Items Similar to Indolent Interlude
Want more images or videos?
Request additional images or videos from the seller
1 of 5
William C. PalmerIndolent Interlude1936
1936
$3,750
£2,820.90
€3,267.88
CA$5,286.72
A$5,879.19
CHF 3,085.79
MX$71,693.89
NOK 38,998.25
SEK 36,562.41
DKK 24,391.07
About the Item
Indolent Interlude, 1936, oil on board, signed and dated lower middle, 12 x 16 inches, signed verso and inscribed with title and date, exhibited Uncommissioned Portrait Exhibition, American Federation of Arts, traveling show, 1941-42, venues included the California Palace of the Legion of Honor, San Francisco, CA (label verso) and Rembrandt Hall, Pomona College, Pomona, CA (see Portraits Showing At College Collection of Uncommissioned, The Pomona Progress Bulletin, 1942 - "The titles suggest caricature and abstractions of people sprawled comfortably over the canvas: . . . 'Indolent Interlude' by William C. Palmer."); provenance includes: Midtown Galleries, NY (label verso), Dayton Art Institute, Dayton, OH, and Munson-Williams-Proctor Institute Museum of Art, Utica, NY (label verso)
William C. Palmer’s style in the 1930s when he painted Indolent Interlude was a form of precise realism rooted in the American Scene. The painting captures a moment of languid leisure during the Great Depression, offering a rare image of repose amid a turbulent era. The figures rest beneath beach umbrellas, their sun-warmed bodies rendered in soft, earth-toned hues. With echoes of classical composition Palmer fuses serenity and social observation. The title underscores the painting’s gentle irony—an idle pause in a decade more commonly defined by national struggle. Markedly different from depictions of heroic workers, powerful industry, the downtrodden urban or rural poor and political strife, Indolent Interlude captures a quiet intimate moment of restful reflection at the seaside.
William C. Palmer was an American painter and muralist known for his contributions to public art and American Scene painting during the mid-20th century. Born in Des Moines, Iowa, Palmer trained at the Art Students League of New York, where he studied under notable artists such as Boardman Robinson and Thomas Hart Benton. He later studied fresco painting in Italy and Mexico, gaining expertise in large-scale public works. Palmer gained national attention during the New Deal Era, creating murals for several federal buildings under the Treasury Section of Fine Arts. His works appeared in post offices and courthouses across the United States, including in Monticello, Iowa; Arlington, Massachusetts; and Poughkeepsie, New York. These murals reflected a regionalist style, often depicting agricultural labor, industrial scenes, and local community life with clarity, dignity, and subtle lyricism. In addition to public commissions, Palmer exhibited at major institutions including the Whitney Museum of American Art, the Metropolitan Museum of Art, the Corcoran Gallery, and the Pennsylvania Academy of the Fine Arts. His paintings are held in the permanent collections of the Metropolitan Museum, the Smithsonian American Art Museum, and the National Gallery of Art, among others. He was also deeply engaged in arts education, serving as the founding director of the Munson-Williams-Proctor Institute School of Art in Utica, New York, where he taught for decades. Palmer is listed in Who Was Who in American Art and all other standard references.
- Creator:William C. Palmer (1906 - 1987, American)
- Creation Year:1936
- Dimensions:Height: 12 in (30.48 cm)Width: 16 in (40.64 cm)Depth: 1 in (2.54 cm)
- More Editions & Sizes:12 x 16 inchesPrice: $3,750
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Los Angeles, CA
- Reference Number:1stDibs: LU1859216795552
About the Seller
5.0
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
1stDibs seller since 2022
15 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Los Angeles, CA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllConey Island, Fourth of July
Located in Los Angeles, CA
Coney Island, Fourth of July, c. 1940s, oil on canvas applied to Masonite, signed upper right, 26 x 21 1/2 inches, presented in its original frame
During the 1930s and 40s, Coney I...
Category
1940s American Modern Figurative Paintings
Materials
Board, Oil, Canvas
Rabbit Hunters
By Roger Medearis
Located in Los Angeles, CA
Rabbit Hunters, egg tempera on Masonite, 12 x 9 inches, 1947, signed and dated lower left, signed, titled and dated verso “Rabbit Hunters Egg Tempera Roger Medearis 1947,” exhibited at Medearis' solo show at Kende Galleries, New York, in 1949 (Medearis’ record book, a copy of which is held by Vose Galleries in Boston, MA, indicates this is painting “No. 23” and that is was completed in 1947 and sold via Kende Galleries (at Gimbel Brothers...
Category
1940s American Modern Landscape Paintings
Materials
Tempera, Board
Street Cleaners
Located in Los Angeles, CA
This painting is part of our exhibition America Coast to Coast: Artists of the 1930s
Street Cleaners, c. 1940s, oil on canvas, signed lower right, 28 ¾ x 42 inches, Gallery Z...
Category
1940s American Modern Figurative Paintings
Materials
Oil
Riders of Pigeon Hill
By Jon Corbino
Located in Los Angeles, CA
Riders of Pigeon Hill, c. 1940s, oil on canvas, signed lower right, 24 x 36 inches, label verso with title, artist’s name and address; same information inscribed verso; ex-collection...
Category
1940s American Modern Paintings
Materials
Canvas, Oil
Subway Construction
Located in Los Angeles, CA
This painting is part of our exhibition American Coast to Coast: Artists of the 1930s
Subway Construction, c. 1928, oil on board, 19 x 15 ¾ inches, signed upper left, artist and title verso; exhibited: 1) 12th Annual Exhibition of the Society of Independent Artists, The Waldorf Astoria, New York NY, from March 9 to April 1, 1928, no. 864 (original price $250) (see Death Prevailing Theme of Artists in Weird Exhibits, The Gazette (Montreal, Quebec, Canada), March 8, 1928); 2) Boston Tercentenary Exhibition Fine Arts and Crafts Exhibition, Horticultural Hall, Boston MA, July, 1930, no. 108 (honorable mention - noted verso); 3) 38th Annual Exhibition of American Art, Cincinnati Art Museum, Cincinnati, OH, June, 1931 (see Alexander, Mary, The Week in Art Circles, The Cincinnati Enquirer, June 7, 1931); and 4) National Art Week Exhibition [Group Show], Montross Gallery, New York, New York, December, 1940 (see Devree, Howard, Brief Comment on Some Recently Opened Exhibitions in the Galleries, The New York Times, December 1, 1940)
About the Painting
Ernest Stock’s Subway Construction depicts the excavation of New York’s 8th Avenue line, which was the first completed section of the city-operated Independent Subway System (IND). The groundbreaking ceremony was in 1925, but the line did not open until 1932, placing Stock’s painting in the middle of the construction effort. The 8th Avenue line was primarily constructed using the “cut and cover” method in which the streets above the line were dug up, infrastructure was built from the surface level down, the resulting holes were filled, and the streets reconstructed. While many artists of the 1920s were fascinated with the upward thrust of New York’s exploding skyline as architects and developers sought to erect ever higher buildings, Stock turned his attention to the engineering marvels which were taking place below ground. In Subway Construction, Stock depicts workers removing the earth beneath the street and building scaffolding and other support structures to allow concrete to be poured. Light and shadow fall across the x-shaped grid pattern formed by the wooden beams and planks. It is no surprise that critics reviewing the painting commented on Stock’s use of an “interesting pattern” to form a painting that is “clever and well designed.”
About the Artist
Ernest Richard Stock was an award-winning painter, print maker, muralist, and commercial artist. He was born in Bristol, England and was educated at the prestigious Bristol Grammar School. During World War I, Stock joined the British Royal Air Flying Corps in Canada and served in France as a pilot where he was wounded. After the war, he immigrated to the United States and joined the firm of Mack, Jenny, and Tyler, where he further honed his architectural and decorative painting skills. During the 1920s, Stock often traveled back and forth between the US and Europe. He was twice married, including to the American author, Katherine Anne Porter. Starting in the mid-1920s, Stock began to exhibit his artwork professionally, including at London’s Beaux Arts Gallery, the Society of Independent Artists, the Salons of America, the Cincinnati Art Museum, the Whitney Studio and various locations in the Northeast. Critics often praised the strong design sensibility in Stock’s paintings. Stock was a commercial illustrator for a handful of published books and during World War II, he worked in the Stratford Connecticut...
Category
1920s American Modern Figurative Paintings
Materials
Oil
Untitled (Elevated Platform)
Located in Los Angeles, CA
This painting is part of our current exhibition - America Coast to Coast: Artists of the 1940s
Untitled (Elevated Platform), 1950, oil on canvas, signed and dated lower right, 30 x...
Category
1950s American Modern Paintings
Materials
Canvas, Oil
You May Also Like
"Pond in Back of Her House" Virginia Berresford, Modernist, Abstract Landscape
By Virginia Berresford
Located in New York, NY
Virginia Berresford
Pond in Back of Her House
Signed and titled on the reverse
Oil on board
23 1/2 x 17 1/2 inches
Virginia Berresford was an underrated American modernist who had ...
Category
1950s American Modern Abstract Paintings
Materials
Oil, Board
Vintage Expressionist Portrait of a Man with a Bowtie Oil on Wood
By Michael Pauker
Located in Soquel, CA
Expressive portrait, a caricature of a man with bowtie by Michael Pauker (American, b. 1957). Unsigned, but was acquired with a collection of the artist's work. Another version of th...
Category
Late 20th Century American Modern Figurative Paintings
Materials
Oil, Fiberboard
Frederick Shane “Twilight of History” 1947 Surrealist Oil Painting, Signed
By Frederick Shane
Located in Denver, CO
"Twilight of History" is a powerful and evocative original oil painting on board by renowned American artist Frederick Shane (1906–1992), created in 1947. This deeply symbolic work e...
Category
1940s American Modern Figurative Paintings
Materials
Oil, Board
Simka Simkhovitch WPA Artist Oil Painting Family Mother, Kids American Modernist
By Simka Simkhovitch
Located in Surfside, FL
Simka Simkhovitch (Russian/American 1893 - 1949)
This came with a small grouping from the artist's family, some were hand signed some were not.
These were studies for larger paintin...
Category
1930s American Modern Figurative Paintings
Materials
Oil, Board
Simka Simkhovitch WPA Artist Oil Painting American Modernist Landscape w Tower
By Simka Simkhovitch
Located in Surfside, FL
Simka Simkhovitch (Russian/American 1893 - 1949)
This came with a small grouping from the artist's family, some were hand signed some were not.
These were studies for larger paintin...
Category
1930s American Modern Landscape Paintings
Materials
Oil, Board
Simka Simkhovitch WPA Artist Oil Painting Gouache American Modernist Powerline
By Simka Simkhovitch
Located in Surfside, FL
Simka Simkhovitch (Russian/American 1893 - 1949)
This came with a small grouping from the artist's family, some were hand signed some were not.
These were studies for larger paintin...
Category
1930s American Modern Landscape Paintings
Materials
Oil, Gouache, Board