Sir Hubert Von Herkomer R.A. RWS.

Self Portrait in the Artists Studio

1889

Signed still life oil on canvas circa 1930 by French impressionist painter Leon Detroy. The work depicts a bronze vase filled with tulips in an array of autumnal colours, and peonies...

Signed still life oil on canvas by French expressionist and fauvist painter Charles Camoin. The work depicts a bright bouquet of flowers in reds, yellows, blues and pinks in a stoneware vase. Signature: Signed lower right Dimensions: Framed: 36"x28" Unframed: 29"x21" Provenance: Galerie Marcel Bernheim Exhibitied: Paris, Galerie Druet, March 1929, n°23 This work is included in the Archives Camoin and a certificate from Madame Grammont-Camoin is available on request Charles Camoin was the son of a paint manufacturer in Marseilles who died when Charles was six years old. His mother travelled extensively, absenting herself for long periods at a time, and Camoin's studies suffered accordingly. At 16, he enrolled at a commercial college in Marseilles, but also attended courses at the École des Beaux-Arts, where he was awarded a first prize for drawing and composition. In 1896, at the age of 17 (or in 1898 according to other, possibly more reliable sources), Camoin moved to Paris where he was admitted to Gustave Moreau's class at the École des Beaux-Arts, shortly before the latter's death. He soon left on his travels in the company of Albert Marquet - no doubt following Moreau's advice to 'go and paint buses', his recommendation to the two artists to search out their subject matter on the streets and in the cabarets of Paris. During his short time in Moreau's class Camoin made a number of lasting friendships, notably with artists who would go on to pioneer Fauvism: Henry Manguin, Georges Roualt and, in particular, Jean Puy and Henri Matisse, with whom he exchanged letters on a regular basis.In 1900, Camoin did his military service, first in Arles, where he painted compositions inspired by Van Gogh motifs, then in 1902 in Aix, where he frequently met with Cézanne, with whom Camoin maintained a life-long correspondence and whose advice and counsel he cited repeatedly. In 1903, Camoin exhibited for the first time - at the Salon des Artistes Indépendants in Paris. The following year (1905), he met Claude Monet (at Cézanne's instigation and, appropriately perhaps, underneath Giverny's Nympheas); he then held his first solo exhibition at the Berthe Weill Gallery in Paris. In 1905, Camoin exhibited alongside the 'Animals' at that year's Salon d'Automne, although it must be said that he did not share the graphic and chromatic violence of a Matisse or a Derain...

Signed figures in interior oil on canvas circa 1925 by sought after French impressionist painter Edouard Leon Cortes. This charming and nostalgic work depicts a family in a typical B...

Signed and dated impressionist still life oil on original canvas by French painter Georges Jeannin. The work depicts a bouquet of pink, white and red roses with a paper fan placed in...

Signed figures in interior oil on canvas circa 1910 by sought after French impressionist painter Edouard Leon Cortes. This charming and nostalgic work depicts a family enjoying dinne...

Signed still life oil on canvas circa 1910 by French impressionist painter Marie Duhem. This stunning piece depicts delicate pink and yellow peonies in a vase placed on an ornate marble-topped table with a fan resting beside them and a mirror behind. Signature Signed lower left Dimensions: Unframed: 29"x20" This painting is not currently framed but a suitable frame can be sourced if required Provenance: The collection of the artist's family Marie Duhem's parents operated a lace factory, so she became familiar with the work of designers and models from an early age. She began her art studies with Adrien Demont...

Hiroshi Sato's (US based) "Solaris" is an original, handmade oil painting that depicts a man in a business suit and tie casually lounging on a yellow plush seat as swirling abstract ...

ABOUT THE ARTWORK The work “JANNE,” is part of the author's broader exploration of the theme of human identity in the modern world. Special attention is paid to the portrayal of the...

Boldly colored portrait of a woman on a sofa by Nealon A. Mundt (American, 1939-2015). A woman is reclining on a dark blue sofa, with a pink wall in the background. The woman is wearing a white top and a pink skirt, with a red bandana on her hear. Her skin is rendered in a fauvist style, mixing bold yellows and greens with skin tones. There are paintings hanging on the wall behind the sofa. Signed and dated in the lower right corner. Titled, signed, and dated on verso. Presented in a wood frame with a linen fillet. Canvas size: 24"H x 36"W Nealon Mundt...

Josep Miquel Serrano (1912-1982) - Self-portrait - Oil on canvas Oil measures 92x73 cm. Frameless. Josep Miquel Serrano, of a Santander family, was born in Barcelona in 1912 and die...

ABOUT THE ARTWORK The work “MARIA,” is part of the author's broader exploration of the theme of human identity in the modern world. Special attention is paid to the portrayal of the...

This enchanting early 20th-century oil painting by Danish artist Herman Jensen (1893-1941) depicts a seated woman playing the banjo before a window. Scenes with musicians are most f...