Unknown

Late XVIcentury. Flemish Artist active in Rome. Quo Vadis with Ancient Rome view

1590

Small Neapolitan fishermen with girl. XIX century. Foreign artist active in Italy. Painting representing two children against the background of the Gulf of Naples with the volcano...

Architectural whimsy with Roman ruins, column and ancient arches. Year 1718. Oil on Canvas. Original canvas. Roman school of the early 18th century. The painting is part of the seri...

Venetian fortress on the Greek island of Corfu. Signed Tin Florias (1897-1969, Greek) The creation of this fortress was started under Byzantine domination...

Resurrection of Christ Attributed to the Master of the Prodigal Son / Jan Mandyn (1500-1560) Oil on panel, 73 x 56 cm (without frame), 81 x 63 cm (with frame) The work was exa...

The painting, large in size and with a notable decorative impact, comes from an important private collection, divided between Rome and Paris, and depicts a rural episode set in a lat...

An exceptional impressionistic depiction of an afternoon at the Waterfront Cafe in Paris by Jules René Hervé. This piece takes place on a summer day with busy activities of figures l...

Vintage Oil Painting of a River Landscape with Rain Clouds in Ireland by 20th Century Modern Irish Artist, John S Haggan (1946-2021) Art measures 20 x ...

John Brandon Smith, John Brandon Smith is an English landscape artist of some renown. He concentrated on the waterways of England, Scotland and Wales. He was particularly interested in the effects of cascading water. This led to his being given the moniker 'Waterfall Smith'. He was fascinated by the spectacle of rivers in spate. Many of his paintings concentrated on the rivers Conway, Llugwy and Lledr in North Wales but he also painted the rivers of England and Scotland. Some of his more celebrated works show The Swallow Falls and Aysgarth Falls in North Yorkshire. He used many shades of green and blue on his small, jewel-like canvases. He would occasionally introduce the figure of a fisherman to provide perspective. His themes are characteristic of the Renaissance of the European Romantic Movement. He exhibited twenty-two works at The Royal Academy between 1860 and 1874. He also exhibited at Suffolk Street. This is a very rare large example of the painters work. It is framed in an Antique English frame