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S. Boglioni - Early 20th Century Oil, The Charge

20th Century

A charming portrait of the artist's son, Johnnie. Signed in the upper left corner. Inscribed on the verso with the artist's name and title. Presented in a gilt frame. On canvas.

Signed to the lower left. Presented in a rustic wooden frame. On canvas.

A charming naive study of farmer and their animals at a feeding trough. Presented in a rustic gilt frame. On canvas.

A loving family study of two sister embracing. Signed to the lower right corner. On canvas on stretchers.

Preparing the Flag, America's 1784 Golden Girl Arthur Sarnoff (American, 1912-2000) Signed Upper Right 28 x 24 inches 31.5 x 26.5 inches with frame SEE PHOTO: **Used for the Bi-Cen...

Calleri’s early influences were primarily the great American Illustrators such as N.C. Wyeth, Norman Rock- well, and J.C. Leyendecker, as well as Renaissance painters and the Masters...

"Meriden Cutlery 1870" is a contemporary realist painting of an antique tool: Trompe L'oeil. John Morfis was born in Glen Cove, Long Island in 1976. H...

Tim Woolcock was born in Lancashire, though his family originates from St Just-in-Penwith in Cornwall, where the artist spent many summers. He now lives part of the year on his farm in County Carlow, Ireland, where his studio is located. Between 1963 and 1970 Tim attended Arnold School in Blackpool and regularly visited the Grundy Art Gallery in the town. In 1971, he began his studies in to study Philosophy and Art at the Roehampton Institute, University of London. After graduating, Tim stayed in London to teach for twelve years. Tim's painting clearly shows his inspiration from Modern British painters, particularly the traditions of the 1950s and St Ives Schools. As with landscape painters of the earlier twentieth century, such as Paul Nash and Evelyn Dunbar, Tim's landscapes have a somewhat mystical quality and at times approach abstraction. The simplicity and geometry found in work of the St Ives School - so important to the development of Modern British art - is a particular inspiration, with artists such as Patrick Heron, William Scott and Ben Nicholson being most key in his development, though Tim's paintings have a strength and clarity all their own. A knowledge of Zen and understanding of the natural world is reflected in his work, 'I have been greatly influenced by Zen writers, some who have said that the real aim of art is purposeless - not to be confused with a nihilistic approach - in 'Zen and The...