Winthrop Duthie Turney

"Pigeon Hill, Rockport" Winthrop Duthie Turney, North Eastern American Landscape

circa 1920s

Henry Ward Ranger (1858 - 1915) Stony Cove and Headland, 1910 Oil on canvas 28 x 36 inches Signed lower right Provenance: McDonough Gallery, New York William Macbeth Galleries, New York American Art Association, The Completed Pictures Left by the Late Henry Ward Ranger, 1917, Lot 72 A key person in the establishment of the Old Lyme, Connecticut art colony in 1899, Henry Ward Ranger is regarded as the leader of the Tonalist movement in America and was a leading painter in this country in the late 19th and early 20th-centuries. He was born in Geneseo and raised in Syracuse, New York, and in 1873, enrolled in the College of Fine Arts at Syracuse University, where his father was a professor of photography and drawing. Two years later, he became a re-toucher of paintings in his father's studio and did not earn a college degree. He also spent much time in New York City, where he was a writer of music criticism and visited galleries, where he had his first exposure to French Barbizon painting...

William Lester Stevens Rockport Signed lower right Oil on canvas 20 x 24 inches Born on June 15, 1888, in Rockport, Massachusetts, Stevens displayed his artistic abilities from a y...

Walter Elmer Schofield Sketch, circa 1880s Oil on panel 12 x 14 inches Walter Elmer Schofield is regarded as a leader of the Philadelphia Impressionists and central to the broader ...

Gerrit Beneker (1882 - 1934) Wellfleet, Cape Cod, Massachusetts, New England, 1926 Oil on canvas 20 x 16 inches Signed, titled, and dated lower left Provenance: Louis H. Barnett, Fort Worth, Texas In 1905, Gerrit Beneker began his art career as an illustrator. He married Flora Judd, his high school sweetheart from Grand Rapids and they moved to Brooklyn, NY. Gerrit's early passion was to create an art that would inspire and provide honor to the workingman. As such, he had no interest in painting portraits of pretty women, which were so often seen on the magazine covers of the day. Rather he wanted to seek out workingmen on the bridges, tunnels and skyscrapers of NYC, and paint them in their environments. He completed over 150 magazine covers, numerous ads including many for Ivory Soap...

This expressive oil painting by renowned American artist Charles Movalli captures a fleeting seasonal moment as snow gives way to golden earth and budding trees. Painted with bold, c...

Antonio Cirino's painting titled "Pigeon Cove" captures the tranquil beauty of a Pigeon Cove at sunset. The warm, golden light bathes the water and the moored boats, casting soft ref...

T. M. Nicholas was born in Rockport, Massachusetts in 1963. He studied privately with his father, Tom Nicholas, NA, AWS, and with John Terelak at the Glou...

Paul Cornoyer, born in 1864 in St. Louis, Missouri, was an American Impressionist artist. Initially studying at the St. Louis School of Fine Arts under Halsey C. Ives, he began his artistic journey painting in a style reminiscent of the Barbizon School. His first exhibition took place in 1887, followed by further studies in Paris at the Académie Julian under notable instructors such as Jules Lefebre, Louis Blanc, and Benjamin Constant. Inspired by French Impressionism during his travels to Paris, London, and Venice, Cornoyer embraced a more fluid and tonal style, particularly evident in his landscapes and cityscapes. Returning to St. Louis in 1894, he painted a mural at the Planters Hotel, depicting the city's birth. Over the next six years, little is known about his work except for the creation of a significant triptych titled "A View of St. Louis," which became iconic for the city. Encouraged by the artist William Merritt Chase, Cornoyer moved to New York City in 1899, where he gained recognition for his urban cityscapes, particularly scenes after rainfall. Capturing the essence of city life with vivid depictions of streets, carriages, and towering buildings, Cornoyer's work became synonymous with New York's urban landscape. He also taught at the Mechanics Institute and mingled with prominent artists such as Childe Hassam and J. Alden Weir, expanding his artistic circle to include New England art schools. In 1917, Cornoyer relocated permanently to Massachusetts, establishing his studio in East Gloucester. He played a pivotal role in founding the Gloucester Art...