Victor Muller

The Spitfire - 21st Century Contemporary Oil Painting

2021

Victor Muller Almost Blue Oil on canvas 62 x 47 cm Framed in this antique frame 83 x 68 cm Frame (width 10,5 cm) is included. The outstanding painter Victor Muller gets his inspira...

Victor Muller Apples in Poppy field Oil on wood panel 56 x 93 cm Framed in this antique frame 74 x 110 cm Frame (width 17 cm) is included. The outstanding painter Victor Muller gets...

Victor Muller Vanitas oil on wood panel 47 x 28 cm Framed in this antique frame 70 x 50 cm ( Frame is included) The outstanding painter Victor Muller gets his inspiration from the o...

This unique piece of art, is modern and classic at the same time. The outstanding painter Victor Muller gets his inspiration from the old masters but is not afraid to do different ...

This unique piece of art, is modern and classic at the same time. The outstanding painter Victor Muller gets his inspiration from the old masters but is not afraid to do different th...

This unique piece of art, is modern and classic at the same time. The outstanding painter Victor Muller gets his inspiration from the old masters but is not afraid to do different th...

The quiet strong undertones in this painting evoke the peacefulness and serenity that we all love while walking in the woods. The essence of a one hundred year old tree captures this...

Dogs. Just dogs. Who needs anything else but dogs? Maybe a cat? :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist :: Ready ...

"Dog" Acrylic on paper 84X60 cm :: Painting :: Pop-Art :: This piece comes with an official certificate of authenticity signed by the artist :: R...

MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. He...

ANDRZEJ KACPEREK (born in 1953) He first attended the State Collage of Art in Bielsko-Biała and later Graphic Arts faculty of the Academy of Art in Cracow. He graduated in 1978. He p...

Maria Paola Coda’s matter painting is born as a series of respectful monuments to beauty as well as a channel of the poetical emotions of the mutat...

Maria Paola Coda’s matter painting is born as a series of respectful monuments to beauty as well as a channel of the poetical emotions of the mutat...

"Moth, Chrysalis, and Scarab" is a large, oil on canvas painting by American modernist and surrealist, female artist Peter Miller. The work is painted in a vibrant color palette. The work is signed and titled, and estate stamped 202113 on verso. The painting has been conserved and inspected by conservation specialist, Gratz Gallery...

Emilio Cruz (1938-2004) Bonnie and Clyde Pastel on paper Hand signed lower right Dimensions Framed H 15-7/8" W 18-1/2", Sight H 13-1/2" W 16-1/8" Emilio Antonio Cruz (1938 – 2004) was a Cuban American artist who lived most of his life in New York City. His work is held in several major museums in the United States. Emilio Antonio Cruz was an American Artist of Cuban descent. He was born in the Bronx on March 15, 1938. He studied at the Art Students League of New York with Edwin Dickinson, George Grosz and Frank J. Reilly and at The New School in New York City, and finally at the Seong Moy School of Painting and Graphic Arts in Provincetown, Massachusetts. As a young artist in the 1960s, Cruz was connected with other artists who were applying abstract expressionism concepts to figurative art such as Lester Johnson, Red Grooms, Mimi Gross, Bob Thompson and Jan Muller. He combined human and animal figures with imagery from archaeology and natural history to create disturbing, dreamlike paintings. Cruz received a John Hay Whitney Fellowship and awards from the Joan Mitchell Foundation and from the National Endowment for the Arts. In the late 1968, Emilio and wife Patricia Cruz moved to St. Louis to work with Julius Hemphill and the Black Artists Group. He served as director for the visual arts program, which also included painters Oliver Jackson and Manuel Hughes. In addition to artistic contributions, the couple participated in city-wide civil rights protests and rent strikes. Cruz moved to Chicago and taught at the School of the Art Institute of Chicago during the 1970s, where he exhibited widely and was represented by the Walter Kelly Gallery. He wrote two plays, Homeostasis: Once More the Scorpion and The Absence Held Fast to Its Presence. These were first performed at the Open Eye Theater in New York in 1981, and later were included in the World Theater Festival in Nancy and Paris, France, and in Italy. In 1982 he returned to New York where he began to exhibit again. In the late 1980s he resumed teaching at the Pratt Institute and at New York University. Harry Rand, Curator of 20th Century Painting and Sculpture at the Smithsonian American Art Museum, described Emilio Cruz as one of the important pioneers of American Modernism of the 1960s for his fusion of Abstract Expressionist art with figuration. Geno Rodriguez, Curator and Executive Director of The Alternative Museum, wrote in 1985, "Emilio Cruz, is a brilliant and impassioned artist whose current paintings are monumental, imbued with intelligence, fury and an apt sense of irony. They reflect the turbulent world within which we live." Geoffrey Jacques wrote in 1990, "Emilio Cruz paints humanity’s essence. Mythology and archeology are the foremost concerns of the painter Emilio Cruz. Dinosaurs, skeletal humans and fossil-like images are used in his work as metaphoric signposts in a consideration of the basic questions of existence." Art historian and curator Paul Staiti wrote in 1997, "Emilio Cruz's Homo sapiens series is a strange and haunting genealogy of the modern soul... What is at stake here more than biopolitical culture, is the remystification of the body and mapping of consciousness ... For all the trauma, explicit and implicit, Cruz's style is masterful, classical, even beautiful." Exhibitions Cruz held his first solo exhibition at the Zabriskie Gallery in New York in 1963. Afterwards his work was included in many group and solo exhibitions, including the Anita Shapolsky Gallery in 1986 and 1991, museum exhibitions at the Studio Museum in Harlem in 1987, the Pennsylvania Academy of the Fine Arts in 1997. In 1994, Cruz's work was shown as part of the American contingent at the IV Bienal Internacional de Pintura en Cuenca, Ecuador. Other American artists exhibiting at this show were Donald Locke...

John Holland Snr British, (1830-1886) The Windmill Tavern Oil on canvas, signed Image size: 13 inches x 20.5 inches Size including frame: 18.25 inches x 25.75 inches Provenance: Frost & Reed John Holland Senior was a painter of landscapes and coastal scenes who was born in Nottingham around 1830. He was the son of a painter and brother to Samuel Holland also a painter and sign writer. He was also uncle to his namesake John Holland (1857-1920) whom he taught to work in charcoal and Samuel S. Holland, both of whom were artists. By 1861, he had become a full time artist exhibiting at Suffolk Street from around this time until 1879, at the British Institution between 1865-1866 as well as exhibiting locally in Nottingham. He never married and lived for many years with his father, brother and his family at Vernon Street, Nottingham. Around 1867, he moved to Hebden Bridge in West Yorkshire where he exhibited locally. He would also often travel around the British countryside and coast to paint. He spent a few years in West Yorkshire but by 1871 had moved back to live with his family in Nottingham. However, he spent his final years living at Trebray Lodge, Tintagel, Cornwall where he died on 7 February 1886. A number of his works are held by the Buxton Museum, Calderdale Metropolitan Borough Council, Nottingham Art Gallery and the Williamson Art Gallery. The building and windmill pictured here appear very similar to those situated at Reigate Heath in Surrey. The mill at Reigate was built in 1753 and was still used for grinding wheat up until around 1870. The main building is now the Reigate Heath Golf Club. The windmill still stands today and is owned and maintained by Reigate and Banstead Borough Council. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. The reverse bears an old label for Frost & Reed. Frost & Reed are a well-known fine Art Gallery, frame maker and fine art publisher founded in Bristol in 1808 by William Hill. The business was bought by John Frost in 1859 who ran it until his death in 1875. His nephew Walter Frost took over the business and in 1881 brought in William Reed...

Artist: Josh Brooks Title: Under The Desert Sky 3 Medium: Charcoal, house paint, oil paint on wood panel Size: 40 x 30 inches Unique Josh Brooks is a B...

Artist: Josh Brooks Title: Under The Big Blue Sky Medium: Charcoal, house paint, oil paint on wood panel Size: 40 x 30 inches Unique Josh Brooks is a B...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in...

Influenced by artistic expression in music, poetry, literature, and drawing inspiration from concepts in art and science, the artist finds bold expression in color, lines and shapes ...

Influenced by artistic expression in music, poetry, literature, and drawing inspiration from concepts in art and science, the artist finds bold expression in color, lines and shapes ...