Yves Calméjane

"The Edge of the Field", Rural Impressionist Landscape Oil Painting

2011

This artwork depicts a rural landscape. Yves Calméjane usually uses light impasto techniques, with the weft of the canvas often still visible. The reliefs are quite thin, the paint...

"The Path of Playing Hooky" ("Le chemin de l'école buissonnière"), by Yves Calméjane, is an evocative oil on canvas that sweeps the viewer into the pastoral tranquility of the Dordog...

This artwork depicts a rural landscape at the end of summer, when fields are ready to be mowed. The sky occupies a large place in this painting, about half of the canvas, which is not very usual for this artist. Yves Calméjane...

This painting has an interesting backstory. Borias is a French locality of the Livradois-Forez, between Augerolles and the Brugeron. The artist was painting this artwork, when the ...

Open Landscape by Josine Vignon (French 1922-2022) signed on front and back oil painting on canvas, unframed canvas: 18 x 24 inches Colors: Green colors, beige, orange, brown, grey...

A field at the end of Summer in the French village of St. Vincent near Cahors, when all is dry and colors golden. This is the village where I live part of the year and which has i...

This artwork "Landscape III" c.1970 is a oil painting on canvas by Russian artist Irina Belotelkin Roublon 1913-2009. It is signed on the back by the artist. The canvas size is 16 x 20 inches. It is in very good condition. About the artist. Irina Belotelkin Roublon, née Roudakoff, was born in Elisavetgrad, Ukraine to the Russian noblesse ancienne, descendant of Catherine the Great, she was a student at the Mariinsky Noble Ladies' Institute , Novocherkassk, Russia. She was orphaned at the time of the Russian Civil War after her father, General Paul Roudakoff, was fatally wounded in battle; 5 days later her mother died of typhus. Still unaware of her parents' death, and after witnessing her two sisters' deaths from starvation, the young Irina, then 8 years old, made her way over 1,000 kilometers, alone and through many privations to Moscow and the Estonian embassy there, with whom her Estonian uncle Volodya Blonsky had made arrangements. After a year in Moscow, and appeals to the Estonian consul, Irina was aided in a dramatic escape from the Soviet Union, to her aunt Anna Blonsky Lassburg (1882–1940) and her husband Doctor Genrick Lassburg in Tallinn, Estonia. Eventually, after in 1929, traveling through Ellis Island and admitted as a student, of voice studies, she joined her brother who had settled, in 1923, in the United States. Irina came to San Francisco during the Second World War, Among Irina's devotions were ballet and opera. She often entertained friends Rudolf Nureyev, Mikhail Baryshnikov, and Sergei Leiferkus when they were in town. Natalia Makarova and Yuri Possokhov were often guests at Irina's Russian Christmas and Easter parties. From the early 1960s through the late 1980s, Irina studied and prolifically created still life and portrait paintings in oil and water color, excelling in flower compositions. She held studio and feature exhibitions; she competed and won prizes. Her work is in holdings throughout the San Francisco Bay area, Europe and Russia. In 1965 she undertook private study with two prominent Russian painters, including Serge Ivanoff; she executed a portrait of her two masters. She cherished her portrait as executed by Serge Ivanoff. Among her most accomplished pieces are those of iris and the large white Matilija poppy...

The Autumnal Fields signed by Georges Bordonave (French contemporary) oil painting on canvas, unframed dated 1970 canvas: 18 x 21.75 inches condition: very good provenance: from a la...