Abstract Expressionist Interior Paintings

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Abstract Transformation Circle This painting features an abstract artwork that combines resin techniques with circular relief on its surface. The resin, applied over the canvas, cr...

On a canvas born from chaos and intuition, an artist let their emotions explode into a thousand colors. Every splash was a thought, every drop a spark of life: the red of love and an...

On a canvas born from chaos and intuition, an artist let their emotions explode into a thousand colors. Every splash was a thought, every drop a spark of life: the red of love and an...

On a canvas born from chaos and intuition, an artist let their emotions explode into a thousand colors. Every splash was a thought, every drop a spark of life: the red of love and an...

This original artwork by Alex Senchenko is an abstract, contemporary acrylic on canvas piece. Perfect for a room that needs a burst of color. Comes with a certificate of authenticity...

Abstract Transformation Circle This painting features an abstract artwork that combines resin techniques with circular relief on its surface. The resin, applied over the canvas, cr...

Painting: Acrylic on Canvas. This work consists of two canvases of Diptych It is a large work of marvelous beauty. The scene is an evocation of nature, the colors generate a dreamy ...

On a canvas born from chaos and intuition, an artist let their emotions explode into a thousand colors. Every splash was a thought, every drop a spark of life: the red of love and an...

On a canvas born from chaos and intuition, an artist let their emotions explode into a thousand colors. Every splash was a thought, every drop a spark of life: the red of love and an...

On a canvas born from chaos and intuition, an artist let their emotions explode into a thousand colors. Every splash was a thought, every drop a spark of life: the red of love and an...

Richard Andres (American, 1927-2013) Untitled, c. 1949 oil on canvas 18 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Richard Andres (American, 1927-2013) Blue Wall, c. 1959 oil on canvas signed and titled verso 42 x 60 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Abstract 2305 - is original, authentic, and personally signed by the artist. Created using acrylic on canvas, a clear, gloss coating protects your cherished fine art investment from ...

Shipping in a rolled tube! "This expressive and vibrant abstraction is enriched with two wonderful white tulips painted in a realistic style. The artist designedly has created an exp...

Experience the beauty and interconnectedness of nature through my original artwork. This abstract textured acrylic painting on canvas measures 60x70x3,5 cm (23,6x27,5x1,4 inches) and...

Blue Pink Abstract Acrylic Painting on Canvas 42H X 68"W The Song of Blue Water SPECIFICATIONS: - Artist-grade canvas. - 1" deep wooden support bars - Gallery Stretching & Wrap Expre...

"All living beings strive towards the light" - so the great German poet Johann Wolfgang Goethe once said. Plants strive for light in order to grow taller and stronger. And the people...

"What inspired the creation of this floral abstraction: The excellent intensive pink and red colours supporting with tender light rose and violet hues. Dimension in inches: 31 x 31 D...

This art - work is part of the project «Difficult Relationships». The paint is made in the author's technique of painting by Vasili Zianko based acrylic painting on canvas using a v...

A vibrant composition of floating spheres that seem to dance in a gravity-free space. Intense colors—reds, greens, yellows, and blues—blend into a nebulous background, creating a sen...

"Monochrome floral painting with high detail. This is an elegant painting with graceful sculptural peonies. This is a unique and one of a kind piece. It is a gorgeous and chic sculp...

Painting: Acrylic and enamel on Canvas. This work consists of two canvases of Diptych It is a large work of marvelous beauty. The scene is an evocation of nature, the colors generat...

Abstract Transformation Circle This painting features an abstract artwork that combines resin techniques with circular relief on its surface. The resin, applied over the canvas, cr...

Abstract Transformation Circle This painting features an abstract artwork that combines resin techniques with circular relief on its surface. The resin, applied over the canvas, cr...

Abstract Transformation Circle This painting features an abstract artwork that combines resin techniques with circular relief on its surface. The resin, applied over the canvas, cr...

Abstract Transformation Circle This painting features an abstract artwork that combines resin techniques with circular relief on its surface. The resin, applied over the canvas, cr...

Acrylic and enamel on Canvas The dance of colors generates a scene of great beauty. The strength of the movement and the shapes created with its colors convey a dream towards realit...

Abstract Oil Painting, Purple, Gold and Red Colour French School, circa 2000 Oil painting on canvas, unframed Framed size: 24 x 36 inches Exceptional abstract oil painting, this wil...

Black White abstract painting by Anastasia Vasilyeva from the Science Art Collection. Mathematical formulas, the Greek alphabet, and symbols on the abstract monochrome background, pa...

This is a colourful abstract expressionist painting. The painting is framed in a black wooden frame, ready to hang. (size framed: 53,5x53.5x3,5 cm) Please feel free to ask any quest...

"AD 178" Abstract Painting 98" x 47" inch by Ahmed Dafrawy Medium: Mixed Media on Canvas Dafrawy’s fine arts academic background started in 2014 when he received the certificate of...

"AD 179" Abstract Painting 47" x 71" inch by Ahmed Dafrawy Medium: Mixed Media on Canvas Dafrawy’s fine arts academic background started in 2014 when he received the certificate of...

Underwater painting a new fast growing direction in contemporary art. Artwork was created underwater during scuba diving at the depth of 8.4 meters, underwater session 91 minutes. By...

Painting: Acrylic and enamel on Canvas. I have used acrylic paints in to make the composition and generate relief and shapes. If you sit down, in front of this painting, your feeling...

Painting: Acrylic and enamel on Canvas. I have used acrylic paints in to make the composition and generate relief and shapes. If you sit down, in front of this painting, your feeling...

"Composition Intérieure" is an exceptional piece by contemporary artist Sophie Dumont, created with oil on a 60 x 60 cm (23.62 x 23.62 in) canvas using a palette knife technique. Thi...

Nicely painted mid century abstract oil painting by Ken Munowitz. Oil on canvas. Framed.

Abstract Transformation Circle This painting features an abstract artwork that combines resin techniques with circular relief on its surface. The resin, applied over the canvas, cr...

Abstract Transformation Circle This painting features an abstract artwork that combines resin techniques with circular relief on its surface. The resin, applied over the canvas, cr...

Abstract Transformation Circle This painting features an abstract artwork that combines resin techniques with circular relief on its surface. The resin, applied over the canvas, cr...

200x200 Abstract Woman of Colors Emotions "The piece bears a signature on both the front and the reverse."

Abstract Transformation Circle This painting features an abstract artwork that combines resin techniques with circular relief on its surface. The resin, applied over the canvas, cr...

The paintings are drawn with mineral pigments and oil on the canvas. Cosmic ecstasy. Abstraction in the style of Kandinsky. The painting is made with natural pigments on water. The d...

Experience the beauty and interconnectedness of nature through my original artwork. This abstract textured acrylic painting on canvas measures 60x70x3,5 cm (23,6x27,5x1,7 inches) and...

Acrylic and Enamel on Canvas The idea is to create a painting that symbolizes a dream of flying to the moon. To do this, I wanted to generate three tables in the form of a tríptico....

This original artwork by Alex Senchenko is an abstract, contemporary acrylic on canvas piece. Perfect for a room that needs a burst of color. Comes with a certificate of authenticity...

This piece, made with enamel and acrylic on canvas, evokes a dance of contained energy. The action painting style is manifested in the spontaneity of the strokes, in the thick textur...

Artist: John Hultberg, American (1922 - 2005) Title: Untitled - Artist's Studio Year: circa 1960 Medium: Acrylic on Board, signed l.r. Size: 24 x 29.5 in. (60.96 x 74.93 cm) Frame: 2...

The paintings are drawn with oil on the canvas. A vivid, unique abstraction. Several interpretations. Three main people, each with a distinct situation in life. The hues orange, red...

Diptych (2 paintings together) - «Meeting in the Night» & «The Night of Love», The diptych is dedicated to the love of people who are forced to...

In "Mémoire d'Atelier", Sophie Dumont encapsulates the spirit of artistic creation, drawing the viewer into the intimate environment of the artist's workspace. Through the use of abs...

"In the Studio" is a compelling exploration of the artist's workspace, where the tools of creation are celebrated as subjects in their own right. Sophie Dumont captures the essence o...

Blue Pink Abstract Acrylic Painting on Canvas 42H X 68"W The Song of Blue Water SPECIFICATIONS: - Artist-grade canvas. - 1" deep wooden support bars - Gallery Stretching & Wrap Expre...

The paintings are drawn with oil on the canvas. A summer's day with pink peonies. A sunny, bright picture. oil painting on a circular canvas. The painting's borders are not the limi...

Painting: Acrylic and enamel on Canvas. I have used acrylic paints in to make the composition and generate relief and shapes. If you sit down, in front of this painting, your feeling...

es una obra vibrante y enérgica que fusiona el color y la forma en una sinfonía visual. Sobre un fondo negro que enmarca con fuerza, se despliega una explosión de colores neón —verde...