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Julius Paulsen
'Interior with Mirror', Danish, Royal Academy of Fine Art, Copenhagen, Benezit

Circa 1910

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    By Sears, Roebuck & Company
    Located in Santa Cruz, CA
    Signed lower right "Sears" (American, 20th century) and dated 1960. A substantial, Expressionist style figural oil showing a partially-draped woman seated at a dressing-table and br...
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  • 'Still Life of Flowers', Paris, Salon D'Automne, Danish Avant-Garde, 'The Four'
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    Signed lower right, "Karl Larsen" (Danish, 1897-1977) and painted circa 1955. Beginning in 1917, Karl Larsen participated in numerous exhibitions in France and Denmark including the...
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    1950s Post-Impressionist Still-life Paintings

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  • 'Still Life with Blue Bottle', Paris, Salon d'Automne, Danish Post-Impressionist
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    Signed lower right, 'Karl Larsen' (Danish, 1897-1977) and dated 1968. A substantial and vibrant Post-Impressionist oil still-life by this well-listed Danish modernist, winner of the...
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  • 'Red and Yellow Tulips', Danish Post-Impressionist, Copenhagen
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    Signed lower right, 'Lars Swane', dated 1986, and inscribed verso 'Tilhører Palle Nielsen'. A substantial, oil still-life showing variegated, red and yellow tulips informally arranged in a cobalt blue patterned vase, resting inside a cobalt and ivory bowl on a wooden table beside various books, with a view beyond through a window to a winter landscape. Son of the artists Sigurd Swane...
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  • 'Interior with Still Life', Dallas Art Museum, Modernist oil, Woman Artist
    By Belle Golinko
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    Signed lower left, 'Belle Golinko' (American, 20th century) and painted circa 1945. This Israeli-American woman Modernist exhibited widely and with success, including at the Dallas ...
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  • 'Roses with a Quimper Plate', Paris, Salon d’Automne, Fauve, Section d'Or
    By Jais Nielsen
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    Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1961) and dated 1913. An early twentieth-century, oil still-life of pink dog-roses shown loosely arranged in a cobalt blue glass vase, set beside two Breton tin-glazed earthenware plates, resting on an azure-turquoise tablecloth and contrasted against a coral-ochre background. An elegant, early work by this foundational Danish Modernist. Born in Denmark, Jais Nielsen initially studied at Kunstnernes Frie Studieskoler under Kristian Zahrtmann and exhibited for the first time at the 1907 Autumn Salon at the Charlottenborg Palace. Nielsen participated in the early and groundbreaking, “Group of Thirteen" Modernist show, where his focus on dynamic figural painting and his bold use of color set him dramatically apart from his contemporaries. From 1907-11, Nielsen's use of 'primitive' Fauve colors would continue to reinforce his break with traditional Danish painting. During this period, he made study excursions to important art centres, including, in 1909, to Berlin. In 1911, he moved to Paris where he settled in the Latin Quarter near the Musée Cluny. His first formal Paris exhibition was at the Salon d’Automne of 1912. During this first Paris period, Nielsen attended meetings of the Section d’Or at the studio of Jacques Villon and, as a result, began to incorporate subtle, yet distinct, Cubist elements into his work.   With the outbreak of World War One, Nielsen returned to Copenhagen, taking with him both his increasing compositional sophistication and a thorough understanding of the principles of Modernism. During this period, ports, dance and circus life became subjects of interest and he painted many canvases in the style of Analytic Cubism, of which he became the earliest and, arguably, the finest Danish exponent. From 1915 onwards, Nielsen also created Cubist sculptures and, from 1922-28, was employed as a sculptor by the Royal Copenhagen porcelain factory. Here, he produced a series of ceramic sculptures on Biblical themes which included the Good Samaritan and several versions of Jacob Wrestling with the Angel...
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