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Brett EberhardtHallway Corner, White Walls, Teal Baseboard, Golden Wood Floors, Studio Interior2017
2017
About the Item
The warmth of a worn, golden brown hardwood floor is unexpectedly dramatic against a stark white wall and teal green baseboard. Signed, dated and titled on verso.
Brett Eberhardt’s painted interiors are inhabited by singular objects, and are vacant of human presence save the reminders in the painted surfaces, worn floor boards or a work table softened by use. Eberhardt’s humble interiors, lushly described in oil paint, depict the well-loved surfaces of his studio and home in a tender, devout manner. Eberhardt earned his MFA at Syracuse University and currently teaches in the art department of Manchester Community College in Manchester, CT.
- Creator:Brett Eberhardt (1978, American)
- Creation Year:2017
- Dimensions:Height: 23.5 in (59.69 cm)Width: 23.5 in (59.69 cm)Depth: 1.75 in (4.45 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Kent, CT
- Reference Number:1stDibs: LU19714198182
About the Seller
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- ShippingRetrieving quote...Ships From: Kent, CT
- Return PolicyA return for this item may be initiated within 2 days of delivery.
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- Vent and Dining Room Floor, Golden Wood Floor, White Walls, Tiles InteriorBy Brett EberhardtLocated in Kent, CTA single vent can be seen along the baseboard of a nondescript white wall in a quiet interior. The warmth of the worn, golden brown hardwood floor is unexpectedly dramatic against th...Category
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- Studio Corner and Floor, Brown Wood Floor, White Walls, Art Studio InteriorBy Brett EberhardtLocated in Kent, CTIn this interior painting, the corner of a bathroom is slightly visible through the doorway along a white wall in an artist's quiet studio space. The warmth of the worn, paint splatt...Category
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- Studio 2006, Pointillist Interior Painting, Artist StudioLocated in Kent, CTIn this pointillist interior scene, an artist's studio is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery patterns...Category
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