Sam Jusics

Hunting Party Sam Jusics Original 20th Century Sporting Art Painting

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Gaëtan Dumas. French ( b.1879 - d.1950 ). Une Trace De Plaisir Ou De Regret. (A Trace Of Pleasure Or Regret). Oil On Canvas. Signed Upper Right. Image size 13.2 inches x 10 inches ( ...

Harold Walton Freckleton. English ( b.1890 - d.1979 ). Milly With Minstrel. Oil On Canvas. Signed Lower Right. Image size 24.4 inches x 29.52 inches ( 62cm x 75cm ). Frame size 30.7 inches x 35.8 inches ( 78cm x 91cm ). Available for sale; this original oil painting is by the Nottingham artist Harry Freckleton and dates from the 1960s. The painting is presented and supplied in its’ original wooden frame (which is shown in these photographs). The frame, canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The original cotton covered slip has been replaced. This vintage painting is now in very good condition, defying its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. The acclaimed artist Harry Freckleton was born in Nottingham in 1890 and lived there for most of his life. He studied at the Nottingham School of Arts, as it was then known, from 1904 to 1912 under Wilson Foster and was much influenced by the local painter Arthur Spooner. He worked as a lithograph artist, and then served in the army during World War 1. He then worked as an artist for New Zealand Cine Studios and went on to run his own photographic business from 1924-65. Freckleton married the artist Vera Freckleton and they spent most of their married life living in at Whitegates in The Park, Nottingham. Most of Freckleton’s art is painted in oils, and he specialised in still life, landscape and figurative work, especially childhood scenes. His best works have a strong human interest, with an individual technique showing quality and fine execution. He was a member of the Nottingham Society of Artists, exhibiting there and becoming an esteemed Associate. As a successful artist Freckleton exhibited work seven times at the Royal Academy, as well as the Royal Society of Portrait Painters and the Royal Society of British Artists. His work continues to be sought-after and is today represented in permanent collections in Nottingham, Blackpool, Huddersfield and elsewhere. © Big Sky Fine Art This beautiful oil on canvas painting by Harry Freckleton shows a scene in an English farmyard. Besides an old green painted barn and a tall haystack, we see Minnie, a young girl sitting astride Minstrel, her brown pony. She is wearing a riding hat, white blouse and red trousers, and looks down at her left side towards a second figure, in a blue top and tan trousers, who is possibly adjusting her stirrups. A third figure, another girl, in grey blouse...

Élisabeth Fuss-Amoré (1879-1959) Colette, 1920s Oil on canvas Artwork: 15 3/4 x 15 3/4 in. 40 x 40 cm Framed: 21 2/3 x 21 2/3 l 55 x 55 cm Signed upper left Élisabeth Fuss‐Amoré, b...

Marjorie Wallace (Scottish / South African, 1925–2005) The Trapeze Artists Signed ‘WALLACE’ (lower left) Oil on canvas 25 ½ x 32 in. (64.7 x 81.2 cm) A striking example of Marjorie W...

Ignasi Mundó Marcet (1918-2012) - Plaza Nueva Barcelona Spain - Oil on canvas Canvas measures 73x60 cm. Frameless. MUNDO Ignasi Ignasi Mundó trained at t...

Title: Promenade in Sant Feliu de Guíxols Artist: Josep Amat Pagès (Barcelona, 1901 – 1991) Technique: Oil on canvas Dimensions: 50 x 65 cm (approximately 19.7 x 25.6 in) Support...

Unique figurative harlequin painting with Picasso style and abstract elements with dream-like layering by Robert Moesle (American, b.1932). Signed "Moesle" lower left. Titled "The Harlequin Prince" on verso. Displayed in a rustic painted giltwood frame with linen liner. Image size: 40"H x 32"W. Framed Size; 45"H x 37"W. Robert Moesle was born in San Jose, California in 1932. He graduated from San Jose State College and attended The Ruskin School of Art, Oxford University, England. Moesle lives in the Chateau region of France, which he finds to be an ideal location for a watercolorist. Moesle paints outside and enjoys watching the landscape change through the seasons. Unlike most watercolorists, Moesle takes his time painting and tries to capture the feeling of durability in his subjects. Moesle has exhibited his work in shows in London, Paris and throughout the United States. “Figurative painting by Robert Moesle are…lyrical, visionary, softly dream-like… Moesle’s Harlequin Prince offers a memory of early Picasso...

20th century figurative landscape oil on canvas painting by Polish artist Magdalena Spasowicz. Artwork is in classic style, it resembles impressionism. Marine landscapes, seascapes, boats, harbors are motifs in Spasowicz's art to which she often comes back. Composition is painted with wide brush strokes. Colors are muted with stronger accent of red in bottom right corner. MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. Her works have been presented in numerous exhibitions in Poland and abroad, among others in Warsaw, London, New York, Bratislava, Washington, Moscow, Berlin, Budapest, and are to be found in private and public collections around the world. In 2017 two individual exhibition of the artists took place - at the Regional Museum in Kozienice Palace and at the Museum of Western Mazowsze in Zyrardow. Magdalena Spasowicz has been spending every single moment on painting for many years now. Most of her paintings are monochromatically coloured landscapes, of places where eye cheers soul with a sight close to heart, known and well remembered. French painting of Pissarro and Utrillo has been a very important inspiration for Magdalena Spasowicz. A desire to still-frame every moment when the artist meets Nature and beloved places is an imperative, which obliges to come back to canvas and paint, paint with a total devotion. The artistry of the places represented in the paintings of...

A beautiful woman sits at an open window, gazing down at a small bird who has landed nearby in this serene portrait by Charles Levier. Warm orange tones are played off their complements in shades of blue, the artist utilizing several different layers of oils to create a subtle and relaxed view of a spring day near the sea. Beyond the window a small chapel sits on a peninsula, surrounded tranquil blue waters. This work, like many of Levier's, belongs to the French figurative movement of the Glorious Thirty (Les Trente Glorieuses) - the golden period of thirty years after WWII which were a time of great hope and prosperity in France. Inspired by Hollywood cinema, Charles Levier sought harmony in composition and purity of color and form. His said that his creations represented "a light and delicate world, of dark and subtle shades and colors." Levier worked in a somewhat abstracted, cubist style. Additionally he often employed the French technique of "cloisonnism" (after the French for "partition"), a style of post-Impressionist painting with bold and flat forms separated by dark contours, also seen in this work. The term was coined by critic Edouard Dujardin on the occasion of the Salon des Indépendants, in March 1888 and was commonly used by artists like Émile Bernard, Louis Anquetin, Paul...

MAGDALENA SPASOWICZ (1927) Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1...