Switch Figurative Paintings

This large figurative oil painting is a reinterpretation of two paintings by John Vanderbank, A young gentleman riding a schooled horse, 1729 / Man on horseback, 1728. A unique oil p...

Original and unique artwork by Hunt Slonem. Oil on wood Painting is framed, as seen in the images. Dimensions of the artwork with the frame: 45 x 39 cm Signed Verso, titled and date...

Pocket Snowdrop 2 is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque still lif...

Pocket Bright Clementine is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque still life painting. The paintings are set in a black wood layered frame...

Camille Hilaire (1916-2004) Scène équestre Huile sur toile 50 x 150 cm / 19.7 x 59 inches With frame : 74 x 174 cm / 29.13 x 68.59 inches 2024 Camille Hilaire was born in Metz in 19...

Original and unique artwork by Hunt Slonem. Oil on wood Painting is framed, as seen in the images. Framed dimension 13 x 11.25 inches Signed Verso, titled and dated. Please note tha...

A farm stands before you on the horizon. A windmill majestically slices the blue sky. A bird, painted in taut brushstrokes, struts on a branch. These are tranquil images; horizon far...

Pocket Crimson Strawberry is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque s...

Portrait of Dave Winfield Edward Avedisian 20 x 14 inches, acrylic on stretched canvas Armenian-American artist, Avedisian was best known for his work made in New York City during the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. He was largely recognized for a series of Beach Ball paintings that emerged in the early 1960's and into the later 1960's the artist began painting larger horizontal paintings, featuring vertically intersecting beacon-like stripes that highlighted characteristics from both the Post-Painterly and Color Field movements. In this portrait, Avedisian using his signature use of color, combining bright rusty reds and oranges against a metallic green gold backdrop. A major work from Avedesian's color-stripe series was featured on the cover of Artforum's January 1969 issue (pictured here). Also pictured are photographs of the artist c. 1970 in his studio in New York City and catalog pages from Avedisian's inclusion in the American Painting Now Expo at the Institute of Contemporary Art in Boston, MA in Dec 1967 - Jan 1968. The exhibition, organized by art critic Alan Solomon, featured one of Avedisian's signature Beach Ball paintings alongside large works by Robert Motherwell and Jim Rosenquist. About the subject: Dave Winifield is American former Major League Baseball right fielder born in 1951 and who played for six teams (San Diego Padres, New York Yankees, California Angels, Toronto Blue Jays, Minnesota Twins, and Cleveland Indians) during his 22 year long career. He had the winning hit in the 1992 World Series with the Blue Jays over the Atlanta Braves. Winfield retired in 1996 and was elected to the Baseball Hall of Fame in 2001, in his first year of eligibility. About the Artist: In the 1960’s, Edward Avedisian was one of the youngest of those luminaries producing a grand new abstract painting. Shown first at Ivan Karp and Dick Bellamy’s Hansa Gallery and then at Robert Elkon, Avedisian’s insouciant mix of pop playfulness, color field cool and high formalist style put his art in a unique, and at the time generously rewarded, position. Paintings made it onto the cover of Artforum, were purchased by all the major museums, were among the few abstract works shown as representative of America’s post-war achievement at Expo 67 in Montreal and comprised a cornerstone in histories of the period written by Barbara Rose, among others. The artist was largely influenced by his Color-Field predecessors, Mark Rothko and Barnett Newman. Throughout the 1960's and into the mid 1970's the artist was celebrated in the Manhattan art scene, contributing to the Post-Painterly Abstraction movements with contemporaries Helen Frankenthaler, Andy Warhol, Jules Olitski, and Larry Poons. Museum Collections: Albright-Knox Art Gallery, Buffalo, New York Brooklyn Museum, New York Chrysler Art Museum, Norfolk, Virginia Denver Art Museum, Colorado Flint Institute of Arts, Michigan Jack S. Blanton Museum of Art, Austin, Texas The Larry Aldrich Museum, Ridgefield, Connecticut Metropolitan Museum of Art, New York Minneapolis Institute of Arts Minneapolis Society of Fine Arts Neuberger Museum of Art, State University of New York, Purchase Los Angeles County Museum, California Neuberger Museum, SUNY, Purchase, New York Parrish Art Museum, Water Mill, New York Solomon R. Guggenheim Museum *above description text is supported by Alexandra C. Anderson's article on Edward Avedesian in Artforum's January 1969 issue. NY Times Obituary, published Aug 23, 2007 by Roberta Smith: Mr. Avedisian was best known for his work in the 1960s: brilliantly colored, boldly composed canvases that combined Minimalism’s rigor, Pop’s exuberance and the saturated tones of Color Field painting. A frequent motif was a cluster of bright seedlike orbs corralled at the center of a vibrant monochrome field by larger rings of color, creating an image that could resemble a buoyant cross-section of some unknown fruit. Mr. Avedisian was born in Lowell, Mass., in 1936 and studied art at the Boston Museum School. By the late 1950s he was living in New York, part of a generation of promising young painters that included Frank Stella, Larry Poons and Darby Bannard. From 1958 to 1963 Mr. Avedisian had six solo shows in New York galleries, including two at the Robert Elkon Gallery, where he continued to show almost every year until 1975. By the early 1960s Mr. Avedisian was a rising star. During that decade, his work appeared on the cover of Artforum, in “The Responsive Eye” exhibition of Op Art at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought by collectors and acquired by major museums in New York and elsewhere. In the mid-1970s Mr. Avedisian moved to Hudson and became less visible. His paintings soon began shifting toward representation; he took to calling his abstract paintings “a period style.” But he continued to be well served by his feeling for color, scale and surface. His landscapes described his surroundings in blunt, flat shapes and singing hues reminiscent of those of Marsden Hartley and Paula Modersohn...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

This large figurative oil painting is a reinterpretation of two paintings by John Vanderbank, A young gentleman riding a schooled horse, 1729 / Man on horseback, 1728. A unique oil painting on the finest quality unprimed Belgium linen canvas. Title, year, medium and size: Crodino Aperitivo, 2023, oil, acrylic, oil stick, charcoal, pencil and spray paint on linen canvas, 220 x 180 cm (After John Vanderbank, A young gentleman riding a schooled horse, 1729 / Man on horseback, 1728) **FREE SHIPPING** Due to its large size, this painting will be shipped rolled to minimize shipping costs. The painting is shipped rolled up without stretcher bars. This method is especially safe for large works. Rolled works can be easily stretched (for canvas works, i.e. placed onto wooden stretcher bars) and/or framed by a local framer upon arrival. The painting is by Dutch contemporary artist and art teacher Rubins J...

White And Pink Peonies Still Life Oil Painting, framed. canvas size 23.5x31 framed 28.5x36 Zbigniew Kopania, artist painter, cinematographer, born December 21, 1949, in Łódź Poland. ...