Large Interior Paintings

Hand signed and dated leeks on a kitchen table 31.5 X 39.5 framed. 21 X 28.5 sheet without frame. Bernard Chaet (born 1924, Boston, MA - 2012) was an American artist; Chaet is known for his colorful, dynamic modernist paintings and masterful draftsmanship, his association with the Boston Expressionists, and his 40-year career as a Professor of Painting at Yale University. His works also include watercolors and prints. In 1994, he was named a National Academician by the National Academy of Design. Chaet was instrumental in transforming Yale’s traditional art program into one with a more modernist approach that gained national prominence. Chaet melded landscape and abstraction in a traditional established by Vincent Van Gogh, Georges Seurat, Edvard Munch, Piet Mondrian, and Ferdinand Hodler. His own tenure began in 1951 at Yale, where he worked closely with Josef Albers to revamp Yale’s art program. Between 1959 and 1962 he was the chair of what was then called the Yale Department of Art of the School of Fine Arts — prior to becoming one of the independent professional schools at Yale in 1973. Chaet taught painting and drawing and mentored generations of emerging talents. Chaet was the author of the 1970 textbook “The Art of Drawing” and “An Artist’s Notebook 1979,” both of which have since been reissued several times. In the latter book, alongside examples of work by his favorite artists, are student drawings by Yale graduates such as Robert Birmelin, Michael Mazur and Eugene Baguskas. Born in Boston, Massachusetts, in 1924, Chaet studied at the School of the Museum of Fine Arts in Boston and then earned a B.A. at Tufts University. Known for his expressionist landscapes and still lifes, Chaet’s work has continuously been shown in galleries in his native Boston, in New York City, and around the country. In 2010, a retrospective of his seascapes was featured at the Cape Ann Historical Society in Gloucester, Massachusetts, where he had a home and a summer studio in nearby Rockport. His has also exhibited at David Findlay Gallery in New York and at Swarthmore College. Many of Chaet’s students went on to notable art careers, including Janet Fish, Chuck Close, and Richard Serra. His work is represented in the collections of the Brooklyn Museum, the Art Institute of Chicago, the Metropolitan Museum of Art in New York, the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts, the Hirshhorn Museum and Sculpture Garden in Washington, D.C., the Museum of Fine Arts in Boston, the Yale University Art Gallery in New Haven, CT, and the Addison Gallery of American Art in Andover, MA. Chaet is the recipient of many awards including: the National Foundation of the Arts and Humanities, Sabbatical Grant in 1967-68, the National Academy of Fine Arts, Benjamin Altman Award in Painting in 1997, and the American Academy of Arts and Letters Jimmy Ernst Prize in 2001. Chaet was born and raised in the Dorchester neighborhood of Boston, MA. He completed a dual program at the Museum of Fine Arts, Boston—studying painting with Karl Zerbe—and Tufts University, graduating with a B.S. in 1949. Chaet is known for his association as a first generation Boston Expressionist. (along with Hyman Bloom and Jack Levine) Chaet was a contributing editor to Arts Magazine. In 1960 he published the book Artists At Work, which features in depths conversations with artists Pat Adams, Anni Albers, Josef Albers, Al Blaustein, Hyman Bloom, James Brooks, Robert Engman...

I woke up one morning and this painting was in my head. I just had to paint it. I am sensitive to the test of time and the day before I had long looked at photos of Italian frescoes ...

Artist: Harry Lane Title: Art Shipping and Receiving Year: Circa 1950 Medium: Oil on Board, signed lower right Size: 30 in. x 24 in. (76.2 cm x 60.96 cm) ...

'Still Life with Blue Bottle' by Karl Larsen, 1968. Paris, Salon d'Automne, Danish Post-Impressionist ----- Signed lower right, 'Karl Larsen' (Danish, 1897-1977) and dated 1968. A ...

"The Gatekeeper" is a mysterious painting, seemingly both a portrait and a situation – perhaps a portrait of a barrier. Gatekeeping suggests inclusion a...

Peonies 1975. Oil on canvas, 100x92 cm The combination of the pink flowers and the blue vase creates a harmonious color scheme, evoking a sense of tranquility and elegance. The pa...

Clown is an original oil painting on canvas, realized in the 2000s by the emerging artist Anastasia Kurakina. Very good conditions. This very colored artwork represents a clown sur...

The paintings of Aleix Font (Sabadell, Spain, 1984) function as a narrative between the collective and the individual world, exploring space and its interac...

A heartwarming oil interior scene by the British painter, Fanny Mearns. The scene shows the rustic interior of a farmhouse kitchen. The father has seated himself in a chair, still ho...

Mikael Olson's (US based) "Dissolve" (2024) is an original, handmade oil painting. Artist Biography and Statement: Born in Denver in 1973, Mikael Olson has been painting for as long...

[From Ben Duke] The following is from Wikipedia, but I learned of this spot after getting into August Strindberg novels. "Zum Schwarzen Ferkel," translated as "The Black Piglet," was a historic tavern located at the corner of Unter den Linden and Neue Wilhelmstraße in Berlin. Notable for its cultural and historical significance, the tavern was a central meeting point for Nordic writers and artists in the 1890s. It was frequented by figures such as August Strindberg, Edvard Munch, and the Polish writer Stanisław Przybyszewski, among others. The tavern's original name was Gustav Türkes Weinhandlung und Probierstube, owned by Gustav Türke, and it was also known as "The Cloister." The name "Zum Schwarzen Ferkel" was coined by Strindberg, who thought an Armenian wine-sack hanging over the entrance resembled a black piglet. This quirky name was enthusiastically accepted by both the owner and the patrons. August Strindberg, a Swedish playwright and novelist, played a significant role in the tavern's history. After moving to Berlin in 1892, he became a regular at the tavern and a leading figure among the Nordic and German artistic community that gathered there. The tavern was not only a place for socializing but also a hub of intellectual and artistic exchange, with members engaging in vibrant discussions and forming significant relationships, both personal and professional. Edvard Munch, the Norwegian painter, also became a regular after his arrival in Berlin in 1892. The tavern saw its share of drama, including romantic entanglements and artistic disputes. One notable figure was Dagny Juel, a Norwegian music student who became involved with several members of the circle and was later tragically murdered in Tbilisi in 1901. The tavern's influence extended into the literary and artistic works of its patrons. For example, Adolf Paul wrote about his experiences and the people he met at the Ferkel in his book "Strindberg-Erinnerungen und -Briefe," published in 1914. Strindberg's novel "Klostret" ("The Cloister"), published posthumously in 1966, also drew from his experiences at the tavern. Unfortunately, the original building that housed Zum Schwarzen Ferkel was destroyed during the Second World War. Today, its legacy lives on through the stories and works of the artists and writers who once gathered there. Wikkipedia. Ben Duke Zum Schwarzen Ferkel oil on canvas 36h x 36w in 91.44h x 91.44w cm BSD039 Ben Duke b. 1977 Louisville, KY Education 2006 M.F.A., Maryland Institute College of Art, Baltimore, MD 2002 B.F.A., University of Utah, Salt Lake City...

In his very Californian settings, Marius Messinese creates an environment that is both synthetic and realistic, halfway between seduction and intrigue. At the crossroads of different...

The Restless Sea Holds Deep Passion by Carolyn Tryer Signed by the artist Acrylic on canvas. Work size: 80 x 100 cm The mesmerising light on the gorgeous waves sparkled like diamonds...

Thoughts of Home by Lu Haskew Oil 24x30" image size, 30x36" framed (wood with gold leaf) ​ Still life with flowers and fruit amongst a porcelain tea s...

Frank Diaz Escalet 1930–2012 On 3rd Flr El Barrio, 1991 Acrylic on canvas 61 x 99 cm 24 x 39 in

KENNETH FREWIN AAS (1936-2020) Ken Frewin was a successful Scottish painter in oils and watercolours who was born in Inverness and lived and worked in Aberdeen. He studied architectu...

A stunning British RA exhibited still life oil painting by artist Mary Kent Harrison who exhibited throughout her career. This stunning oil is a bold, adventurous and confident still...

Suresh Kumar P - Untitled Acrylic on Canvas , 36 x 36 inches (Unframed & Delivered in India ) Date of Birth : 20th May 1982 Place of Birth : Chennai A...

"Autumn is coming" abstract on linen canvas 2017 83x54cm send in wooden crate ambiance of autumn colours

This original painting from collection «Unity with Nature» in which the theme of herbal spirits helping us to remain in harmony with nature speaks on a symbolic level about the re...

WPA Mural Study 1940 American Scene Modern Social Realism Figurative Mid Century Michael Loew (1907-1985) Detail for Mural (Social Security Building Washington D.C.) 24 x 24 inches ...

From Celtic Sea by Josephine Clouting [2021] Signed by the artist Acrylic paint on plywood with aluminium sides Size: H:90 cm x W:90 cm x D:4.4cm Sold Unframed Please note that insit...

A beautiful, colourful British 1920's exhibited oil on canvas portrait painting by Francis Dodd RA and with extensive provenance. The work depicts the Feminist and famous artist Susa...

Palma Verde [2021] original and hand signed by the artist oil on canvas Image size: H:100 cm x W:100 cm Complete Size of Unframed Work: H:100 cm x W:100 cm x D:4cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This is a painting from my architectural series of works. I love to paint modernist architecture and here in this painting I wanted to capture the emerald greens and turquoise blues of the building and sky against the heat and desert colours of the mountains and terrain. I like to paint palm trees cactii and flora and organic shapes and place them against the straight lines of the modern architecture. This painting is painted on a painted side thick edged canvas and is ready to hang. Discover original architectural paintings online with Wychwood Art and in our Oxfordshire art gallery by artist Karen Lynn...

William J. Schultz, American (1919 - 2005) William J. "Bill" Schultz had been a renowned American Impressionist artist and teacher for over sixty-five years. Co-Founder, and Director of the AIS had inspired numerous professional artists and teachers through his teaching. He also was a Master Pastelist in the Pastel Society of America and had won many awards for his oil and pastel paintings. Born in Pittsfield, Massachusetts in 1919, he died in Vero Beach, Florida in 2005. He served in the Army in World War II including duty in Europe. He was discharged in 1946 with rank of First Sergeant. Schultz began his art studies with Martin C. Hoy, a fine artist and student of Robert Henri and William M. Chase. He graduated from The Vesper George School Of Art in Boston, Massachusetts in 1949. He then studied under National Academicians Jerry Farnsworth, Ivan Olinsky (a student of John Singer Sargent) and Robert Brackman. Winner of many awards for oil and pastel works. Was a noted portrait artist. He was a founding Director of the American Impressionist Society and an award winning member of the Pastel Society Of America. He studied under notable National Academicians Robert Brachman, Ivan Olinsky and Jerry Farnsworth. Schultz opened his own art studio and school in Lenox, Massachusetts and taught impressionist painting to hundreds of students, some of whom are now nationally recognized themselves. After 25 years at that location Schultz and his wife moved to Vero Beach, Florida where he continued to teach, as well as provide lectures and exhibitions around the country. Illustrated articles about Schultz and his work have appeared in "American Artist", "Southwest Profiles", "Artists Of Florida" and other periodicals. For a short time he studied alongside Norman Rockwell at a studio in Stockbridge, Massachusetts where Rockwell had established the base for his illustration work. Schultz was the proud possessor of an autographed sketch of himself that Norman Rockwell had created and was signed by Rockwell. Schultz's art has been exhibited in museums and galleries in Boston, New York City, Sante Fe, and numerous Florida locations...

"A counter courant" abstract on linen canvas 100x100 cm 2022 Filled with all that we hear, all the information, I felt the need for an immersion in the protective blue, that of the i...

In his very Californian settings, Marius Messinese creates an environment that is both synthetic and realistic, halfway between seduction and intrigue. At the crossroads of different...

Artist: John Hultberg, American (1922 - 2005) Title: Untitled - Artist's Studio Year: circa 1960 Medium: Acrylic on Board, signed l.r. Size: 24 x 29.5 in. (60.96 x 74.93 cm) Frame: 2...

Daisies 1992, oil on cardboard, 90x83 cm "Daisies" is a serene and visually pleasing artwork that celebrates the elegance of nature. The composition depicts a bouquet of white dai...

Watercolor painting of Shul interior in Tzfas, Safed Israel. MORDECHAI AVNIEL Minsk, Belarus, b. 1900, d. 1989 Mordecai Dickstein (later Avniel) was born in 1900 in Minsk, present-day Belarus. He studied fine arts in Yekaterinburg, Russia (1913–19) and at the Bezalel Academy of Art and Design, Jerusalem (1923). Avniel immigrated to Palestine in 1921 where he first worked as a pioneer in citrus plantations near Petah Tikva. In 1923, at the urging of Boris Schatz, he went to Jerusalem to further his art studies at Bezalel. He later taught painting and sculpture at the school, and served a term as director of the Small Sculpture Section of the Sculpture Department (1924–28). From 1935 on, Avniel lived in Haifa. Avniel was also a lawyer and a founding partner of the Haifa firm Avniel, Salomon & Company. Avniel regularly showed his work in group exhibitions of the Painters and Sculptors' Association of Israel. He was awarded the Herman Struck Prize (1952), Tenth Anniversary Prize for Watercolours, Ramat Gan (1958), Histadrut Prize (1961), and First Prize Haifa Municipality (1977). He represented Israel at the 1958 Venice Biennale and the 1962 International Art Seminar at Fairleigh Dickinson University. Avniel was a member of the Artists' Colony in Safed and maintained a studio on Mount Carmel. Mordechai Avniel is best known for his deft and singular landscape work. His works are held in numerous museums and collections both in Israel and abroad, including the Metropolitan Museum, New York and the Carnegie Institute, Pittsburgh, PA. Avniel's manipulations of light and colour share much with those of compatriot artists Shimshon Holzman and Joseph Kossonogi. Education 1913-19 Art School of Katrinburg, Russia 1923 Bezalel School of Art, Jerusalem Selected exhibitions: 2004: Our Landscape: Notes on Landscape Painting in Israel, University of Haifa Art Gallery, Haifa (online catalogue) 1965: Mordechai Avniel Retrospective, Haifa Municipality Museum of Modern Art, Haifa 1964: Galerie Synthèse, Paris 1962: New York University, New York 1961: Rina Gallery of Modern Art, Jerusalem The Autumn Exhibition Rina Gallery, Jerusalem Artists: Dedi Ben Shaul...

A unique American oil painting depicting two stylized interior views in neon colors.

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 18 x 24 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...

"Pay Day" American Scene Social Realism WPA Era Mid 20th Century Modern Workers Don Freeman (1908-1978) Pay Day 20 x 30 inches Oil on board, c. 1940s Signed lower right BIO Illustr...

Wild Once V by Dylan Loyd [2022] Wild Once V is an original oil painting by artist Dylan Lloyd as part of his wild flowers summer collection of works Additional information: Origin...

In creating this artwork, I poured my passion into capturing the intrigue of dawn, where light slowly emerges through the darkness. The blend of subtle pinks and deep blacks in acryl...

Sunflowers Cardboard, oil, 87x77 cm Still life painting with stylized sunflowers on light-colored background. The focal point of the artwork is the depiction of sunflowers, known f...

This is a painting from my architectural series of works. In this particular painting I tried to capture a graphic and simple use of colour by keeping the colours neutral and modern....

Original abstract painting Discover new works by Jessie Woodward available to buy online and in our art gallery. Jessie Woodward is an abstract painter and mixed media artist. She ha...

"Chinese mythology" abstract acrylic oxidation on linen canvas 100x80cm 2020 send in wood crate at cost travel memory, need to paint red red made me think of dragons, oxidized that we see in the multitude of temples of South-West Asia to temples I associate the deep reds of the pillars and frayed silks Emmanuelle vroelant...

Coast by Rosemary Houghton [2020] original Oil Image size: H:93 cm x W:93 cm Complete Size of Unframed Work: H:90 cm x W:90 cm x D:4cm Frame Size: H:93 cm x W:93 cm x D:5cm Sold Fra...

In this vibrant creation, I've layered acrylics to evoke a sense of dynamic motion and emotional depth. The bold streaks and delicate drips represent the perpetual dance between chao...

"beneficial complementarity" abstract acrylic on linen panel 100x100cm I want to use vegetable fibres. I needed a large format to have freedom of action. I started with the flexibi...

In my creation, I poured my fascination with the contrasts of light and darkness into an exploration of emotion through color and texture. This piece merges the spontaneity of expres...

This beautiful painting by Jeroen Allart is part of his minimalist landscape and animal painting he did in his home country the Netherlands. 'A farm stands before you on the horizon....

"Look at the flowers. It is simply unbelievable how happy flowers are." -Osho Capturing delicacy through floral imagery, the meticulous strokes and carefully chosen colors create a ...

"Kerfi-Zen beach" figurative painting on linen canvas 100x100cm the calm of the low tide the fascination with water and mineral that can be seen in Japanese gardens

This fantastic British 1940's Impressionist figurative interior oil painting is by noted artist Leonard Fuller. Painted circa 1940, the colourful composition is looking into a long, ...

Still Life of Flowers Spanish School, mid 20th Century oil on canvas, unframed canvas: 40 x 40 inches Provenance: private collection, France Condition: some surface scuffs and marks ...

Gazing at Stars is an original painting by Esther Oyeyemi. Esther created Gazing at the Stars with Acrylic on a primed 36W by 36H canvas Esther Oy...

"Tea, Reading" impressionist composition of woman at the kitchen table, Tuscany. A woman sits in Fenske's kitchen, reading a book and sipping on tea. Light streams in through an open...

A still life of unnecessary objects, that's what I called my painting, which I created in 2002. It turns out that it is possible for the artist to collect unnecessary items that are ...

In this piece, I poured my emotions onto the canvas using thick acrylics, capturing the delicate dance between softness and intensity. The pastel palette bursts with subtle energy, r...

"Shanghai in the mist" abstract acrylic linen canvas 2009 50x100cm send in wood crate Coming back from China exhibit

Yellow Landscape – Jon Rowland – Abstract Expressionism [2020] original Mixed media of acrylic, oil, and collage on paper Image size: H:51 cm x W:71 ...

Written in the workshop based on sketches made in the Volodymyr Cathedral, Kyiv

William J. Schultz, American (1919 - 2005) William J. "Bill" Schultz had been a renowned American Impressionist artist and teacher for over sixty-five years. Co-Founder, and Director of the AIS had inspired numerous professional artists and teachers through his teaching. He also was a Master Pastelist in the Pastel Society of America and had won many awards for his oil and pastel paintings. Born in Pittsfield, Massachusetts in 1919, he died in Vero Beach, Florida in 2005. He served in the Army in World War II including duty in Europe. He was discharged in 1946 with rank of First Sergeant. Schultz began his art studies with Martin C. Hoy, a fine artist and student of Robert Henri and William M. Chase. He graduated from The Vesper George School Of Art in Boston, Massachusetts in 1949. He then studied under National Academicians Jerry Farnsworth, Ivan Olinsky (a student of John Singer Sargent) and Robert Brackman. Winner of many awards for oil and pastel works. Was a noted portrait artist. He was a founding Director of the American Impressionist Society and an award winning member of the Pastel Society Of America. He studied under notable National Academicians Robert Brachman, Ivan Olinsky and Jerry Farnsworth. Schultz opened his own art studio and school in Lenox, Massachusetts and taught impressionist painting to hundreds of students, some of whom are now nationally recognized themselves. After 25 years at that location Schultz and his wife moved to Vero Beach, Florida where he continued to teach, as well as provide lectures and exhibitions around the country. Illustrated articles about Schultz and his work have appeared in "American Artist", "Southwest Profiles", "Artists Of Florida" and other periodicals. For a short time he studied alongside Norman Rockwell at a studio in Stockbridge, Massachusetts where Rockwell had established the base for his illustration work. Schultz was the proud possessor of an autographed sketch of himself that Norman Rockwell had created and was signed by Rockwell. Schultz's art has been exhibited in museums and galleries in Boston, New York City, Sante Fe, and numerous Florida locations...

"Red Still Life" is an interior still life by Philadelphia born Expressionist painter Bernard Harmon. The 28.25" x 24.25" oil on board painting is framed in a new black wood frame. Bernard Harmon was born in Philadelphia, Pennsylvania in 1935. Harmon was primarily a portrait painter and a well loved teacher in the Philadelphia area. A graduate of the Philadelphia Museum School and Temples Tyler School of Art, Harmon traveled extensively in Europe and South America. Beloved by many, Harmon taught in the Philadelphia School District for 32 of his 54 years of life. Beginning his career as an art teacher at West Philadelphia High School, in the early 1960s he became one of the district's artists in residence, traveling from school to school to demonstrate for students how an artist works. Returning to the classroom, Harmon joined the art department at Central High School where he taught for 14 years and became an innovator in art curriculum, developing a program offering advanced placement art classes to gifted students. In his final years Harmon became a supervisor, mentoring teachers and overseeing programs in the Philadelphia school systems District #1. During his short life Harmon taught collage preparatory art classes at the Pennsylvania Academy of the Fine Arts, summer classes at the University of the Arts, and a Saturday program for gifted children at Drexel University. Among Harmon's portraits were commissioned by Philadelphia Jazz organist Jimmy Smith and Mayor Richardson Dilworth. Bernard Harmon was active in promoting African American Artist throughout his life time. He organized many early shows such as the "Afro American...

Ali Shamsi (1964) Born in 1964 in Azerbaijan in a small village at the foot of the Caucasus Mountains on the banks of a river. 1981 - 1985. Azerbaijan State Institute of Arts. M...

A work from the series "Secrets of Memories". I create my paintings by applying many translucent layers, just as people are made up of different layers, among them layers of other pe...

In memory of Louis Washkansky. 1960s, paper, gouache, 86x61 cm Gunars Klava (1933 – 1989) Gunars Klava was born in 1933 in Priekule. 1953 - graduated from J. Rosenthal Art School ...