William Stone

William Stone (1842-1913) - 19th Century Oil, Cold Hands

19th Century

This evocative painting depicts a tender scene of maternal care, with a woman in elegant attire standing near three children huddled together. The composition is framed by a richly g...

A charming 19th-century oil depicting a tender moment between mother and child. Soft brushstrokes and golden lighting create a sense of warmth and nostalgia, whilst the subjects' ros...

This evocative painting depicts a solitary young boy in tattered clothing traversing a snow-covered rural path, framed by a wooden fence and distant trees against a muted winter sky....

A charming study of Frank Bamley's 1888 painting 'A Hopeless Dawn' where a young woman is comforted when finding out her husband is lost at sea. Signed. Presented in wooden frame w...

Oil Painting by William Harris Weatherhead "The Net Mender" R.I 1843 -1903 London figure painter exhibited at the Royal Academy Birmingham Liverpool. Royal Hiberian Academy in Dublin...

Alone in the world Signature on the left Presented in a period frame Provenance: Sold in Paris on February 6, 1895, at Drouot, for 140 Gold Francs (Bénézit) Biography Henri-Joseph ...

Nils H Christiansen Danish, (1850-1922) A Winter’s Evening Oil on canvas, signed Image size: 11.5 inches x 23.25 inches Size including frame: 16.25 inches x 28 inches A beautiful winter landscape scene of a village covered in snow at sunset. A mother and son carry firewood back to their nearby cottage whilst other figures continue on home past the lake. In the distance, a church spire is silhouetted against the warm colours of the disappearing sun. Nils or Niels Hans Christiansen was a well-accomplished painter born in Esbjerg in the Jutland peninsula of southwest Denmark on 22 July, 1850. He specialised in winter landscapes and moonlight scenes and was interested in the effects of light, often painting the sunrise and sunsets against his native land. He first came to England in 1863 for the Royal Wedding of the Prince of Wales and Princess Alexandria. Although he worked mainly in Denmark and Norway, he spent some time in England where he is believed to have exhibited with many of the leading art galleries in London. In addition to exhibiting in England, Christiansen also exhibited in his home country at the Royal Academy of Copenhagen where he became a member. He seems to have settled in England and on 10 September 1887 he married Alice Dickens at York Square, Stepney. Together the couple lived at 36 Dempsey Street, Mile End with their children. One of their sons, Albert Edward Christiansen (1887-1927) also became an artist. Christiansen’s success brought him royal connections and he was given a Grace and Favour apartment at Windsor by Queen Victoria. By 1901, he had become a British subject and had moved to 15 Queens Road in Plaistow, West Ham where he spent the rest of his life. He died in 1922 at Plaistow, aged 71. His paintings are always beautifully drawn and with the inclusion of figures give added interest to the viewer. A number of his works can be found in museums and art collections in England including Epping Forest...

Unidentified Artist (19th Century) "Winter Wonderland" (1885) This charming 19th-century oil painting captures a winter landscape, depicting three figures trudging through the snow, engaged in animated conversation. The scene is set against a serene rural backdrop, where bare trees and a distant village silhouette convey the stark beauty of winter. The soft glow of the sky, transitioning from warm hues to cool whites, enhances the tranquil yet brisk atmosphere of a cold winter’s day. Plot & Interpretation The three travelers appear to be peasants or laborers, possibly returning home or embarking on a journey. Their layered winter clothing, fur hats, and backpacks suggest they are seasoned wanderers or workers, braving the elements. The gesturing figure in the middle seems to be engaged in storytelling or giving directions, adding a sense of movement and interaction. The snow-covered ground and delicate shadows create depth, emphasizing the hardship and resilience of rural life in the 19th century. Materials & Condition Medium: Oil on canvas Framed Dimensions: 47 x 46 cm Canvas Dimensions: 24 x 34 cm Frame: Ornate giltwood frame, enhancing the painting’s classical aesthetic Condition: Well-preserved with minor age-related patina, in line with its 1885 dating Historical Context & Artistic Style Likely influenced by Northern European realism, particularly Russian, German, or Scandinavian schools that depicted harsh winters and rural peasant life. Comparable to the works of Adolf von Meckel, Vasily Perov, or Carl...