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Hiro Yokose
#4400

2004

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  • #3515
    By Hiro Yokose
    Located in Phoenix, AZ
    oil and wax on canvas over panel Neo-romantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of lig...
    Category

    Early 2000s Romantic Paintings

    Materials

    Canvas, Cotton Canvas, Wax, Oil, Panel, Wood Panel

  • #4439
    By Hiro Yokose
    Located in Phoenix, AZ
    oil and wax on canvas 13 x 11 inches framed Neo-romantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with fl...
    Category

    Early 2000s Romantic Landscape Paintings

    Materials

    Canvas, Oil, Wax, Cotton Canvas

  • #4423
    By Hiro Yokose
    Located in Phoenix, AZ
    oil and wax on canvas 62 x 50 inches framed Neo-romantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with fl...
    Category

    Early 2000s Romantic Paintings

    Materials

    Canvas, Cotton Canvas, Wax, Oil

  • Listing Panes
    By Jake Fischer
    Located in Phoenix, AZ
    oil on panel My current body of work is an investigation of the relationship between the tangible and intangible moments in the context of everyday life experience; where the tangi...
    Category

    2010s Realist Paintings

    Materials

    Panel, Wood Panel, Oil

  • Overarching
    By Jake Fischer
    Located in Phoenix, AZ
    oil on panel Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. While at ASU, he was awarded accolades including the Benjamin Wong Fie Scholarship, Eirene Peggy Lamb Scholarship, and the Gerry Grout Award. Fischer then attended the Art Students League of New York's residency program where he received the Ruth Katzman Scholarship. In 2016, Fischer had his first solo exhibition in New York, Between Light, at Island Weiss Gallery and has since notably participated in Into the Night: Contemporary Art and Nocturne Tradition at the Tucson Museum of Art. Interpermeate at Bentley Gallery...
    Category

    2010s Impressionist Still-life Paintings

    Materials

    Oil, Wood Panel

  • Lofty
    By Jake Fischer
    Located in Phoenix, AZ
    oil on panel Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. While at ASU, he was awarded accolades including the Benjamin Wong Fie Scholarship, Eirene Peggy Lamb Scholarship, and the Gerry Grout Award. Fischer then attended the Art Students League of New York's residency program where he received the Ruth Katzman Scholarship. In 2016, Fischer had his first solo exhibition in New York, Between Light, at Island Weiss Gallery and has since notably participated in Into the Night: Contemporary Art and Nocturne Tradition at the Tucson Museum of Art. Interpermeate at Bentley Gallery...
    Category

    2010s Contemporary Landscape Paintings

    Materials

    Oil, Wood Panel

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  • Lizbeth Mitty, Melting Light, 2019, oil on canvas, 12 x 12, Still Life
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    Born in Queens, NY to a family of artists, inventors and actors, Lizbeth Mitty grew up painting and writing. Her work has been exhibited in galleries and museums in both the United States and abroad and is held in public and private collections including the The Metropolitan Museum of Art, The New York State Museum, The Orlando Museum of Art, The Zimmerli Archive, The U.S. State Department, and Trierenberg Holding AG (Austria). My studio is located in Brooklyn, NY. Described by New York Times critic Ken Johnson as a combination of “painterly verve and hellish beauty” — Mitty's work has long been concerned with examining and amplifying the intrinsic abstract beauty of deteriorating or overlooked corners of urban architecture and interiors. In 2015, one object, the chandelier, rose up from detritus to dominate her body of work. Spectacular, illuminated and intricate, the chandelier is evocative of grandeur. In contrast, for much of Mitty's career, scrap yards and other sites of urban devastation, locations of organized chaos, formally beautiful, yet apocalyptic and terrifying. Similarly, the chandeliers speak of decadence, sadness, elegance, death and hope. By 2017, the chandeliers began to open and morph into architecture in the round. Gazebos and scrap dominate a verdant post-apocalyptic landscape...
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