Interior Paintings

An impressionistic self-portrait. Franklin Sanchez leaves the edges of her brass "canvas" exposed as a golden background to her portrait. Frame Dimensions: 21.45 x 12.82 inches Ar...

"PST" Mixed media painting 36" x 24" inch by Ben Cope 2022 Photo on deconstructed paper with oils and paint pigments Mixed media oil on wood Ready to hang ...

Oil on canvas Canvas size: 32 x 45 inches Framed size: 35.5 x 50 inches Signed lower right

This artwork "Two Nuns Facing the Ocean" c.1950 is an oil painting on hardboard by Australian artist Joan Wilkie, 1903-? It is signed at the lower right co...

Attributed to Randolph Caldecott, a well-known English painter, and illustrator of English Pub interior scenes. The scene is great fun, as we can see di...

Scottish Impressionist 20th century oil, figures inside a clothing market. He exhibited at the Royal Academy; Royal Society of British Artists; Royal Hibernian Academy; Royal Glasgow Institute of Fine Arts; Royal Institute of Painters in Water Colours. Murray Urquhart was the son of Dr. Andrew Urquhart, Oakley, Kirkcudbright.  His mother, who died two weeks after Murray’s birth, was the daughter of Alexander McNeel Caird, Procurator Fiscal for Wigtownshire. This is a very unusual subject and market scenes like this are quite rare, I guess due to the complex nature of the subject and the difficulty in balancing the composition. The artist has done a wonderful job of painting this subject, it is a wonderful example of Scottish Impressionist painting...

Flip Gaasendam In the Lounge 65 x 65 cm Oil on Canvas This painting is framed (included in price) 70 x 70 cm This painting is made by Flip Gaasendam. A...

"A Marro" WPA Mid 20th Century American Scene Social Realism Modernism Ashcan. Signed lower right. Verso, label of Walker Galleries New York and signed in pencil and titled, A Marro....

Mushroom rain mantra. 2002, oil on canvas, 95,5x90,5 cm Abstract composition in earth colors Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, ...

Lilies and Seashell by Lu Haskew Oil 30x24" image size ​ Floral Still life ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly...

Frederick James Boston (1855 - 1932) The Letter Oil on canvas 20 x 16 inches Signed lower left The first instructor of art at the Brooklyn Institute of Arts and Sciences, Frederick ...

Sunflowers in Blues by Lu Haskew Oil 22x18" image size, 28x24" framed Still Life of bright yellow sunflowers with a series of blue vases and cloth ABOUT THE ARTIST: Lu Haskew 1921-2009 "Life is good to me. Being able to go to my studio five days weekly and paint for several hours, living in a supportive community, having family and friends who encourage me--all have contributed to helping me become an artist. Being fortunate to study with some of the artists I admire has kept me painting from the garden, people and my favorite things. With the support of galleries, teaching and doing demos, how could I do anything else? My goal is to try to be the best I can be by always being a student, looking for new ideas and stretching my horizons." Upon retirement from a 33-year teaching career, Lu rented a studio in Loveland and began concentrating on her oil and watercolor painting. Learning from artists she had followed and admired throughout the years her painting became a full time career. Since 1992, she has studied with renowned painters Richard Schmid, Clyde Aspevig, Joyce Pike, and others at the Scottsdale Art...

Interior courtyard scene by Mary Scott (American, late 19th/early 20th C). Two large stone columns support an arch, framing the composition. Between the columns, some of the courtyard can be seen, including a tree and the edges of a grassy area. Across the courtyard, there is a small desk and chair...

Antique American realist flower still life oil painting. Oil on board, circa 1900. Unsigned. Image size, 10L x 14H. Housed in a period giltwood frame.

Artist/ School: French School, mid 20th century, signed lower left Title: Pink & White Flowers in a Blue Vase Medium: oil on board, framed framed: 15 x 12 inches board: 10 x 7 in...

Stately still life of terra cotta pottery by A. Peterson. Five pieces of pottery sit atop a table with a tablecloth. Each piece of pottery is decorated with ornate patterns, mostly i...

The technique of this luminous architectural drawing with its rigorous perspective is perfectly representative of the creations of the Venetian school’s 18th century vedutists. Simil...

Modernist interior scene with a kitchen still life by Johannes Gecelli (1925 - 2011) . Oil on board. Signed and dated lower right and verso. 24 3/8 x 32 1/8. Nicely framed.

Recipient of the Judith McGregor Caldwell Purchase Prize—a prestigious award given by the Pennsylvania Academy for a uniquely significant artwork worthy of inclusion in their permanent collection, Ben Hazen is currently exhibiting his unique interior still life paintings at Questroyal Fine Art...

Recipient of the Judith McGregor Caldwell Purchase Prize—a prestigious award given by the Pennsylvania Academy for a uniquely significant artwork worthy of inclusion in their permanent collection, Ben Hazen is currently exhibiting his unique interior still life paintings at Questroyal Fine Art...

Albert Dumoulin, around 1900, "La Curieuse", interior scene with a young lady Enchanting interior oil painting. Portrayal of an inquisitive young lady...

Recipient of the Judith McGregor Caldwell Purchase Prize—a prestigious award given by the Pennsylvania Academy for a uniquely significant artwork worthy of inclusion in their permanent collection, Ben Hazen is currently exhibiting his unique interior still life paintings at Questroyal Fine Art...

Recipient of the Judith McGregor Caldwell Purchase Prize—a prestigious award given by the Pennsylvania Academy for a uniquely significant artwork worthy of inclusion in their permanent collection, Ben Hazen is currently exhibiting his unique interior still life paintings at Questroyal Fine Art...

From Celtic Sea by Josephine Clouting [2021] Signed by the artist Acrylic paint on plywood with aluminium sides Size: H:90 cm x W:90 cm x D:4.4cm Sold Unframed Please note that insit...

Antique impressionist still life painting by Irene ( I. Stry) Stry (1899/1904 - 1963). Oil on board, circa 1940. Signed. Image size, 24L x 20H.

Harry Brooker British, (1848-1940) The Model Aeroplane Oil on canvas, signed & indistinctly dated Image size: 13.5 inches x 17.5 inches Size including...

"Sock Hop" Mid-Century American Modernism WPA Female Artist 20th Century Realism. 30 x 24 inches. Oil on canvas. Signed on stretcher, c. 1940s. Frame is likely original to the painting. Realist painter-printmaker Kyra Markham...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Giovanni Domenico Valentino (Rome 1630 - Imola 1708) Signed with the monogram G.D.V in the center right, on a majolica vase The pharmacist in his laboratory Oil on canvas, 73 x 66 cm In gilded and lacquered frame cm. 86 x 80 This work, depicting a fascinating laboratory interior with a pharmacist busy in the preparation of medicines, is part of the typical production of the Roman Gian Domenico Valentini, also known as Giovanni Domenico Valentino (Rome 1630 - Imola 1708). The canvas, which is signed with the monogram G.D.V in the center right on a majolica vase, should have been painted in Rome, where the painter worked from 1662 until his death, except in 1680-1681, when he worked in Imola and Ravenna. The use of models by Flemish artists who populated the Eternal City appears essential in the development of Valentini's painting. The use of Nordic models in the development of this type of pictorial genre, with interior scenes and elements of still life, had gained great fortune with the Roman client, leading to an almost serial production, but always of great evocative charm. . Giovanni Domenico Valentini distinguished himself in the artistic panorama of the Italian seventeenth century precisely for the peculiarity of his favorite subjects: they are mainly kitchen interiors or as in our case of a laboratory, where countless objects are piled up arranged in picturesque disorder: here the tools of a pharmacy, in copper and terracotta, vases or pourers in metal and clay, jars and albarelli in majolica, bottles, flasks, glasses, cauldrons, basins and other containers in copper and terracotta, as well as an open oven. The large background wall is occupied by an angular hanging shelf for jars and apothecary jars all arranged in a row, in the foreground the still life featured various pharmaceutical tools such as apothecary bottles, mortar bowls, jars and jars with handles as well as pots and copper vessels. Particularly striking from a chromatic point of view, and a typical piece of furniture of the painter, is the painting above the door frame, which depicts a landscape. The interiors of the Valentini, of which our painting is a valuable example, which display large quantities of objects or furnishings, are arranged with a wisely studied organization: the whole represented is arranged according to the dictates of a pre-ordered exhibition and appears so to speak 'on display', exhibited and organized according to the very personal intent of a painter who aims to ennoble everyday life and make it the emblem of his art. The interior of our pharmacy is very similar to a monogrammed version kept in the Musée des Beaux-Arts, Palais Fesch, in Ajaccio (inv. 852-1-461) depicting a 'Young man visiting a pharmacy', in which the same elements, albeit varied: the half-open wardrobe...

In his painting "110x100=2", Pierre Morquin plunges us into a fascinating abstract universe. Vivid, contrasting colors such as red, yellow, blue and green intermingle to form geometr...

Leo Schutzman (1878 - 1962) The Marriage Proposal, circa 1958 Oil on canvas 24 x 20 inches Signed lower left Leo (Kyle) Schutzman (1878-1962) developed ...

JOSÉ VILLEGAS CORDERO Spanish, 1844 - 1921 THE BARBER OF SEVILLE signed & dated "J. Villegas. / Junio 1913." (lower left) oil on canvas 19-3/8 x 28-3/4 inches (49 x 73 cm.) framed: 27-1/2 x 36-3/4 inches (69.5 x 93 cm.) PROVENANCE Private Collector, Seville, Spain José Villegas Cordero (Seville, August 26, 1844-Madrid, November 9, 1921) was a Spanish painter. He directed the Prado Museum between 1901 and 1918. He was the brother of the painter Ricardo Villegas Cordero. He began his apprenticeship very young with José María Romero, with whom he remained for two years until entering the School of Fine Arts in Seville, where he was under the tutelage of Eduardo Cano. In 1860, when he was only 16 years old, he sold his work Little Philosophy for 2,000 reais at the Seville Exhibition. In 1867 he traveled to Madrid, where he entered Federico Madrazo's studio. There he established friendship with painters Eduardo Rosales and Fortuny. He went regularly to the Prado where he copied Velázquez, from whom he acquired spontaneity and the use of color for his technique. Finally, and out of admiration for Fortuny's orientalist painting, he returned to Seville and organized an excursion to Morocco. At the end of 1868 he decided to travel to Rome accompanied by the painters Rafael Peralta and Luis Jiménez Aranda...

Franklin-Sanchez leads the viewer into the imaginative world of the children sitting on the floor of a cozy room. An idyllic view of the Italian countryside is visible through the wi...

Late 20th century oil on canvas of an interior scene with cats and fish by French artist Maurice Delavier, signed and dated (November '82) to the bottom r...

Signed and dated impressionist oil on panel landscape by French painter Henri Duhem. The work depicts a view of a cottage in a rural landscape. Smoke escapes the chimney and contrast...

GENTY Emmanuel (1830-1904) Portrait of an Elegant Lady Oil on canvas signed low right and dated 1897 Old Frame regilded with gold leaves Dim canvas : 100 x 81 cm Dim frame : 120 x 10...

Marina has created a figurative wall display reminiscent of a poor student with an apartment that is falling to bits, yet the art - however small in size - is still prevalent in the ...

Very decorative animal scene of two dogs in an interior surprising a cat walking towards them. Grover Hawking was a late 20th-century painter active in New Jersey and Long Island. ...

Veranda, window, summer,flowers GLEB SAVINOV (Charkev, 1915 – St. Petersburg, 2000) Works by Gleb Savinov can be found in various private collections in Europe, Japan, United States and in the following museums: Moscow, Tret’jakov Gallery Moscow, The Ministry of Culture Collection Moscow, Central Museum of the Revolution St. Petersburg, Russian State Museum St. Petersburg, History Museum Tblisi, Fine Arts Museum Tambov, Fine Arts Museum Irkutsk, Fine Arts Museum London, National Gallery Manchester, Fine Arts Museum Dresden, National Gallery Bratislava, National Gallery Tokyo, Contemporary Art Gallery Osaka, Soviet Art...

This artwork "Nuns at the Museum" c.1950 is an oil painting on hardboard by Australian artist Joan Wilkie, 1903-? It is signed at the lower right corner by...

"Lilacs, Pecorino, Wine" is a contemporary impressionist earthy tone still life. A moka pot, jug of olive oil, and pecorino make this still life uniquely Italian. The hard cheese lay...

Oil on canvas, signed and dated in the upper left and inscribed on the reverse. Painting features a Swedish girl knitting by the fire. The work has a lovely warm feel to it. Sam Uhrdin...

Peaceful depiction of a cat on a sofa by Pacific Northwest artist Marion Raney Oman (American, 20th Century). A second canvas has been staple...

Dusk Til Dawn by Peggy Cozzi [2020] Signed by the artist oil on linen Image size: H:80 cm x W:60 cm x D:2cm Please note that insitu images are purely an in...

Enoch Wood Perry, Jr. (1831 - 1915) A Quiet Afternoon, 1876 Oil on canvas 15 1/4 x 21 inches Signed and dated lower right Born in 1831 in Boston, Enoch Wood Perry, Jr, is internatio...

Behind Pretty Things (2022), oil on wood panel painting by Max Vesuvius Budnick, portrait, patterns, faux naif Classic faux naif portrait and interiors oil painting by Max Vesuvius Budnick. The artist cannot resist painting an appealing pattern and loves to render them by hand. In this painting he renders the ribbed pattern of his green corduroy hat, the tropical jungle motif of his bandana neckerchief complete with tropical birds, the tropical palm leaf pattern of his cell phone case, the blue stripe pattern of his button down shirt and the purple gradient of the walls behind him as he poses for a selfie in the mirror. His red beard peeks out from behind his bandana and on the wall behind him is a framed print of the painting, "Floral Still Life," by WWI veteran and African American artist, Horace Pippin...

"Sheets" by RU8ICON1 is an oil painting on canvas, from 2022. It is a figurative interiors and portrait painting that depicts a woman lounging on a bed with her clothing and the she...

This oil on canvas is signed and date in the upper left and measures 38" x 45.25" including the frame. Sam Uhrdin (Swedish School, 1886-1964). Sam Uhrdi...

A realist painting of people in a pool hall. The red pool table is the centerpiece of the painting, seemingly illuminating the space, and particularly t...

Large signed still life of flowers oil on canvas circa 1940 by sought after French post impressionist painter Marcel Dyf. This beautiful work depicts a bouquet of flowers of all vari...

Into the tunnel is an original modern artwork realized by Isidore Odorico (1893-1945) in the early 20th Century. Oil on board. Hand signed on the lower margin. Includes frame

In 2001 the German art historian Art historian and Raphael Expert, Prof. Jürg Meyer zur Capellen, published the painting "Die Heilige Familie" in a monographic article, ascribing the present work to the Venetian painter Giovanni Battista Pittoni (1687 -Venice - 1767). (Newspaper "Weltkunst", October 2001, No 12, p. 1850 f. ill.) He describes it as a typical work by this artist. Pittoni was one of the most influential and successful artists of the Venetian Settecento. He was a pupil of the Veronese Master Giovanni Balestra (1666-1740). His style is influenced by Sebastiano Ricci (1659-1734) and Giambattista Tiepolo (1696-1770). Giovanni Battista Pittoni was already successful at a young age and soon lead his own workshop. He created large-scale hitoria paintings, as well as large, religious altarpieces. In addition to Venetian and Upper Italian patrons, Pittoni also had many interested parties from Europe. His work is accordingly scattered in many different museums and private collections today. Pittoni - like other painter colleagues of his time - repeated his own compositions both by hand and with the help of his workshop. He repeatedly incorporated details into other pictures and contexts. Prof. Meyer zur Capellen noted the very good condition of the present work and the high quality of the paint with fine graduations and the vivid brushstrokes. Provenance: The panting has not been on the art market for at least 300 years. In the year 2000 the work was donated by the Münster-based, Noble Family Ketteler zu Harkotten to a private collection in Westphalia. Most probably the canon Nikolaus Hermann von Ketteler zu Harkotten bought the piece in Venice in 1750 together with the altarpiece of the Clemens Church in Münster. On the reverse of the work is a fideicommissum number by Ketteler zu Harkotten. As it belonged to the family commission, the painting was inalienable until 1919, when the corresponding law was repealed, and after that time it remained in the family's possession without interruption. Pittoni's only direct relationship to Münster is the commission for the high altar painting of the Baroque St. Clemens Church. It can be assumed that then canon von Ketteler saw this painting in the artist's workshop during his stay in Venice and acquired it for himself. This would also explain the discrepancy in dating. (ca. 1735/1750). However, it is also possible that the painting originated in the possession of Ferdinand von Plettenberg...

Cozy, warm interior of a home.

Artist/ School: signed lower right corner, Italian School, 20th century Title: sprig of blossom in a clear glass with water. Medium: oil painting on canvas, framed Size: framed:...

"Cactus in Beige" Oil Painting 27.5" x 24" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood and finished school. In 1973...

Still Life of Fruit by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1990's oil painting on canvas, framed canvas: 13 x 18 inches framed: 18 x 23 inches Very good...

Elegant still life with calla lilies and amaryllis by an unknown artist. Completed in a classical style, two calla lilies and two amaryllis flowers sit in a vase with Chinese designs...