Victor Marais-Milton

Cardinals Playing Cards by Victor Marais-Milton

Early 19th Century

Georges Croegaert 1848-1923 Belgian The Connoisseur Signed "Georges Croegaert Paris" (lower right) Oil on panel A Cardinal peers through a magnifying glass at gilded treasures in...

Georges Croegaert 1848-1923 Belgian The Letter Signed "Georges Croegaert Paris" (lower right) Oil on panel A cardinal pauses while composing a letter in this oil on panel by Belg...

Alfred Weber 1859-1922 I Swiss The Musician Signed “Alfred Weber” (lower left) Oil on panel This work by Swiss ecclesiastical genre painter Alfred Weber, best known for his humorous and meticulously detailed paintings, features a cardinal enjoying his leisure time. Weber's talent for rendering opulent interiors and his keen sense of comic narrative are evident in this painting. The cardinal, looking blissfully content, sits in his lavish living space playing the violin, accompanied by a flutist. Alfred Charles Weber...

Eugen von Blaas Italian I 1843-1932 No Love Without Envy Signed and dated "Eugen von Blaas 1901" (lower right) Oil on canvas Eugen von Blaas masterfully captured the spirit and charm of Venice, and No Love Without Envy stands as one of his most exceptional compositions. Larger and more finely detailed than many of his works, this grand painting reflects his unparalleled mastery of light, color and narrative. Rich in detail and emotion, this scene is believed to feature a stylized self-portrait of the artist alongside his wife, Paola Prina. Set in a sun-drenched Venetian courtyard, the composition brims with life and intrigue. At its center, an orange seller—modeled by Prina—engages in a flirtatious exchange with an admirer, the artist himself, while three onlookers observe with amusement and envy. The interplay of light and texture is remarkable: von Blaas' exquisite brushwork renders the delicate lace, sumptuous fabrics and intricately adorned garments with near-photographic precision, while the soft flesh tones contrast beautifully against the timeworn stonework of Venice. This attention to detail, combined with the work’s luminous palette, creates a sense of immediacy and warmth that defines the best of von Blaas' Venetian genre paintings. Born in 1843 to Austrian parents in Italy, von Blaas was raised in a household steeped in artistic tradition. His father, Karl Blaas, was a renowned portraitist and history painter, while his brother specialized in military scenes. When Karl was appointed professor at the Venice Academy of Fine Arts, the family relocated to the floating city—a move that profoundly shaped von Blaas’ artistic vision. Though he studied in Rome, Vienna and Paris, it was Venice that remained his greatest muse. Captivated by its light, architecture and everyday moments of romance and social interplay, he became the foremost painter of Venetian genre scenes. During Venice’s Austrian rule, von Blaas adopted the Italianized name “Eugene de Blaas...

A very fine Italian oil on canvas titled "The Solo Violinist" by Luigi Da Rios (Italian, 1844-1892), depicting an interior 18th century room scene of a single violinist player; withi...

Signed and dated '1910' lower right

The painting is signed Description: Frederico Andreotti (1847-1930) was an Italian painter celebrated for his exquisite genre scenes and historical subjects. Born in Florence, Andreo...

Work on canvas : 61 x 43 cm Golden frame With frame : 70 x 52.7 x 4 cm This 19th-century portrait by an anonymous artist shows an elderly man seated at his desk, engrossed in writing...