John William HAYNES

19th Century English Victorian Intimate Oil Painting of Girl plaiting her hair

1858

Gerard ter Borch The Cards Game Oil on canvas 14 x 15.5 inches unframed 19 3/4 x 21 1/2 inches framed Gerard ter Borch (Dutch; December 1617 – 8 December 1681), also known as Gerard Terburg, was an influential and pioneering Dutch genre painter who lived in the Dutch Golden Age. He influenced fellow Dutch painters Gabriel Metsu...

Attributed to William Marlow (English, 1740-1813) Elegant Figures alongside the River Wye 1790 131 x 152 cm, inc. frame This quiet bucolic scene shows figur...

James Thornhill (1674-1735) Oil on canvas 12 x 14 inches; 16 ½ x 18 ½ in. Inc. frame The subject matter and inclusion of herms on both sides shows the influence of Louis...

John Wilson Ewbank (1799 - 1847) Shipping in the Harbour, South Shields Oil on canvas 39.5 x 58 inches unframed 47.75 x 66.5 inches framed Provenance: Christie's October 2002; Lot 11. Fine Art Society; Private Collection This marvellous up to scale Ewbank is full of light and warmth and almost certainly his greatest work of the sort rarely - if ever - seen on the market. John W. Ewbank (4 May 1799–28 November 1847), was an English-born landscape and marine painter largely operational from Scotland. The Humber river is a large tidal estuary on the east coast of Northern England. Life Ewbank was born at Darlington on 4 May 1799, the son of Michael Ewbank, an innkeeper. He was adopted as a child by a wealthy uncle who lived at Wycliffe, on the banks of the River Tees, in the North Riding of Yorkshire. Intended for the Roman Catholic priesthood, he was sent to Ushaw College, from which he absconded. In 1813 Ewbank was apprenticed to Thomas Coulson, an ornamental painter in Newcastle. In around 1816 he moved with Coulson to Edinburgh, where he had some lessons with Alexander Nasmyth. He found work both as a painter and a teacher. He was nominated in 1830 one of the foundation members of the Royal Scottish Academy. In 1833 he is listed as living at 7 Union Street on the eastern fringe of the New Town in Edinburgh. Works His sketches from nature were especially admired, and a series of 51 drawings of Edinburgh by him were engraved by W. H. Lizars for James Browne's Picturesque Views of Edinburgh (1825). He also made a reputation with cabinet pictures of banks of rivers, coast scenes, and marine subjects. As an illustrator he illustrated some early editions of Scott's Waverley Novels and one edition of Gilbert White...

John Montagu, 4th Earl of Sandwich (13 November 1718 – 30 April 1792) Attributed to George Knapton (1698-1778) Dressed in the Turkish manner, stand...

John Opie RA (1761-1807, English) c. 1802 Oil on canvas Canvas dimensions 36 x 32 inches Framed dimensions 46.5 x 43.25 inches Original gilded period frame. John Opie was a Corni...

Frank Moss Bennett British, (1874-1952) Papers to Discuss Oil on canvas, signed & dated 1922 Image size: 13.5 inches x 19.5 inches Size including frame: 20.25 inches x 26.25 inches A finely painted scene by Frank Moss Bennett depicting three gentlemen in 18th century costume conversing at a table. One of the men, dressed as a lawyer, looks over a document whilst the others smoke from clay tobacco pipes. Frank Moss Bennett was a portrait and genre painter who was born in Liverpool on November 15, 1874. He was the son of the Iron Founder Henry Mellor Bennett who was also became mayor of Liverpool. His family’s wealth enabled him to receive a good education, initially with a governess and then at Clifton College in Bristol. His talent for art emerged at a young age, however it was not until he left Bristol that he decided to follow a career in painting. He moved to London in 1892, most likely with his family who went to live in Croydon after his father’s retirement. There he studied at the Slade School of Art where he was taught by Henry Tonks and John Singer Sargent. He also met fellow artist Eddie Wells who became his friend, travel partner and brother-in-law. He later attended the St John’s School of Art and in 1896 entered the Royal Academy school, winning a gold medal and a scholarship to travel. He began exhibiting at the Royal Academy from 1898 with a work entitled ‘A Book Plate’, continuing to exhibit there until 1929. He also exhibited at the Paris Salon, the Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolour. In 1900, Bennett used his scholarship money to go on a painting expedition to Italy with his friend Wells. On his return he lived with his family at 18 Warrington Road, Croydon and took a studio nearby at Alipore, Duppas Hill, where he began specialising in historical genre and portraits. His work portrayed life in seventeenth and eighteenth century England, depicting figures in tavern interiors, gentlemen discussing affairs of State or at leisure in their homes. He wanted his works to be historically accurate and used authentic props and antiques. He also accrued a large collection of costumes, some of which were later given to the Platt Hall Museum, Manchester and the Museum of London. He also developed an interest in historical architecture, particularly Tudor and made many sketches of buildings...

Harry Brooker British, (1848-1940) The Model Aeroplane Oil on canvas, signed & indistinctly dated Image size: 13.5 inches x 17.5 inches Size including...

This late 19th-century oil painting attributed to Danish artist Pietro Krohn (1840-1905) depicts a gently lit interior with a woman knitting before a statue of the Venus de Milo. It’...

The Cottage Interior English artist, 19th century oil on canvas, unframed canvas: 24 x 36 inches provenance: private collection, UK condition: a few small scuffs to the surface and m...

George Goodwin Kilburne British, (1839-1924) A Tender Moment Oil on canvas, signed Image size: 15.75 inches x 12.75 inches Size including frame: 20.5 inches x 17.5 inches George G...

Charles Hunt Jnr British, (1829-1900) A Deal to be Done Oil on canvas, signed Image size: 24.75 inches x 34.75 inches Size including frame: 32.25 inches x 42.25 inches Charles Hunt was born in Kensington, London and was part of a dynasty of painters. He was the son of the genre painter Charles Hunt (1803-1877) and father to Edgar Hunt (1876-1955) and Walter Hunt (1861-1941) both of whom were taught by their father and became successful artists in their own right. Two more of his children Reuben Hunt...