery, Tokyo, Paintings
1965: Hervé Gallery, "100 Drawings", Paris Dresdener Gallery, Toronto, paintings
1966: Dantesca Gallery, Turin , paintings, engravings, drawings
1968: New Vision Gallery, Paris, engravings
1969: Galerie Hervé, Paris, paintings - Galerie Reflets, Brussels , prints, paintings - Galerie Dresder, Montreal , paintings
1970: Taménaga Gallery, Tokyo, paintings - Sagot Gallery - The Garrec, Paris, etchings - Museum of Modern Art of the City of Paris ARC, Paris, prints 5
1971: War Gallery, Avignon , etchings Biennial of Engraving, Epinal
1972: Dantesca Gallery, Turin Festival, Sarlat , paintings
1973: Wayss Gallery, Nancy , paintings, engravings, drawings Auguste Comte Gallery, Lyon , paintings, engravings, drawings Taménaga Gallery, Tokyo, paintings - New Vision Gallery, "Homage to Rembrandt", Paris, etchings
1974: Esthetika Gallery, Kortrijk, engravings - Galerie Hervé Odermatt, Paris, paintings Ésthetika Gallery, Kurne, prints - Galerie Wayss, Nancy, engravings, drawings, pastels Dietesheim Gallery, Neuchâtel , engravings - Grafikhuset Gallery, Stockholm , prints, drawings
1975: Schwarzer Gallery, Vienna , engravings, paintings, drawings Fogola Gallery, Turin, drawings, pastels Sotheby-Parke Benett, Munich, engravings, drawings Hervé Odermatt Gallery, Paris, drawings Joly Gallery, Washington , engraving
1976: Taménaga Gallery, Tokyo, paintings - Wayss Gallery, Nancy, engravings, drawings - Tabula Gallery, Tübingen, engravings, drawings - New Vision Gallery, "The horse-The painter and his model", Paris, drawings, engravings
1977: Grafikhuset, Futura, Stockholm - Jivô Gallery, Vänersborg Pigalle Gallery, Norrköping Celsius Gallery, Uppsala Möbius Gallery, Gothenburg - New Vision Gallery, Jerusalem - Cultural Center of Sainte-Menehould Castle, retrospective, engravings
1978: David Barnett Gallery, Milwaukee , engravings, drawings Orangery Gallery, Cologne , engravings, drawings, pastels Grafikhuset Futura, Stockholm, paintings, drawings Les Cordeliers, Châteauroux, engravings, drawings, paintings House of Culture, Montbéliard, engravings House of Culture, Chelles , engravings, paintings, drawings
1979: L'Empreinte Gallery, Strasbourg, prints, drawings - Galerie Reflets, Brussels, prints, drawings - Galerie Bon à tirer, Los Angeles , prints, pastels
1980: Hervé Odermatt Gallery, Paris, "Calligraphy of the figure", paintings - E. Gollon Gallery, Saint-Paul-de-Vence
1981: European Biennale of Engraving, Baden-Bade Galerie The Art Shop, Nice Galerie Hélène Trintignant, Montpellier Martine Remy Gallery, Strasbourg
1982: Vallen Gallery, Stockholm - Sagot Gallery - The Garrec, Paris - Taménaga Gallery, Tokyo, paintings - New Vision Gallery, Tokyo, Nagoya, Osaka, etchings
1983: Hélène Trintignant Gallery, Montpellier
1984: Perrine Museum, Laval , etchings - Music Festival, Quimper , etchings Etchings, Moscow - Presence Gallery, Brussels, paintings, etchings
1985: Galerie Moyon-Avenard, Nantes, paintings - Taménaga Gallery, Paris, paintings - New Otani Hotel, Ōsaka, realization of murals
1986: Taménaga Gallery, Tokyo, paintings - Greenhouse of the School of Fine Arts, Saint-Étienne , paintings, engravings
1988: Retrospective paintings, Château de Chenonceau Retrospective engravings, Artothèque Museum Montpellier Taménaga Gallery, Paris, drawings, pastels New Vision Gallery, Tokyo, engravings
1989: Galerie Taménaga, Paris, paintings
Exit of the book Weisbuch , texts of Jean-Denis Bredin of the French Academy, preface by Jean-Marie Tasset.
1990: Taménaga Gallery, Paris, paintings
1992: Retrospective, Sarlat - Taménaga Gallery, Paris, drawings
1993: Taménaga Gallery, Tokyo and Osaka
1994: Paintings for the second international meetings of the cello ensemble, Beauvais - Elegance Gallery, Taipei - Sanbi Gallery, Tokyo, graphic works - Mitsukoshi, Tōkyō
1995: Taménaga Gallery, Ōsaka - Exhibition of the Gobelins Municipal Circle, Paris 13 th
1996: 2nd Music Trades Fair, Premonstratensian Abbey , Pont-à-Mousson , paintings - Ginza Spring, Tokyo, paintings - New Otani Museum, Tokyo, paintings
1997: Galerie Raugraff, Nancy, paintings, pastels, drawings, engravings, lithographs - Theater Gallery, Besançon, paintings, drawings, engravings, lithographs
1999: A retrospective "Weisbuch, 50 years of prints", 230 works exhibited in Strasbourg under the direction of its publisher, L'Estampe Éditions 3 - Taménaga Gallery, Paris, Tōkyō
2000: Retrospective Château de Vascœuil , by L'Estampe - Theater Gallery, Besançon , paintings, drawings, engravings, pastels, lithographs - Retrospective Chamber of Commerce, Strasbourg - engravings (retrospective), Jacques Brel cultural center, Thionville - engravings (retrospective ), chamber of commerce, Nancy
2001: Retrospective Orangerie of Madame Élisabeth, Versailles , paintings
2002: Taménaga Gallery "Movements", Paris
2003: L'Estampe Gallery, in partnership with the Theater Gallery - prints and paintings, Besançon
2004: Taménaga Gallery "Prometheus presenting the secret of fire to humans", Paris Crid'Art Gallery, L'Estampe Gallery, Amnéville-les-Thermes , paintings, prints, drawings, prints - Galerie des Arts, Nîmes , paintings
2010: Galerie125, Argancy , recent works, exhibition of 100 recent works by the artist.
2012: Exhibition at the Château de Malbrouck . More than 150 works by the artist. Organized by the General Council of Moselle and L'Estampe (editor Claude Weisbuch).
2012: Print, Strasbourg, paintings, engravings, drawings
2012: Exhibition at the House of wines of Graves de Podensac in Gironde. 150 works by the artist Event organized by Course N ° 3.
2013: Galerie125, Argancy, "Weisbuch, major works", exhibition of drawings, engravings, lithographs and oils on canvas
2014: Galerie125, Argancy, "Weisbuch, from 1947 to 1960", exhibition of 100 ancient engravings...
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Moment of Reflections 1
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In "Moment of Reflections," Olatunbosun transports the audience into a world of contemplation and self-discovery. The centerpiece of the artwork is a young man seated in a casual, relaxed manner. His pose conveys a sense of tranquility as if he has found solace in the moments of quiet contemplation. The attention to detail in the artwork is striking, with intricate brushwork bringing out the textures of the subject's clothing and the surrounding environment.
The setting of the artwork is deliberately minimalistic, allowing the viewer to focus entirely on the young man's expression and demeanor. The background is a subtle blend of soft colors, suggesting an ethereal space where thoughts roam freely. This simplicity further accentuates the theme of reflection, as the absence of distractions allows viewers to immerse themselves in their own thoughts while contemplating the emotions conveyed by the subject.
Olatunbosun's "Moment of Reflections" is a remarkable piece that resonates deeply with viewers from all walks of life. The young man's expression exudes a sense of inner peace, prompting viewers to ponder their own life experiences and contemplate the paths they have taken. This introspective quality of the artwork creates an intimate connection between the audience and the subject, allowing for a deeply personal and emotional experience.
The painting's title, "Moment of Reflections," is deliberately chosen to reinforce the idea of taking a moment for self-exploration and soul-searching. In the hustle and bustle of modern life, we often overlook the importance of pausing and reflecting on our journey. Olatunbosun's artwork serves as a gentle reminder to find time for introspection and to appreciate the beauty in moments of quietude.
What makes "Moment of Reflections" even more extraordinary is its ability to transcend cultural boundaries. The emotions depicted in the artwork are universal, touching the core of human experiences. Whether the viewer is from the artist's homeland or halfway across the world, the profound message remains relevant – we all share moments of contemplation and self-discovery in our lives.
In conclusion, Samson Olatunbosun's "Moment of Reflections" is a timeless masterpiece that captures the human spirit with its simplicity and emotional depth. Through his brilliant artistic skill, Olatunbosun creates an atmosphere of introspection, inviting viewers to engage in their own moments of contemplation and self-discovery. This extraordinary artwork serves as a poignant reminder of the power of art to connect us all through our shared humanity and emotions. As we gaze upon the young man seated in a relaxed manner, we are reminded to embrace the beauty of silence, to reflect on our past, and to seek meaning in the present – a truly profound and impactful journey offered by the artistic genius of Samson Olatunbosun.
Shipping Procedure
Ships in a well-protected tube from Nigeria
This work is unique, not a print or other type of copy.
Accompanied by a Certificate of Authenticity (Issued by the Gallery)
About Artist
Samson Olatubosun...
Category
19th Century Modern Figurative Paintings
Materials
Canvas, Mixed Media, Oil, Acrylic, Photographic Paper
$1,840 Sale Price
20% Off
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