Reginald K. Gee

"Frozen In Ice, " Oil Pastel on Grocery Bag Portrait signed by Reginald K. Gee

1999

"Frozen In Ice" is an oil pastel on grocery bag signed by Reginald K. Gee. The figure is quickly sketched in blue, with yellow around the throat and green along the leg. The backgrou...

"Gary" is an original acrylic painting on parchment signed and dated in the lower right by the artist Reginald K. Gee. It is also signed and dated on verso. This painting depicts a m...

"Pink Summer KMH 010" is an original acrylic and mixed media painting by Katherine Hartley. The artist signed the piece lower right. This piece depicts a line of girls in dresses amo...

In the acrylic painting 'Go-for Notations,' American artist Reginald K. Gee presents a humorous narrative in his unmistakable Neo-Expressionist style: a character, a man wearing a he...

"Te Quiero (Marilyn)" is an original mixed media acrylic and oil pastel on canvas by Dara Piken. Marilyn Monroe and her signature gaze look out at the viewer, with tequila bottles...

"Awaiting A Phone Call" is an oil pastel on grocery bag signed by Reginald K Gee. A man sketched with blue lines stairs at a similarly sketched table with...

"A Little Bit of Magic" is an expressionist portrait of Mickey Mouse, the beloved Disney character. When you gaze upon the painting, you can't help but be amazed by the immense numbe...

🔸 _Title: Astro Boy 🔸 _Artist: Diego Tirigall 🔸 _Year of Creation: 2023 🔸 _Dimensions: 1 meter by 1 meter 🔸 _Medium: Acrylic, enamel, spray paint, oil pastel 🔸 _Support: Canvas stretched on wooden frame 🔸 _Condition: New work sold directly by the artist 🔸 _Provenance: Directly from the artist's studio 🔸 _Location: Spain 🔸 _Signature: On the front and back 🔸 _Detailed Description: Diego Tirigall's "Astro Boy" is a nostalgic tribute to the iconic animation character, presented through the distinct lens of urban art. This work invites deep reflection on our digital age, depicting Astro Boy as a white specter, suggesting the loss of an authentic childhood now supplanted by the flickering lights of screens. This message of resistance against the omnipresence of digital technology is reinforced through Astro Boy's stance, akin to Michelangelo's David, an iconic symbol of resistance and humanity. This piece is part of Tirigall's "Cracking the Kids Code" series, reflecting his concerns about the growing role of technology in child-rearing. "Astro Boy" invites the viewer to contemplate the space screens...

MICHAEL HAFFTKA "The Wave" Hand signed lower right "Hafftka" Oil and pastel on paper, 30.5" x 22.25". Framed 39" x 31.5". Michael Hafftka (born 1953) is an American figurative expressionist painter and musician, composer, living in New York City. Hafftka was born in Manhattan, New York (1953) to Eva and Simon Hafftka, European refugees and Holocaust survivors. He was raised in the Bronx and attended public schools. His work is represented in the permanent collections of a number of museums, including: The Metropolitan Museum of Art, New York Museum of Modern Art, Brooklyn Museum of Art, San Francisco Museum of Modern Art, Carnegie Museum of Art, New York Public Library, McNay Art Museum, Housatonic Museum of Art, Arizona State University Art Museum, National Gallery of Art, and Yeshiva University Museum. He was included in the show Jewish Themes/Contemporary American Artists II, The Jewish Museum, New York, Hannelore Baron...

Emilio Cruz (1938-2004) Bonnie and Clyde Pastel on paper Hand signed lower right Dimensions Framed H 15-7/8" W 18-1/2", Sight H 13-1/2" W 16-1/8" Emilio Antonio Cruz (1938 – 2004) was a Cuban American artist who lived most of his life in New York City. His work is held in several major museums in the United States. Emilio Antonio Cruz was an American Artist of Cuban descent. He was born in the Bronx on March 15, 1938. He studied at the Art Students League of New York with Edwin Dickinson, George Grosz and Frank J. Reilly and at The New School in New York City, and finally at the Seong Moy School of Painting and Graphic Arts in Provincetown, Massachusetts. As a young artist in the 1960s, Cruz was connected with other artists who were applying abstract expressionism concepts to figurative art such as Lester Johnson, Red Grooms, Mimi Gross, Bob Thompson and Jan Muller. He combined human and animal figures with imagery from archaeology and natural history to create disturbing, dreamlike paintings. Cruz received a John Hay Whitney Fellowship and awards from the Joan Mitchell Foundation and from the National Endowment for the Arts. In the late 1968, Emilio and wife Patricia Cruz moved to St. Louis to work with Julius Hemphill and the Black Artists Group. He served as director for the visual arts program, which also included painters Oliver Jackson and Manuel Hughes. In addition to artistic contributions, the couple participated in city-wide civil rights protests and rent strikes. Cruz moved to Chicago and taught at the School of the Art Institute of Chicago during the 1970s, where he exhibited widely and was represented by the Walter Kelly Gallery. He wrote two plays, Homeostasis: Once More the Scorpion and The Absence Held Fast to Its Presence. These were first performed at the Open Eye Theater in New York in 1981, and later were included in the World Theater Festival in Nancy and Paris, France, and in Italy. In 1982 he returned to New York where he began to exhibit again. In the late 1980s he resumed teaching at the Pratt Institute and at New York University. Harry Rand, Curator of 20th Century Painting and Sculpture at the Smithsonian American Art Museum, described Emilio Cruz as one of the important pioneers of American Modernism of the 1960s for his fusion of Abstract Expressionist art with figuration. Geno Rodriguez, Curator and Executive Director of The Alternative Museum, wrote in 1985, "Emilio Cruz, is a brilliant and impassioned artist whose current paintings are monumental, imbued with intelligence, fury and an apt sense of irony. They reflect the turbulent world within which we live." Geoffrey Jacques wrote in 1990, "Emilio Cruz paints humanity’s essence. Mythology and archeology are the foremost concerns of the painter Emilio Cruz. Dinosaurs, skeletal humans and fossil-like images are used in his work as metaphoric signposts in a consideration of the basic questions of existence." Art historian and curator Paul Staiti wrote in 1997, "Emilio Cruz's Homo sapiens series is a strange and haunting genealogy of the modern soul... What is at stake here more than biopolitical culture, is the remystification of the body and mapping of consciousness ... For all the trauma, explicit and implicit, Cruz's style is masterful, classical, even beautiful." Exhibitions Cruz held his first solo exhibition at the Zabriskie Gallery in New York in 1963. Afterwards his work was included in many group and solo exhibitions, including the Anita Shapolsky Gallery in 1986 and 1991, museum exhibitions at the Studio Museum in Harlem in 1987, the Pennsylvania Academy of the Fine Arts in 1997. In 1994, Cruz's work was shown as part of the American contingent at the IV Bienal Internacional de Pintura en Cuenca, Ecuador. Other American artists exhibiting at this show were Donald Locke...

Born in the South of France in 1926 and raised by very strict parents, Jean Sanglar was prohibited from playing with same age mates. Truly talented, as a young boy he drew frequentl...

Jean Sanglar was born in France in 1926. He draws with taste and talent from an early age, however, his family will only consider this a mere hobby. After studying law, he later took...