American Impressionist Interior Paintings

In the artists studio in Bonny Doon, California, a watercolor painting by listed artist Doris Warner (American, 1925-2010). Signed "Warner" lower right. Image size, 22.75"H x 15"L. U...

Beautiful 1940s pastel still life of apple blossoms in pink monkey vase by Eugenie May Pack Stiffler (American, 1870-1959). Signed lower left corner; title lower right edge. Present...

Charming, warm still life of a vase bursting with flowers on a table with a dish of apples, a carafe of wine, and a small picture frame next to an antique pink chair...

Substantial and period mid-century still life of a bowl of bearded irises with a parrot figurine by noted California artist Nell Walker Warner (American, 1891-1970), c.1940's. A charming parrot statue...

Painted by Nelson H. White, in his studio. A single yellow rose stands as the focal point in a small 6 x 4 inch panel. Poking out of a glass bottle, against a dark background, shades...

This artwork "Harlequin" c. 1965 is an oil painting on hardboard panel by noted American artist Bonnie Whittingham 1921-1997. It is signed at the left bottom corner by the artist. The artwork size is 12 x 16 inches, framed size is 17.85 x 21.5 inches. It is framed in original golden beige and dark brown wooden frame. Painting is in excellent condition, frame is in very good condition. About the artist. Bonnie Whittingham was born in Boston in 1921. After serving in the US Army during World War II, she attended Pennsylvania Academy of Fine Arts under the GI Bill. For many years she lived on West 20th Street in New York City, spending her summers in Provincetown, Massachusetts. Whittingham Studio was a weathered cottage across from the Provincetown Playhouse, nestled on the edge of the beach...

“The Break Up” by Ben Fenske (2009) is a somber and powerful figurative oil painting that gives us a peek inside the artist’s own personal life. Painted ...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

Wonderful earth-toned mid century kitchen still life by Frances Robbins (American, 20th Century). Signed "Frances Robbins" and dated 1958 lower rig...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Myron Barlow American, 1873-1937 Woman with Strawberries Oil on canvas 29 by 29 in. W/frame 35 by 35 in. Unsigned Studied: Art Institution of Chicago; Ecole des Beaux-Arts, Gerome...

Wonderful autumnal still life with pumpkin, apples and violets by an unknown artist (American, 20th Century). Signed illegibly ("Barbara ...") and dated "Spring 1990" lower edge. Pre...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Still life "Wine with Orange" by Claude (Charles Claude) Buck (1890-1974). Signed lower left. Artist's notes and color scheme on verso. Displayed in rustic giltwood frame. Image, 14"...

A brilliant early 20th century impressionist floral still-life by William Clapp (American, 1879-1954). Beautiful and bold, this 1920's pink floral still-life pops against a bright blue background. The artist uses expressive and loose brushstrokes in a fun and energetic palette, bringing a dynamic and lively energy to this one-of-a-kind piece. Signed lower right, "W. Clapp". Oil on old Canada packing crate board and presented in a rustic wood frame. Board size: 20"H x 24"L. Framed size: 24"H x 28"W. This an early work by the artist which is distinctive in his bold Impressionist style before he merged into his signature pointillist style. Born in Montreal, Canada of American parents on Oct. 29, 1879. At age six Clapp moved to California with his family, settling in Oakland where he spent his childhood. In 1900 he returned to Montreal for four years of study with Wm Brymner followed by further study in Paris at Académies Julian, Colarossi, and Grande Chaumière. He then returned to Montreal where he was elected an associate member of the Royal Canadian Art Academy. He lived and worked in Cuba before returning to Oakland in 1917. He then served as director and curator of the Oakland Art Gallery from 1918-49. In this position, and as a member of a group of painters called the Society of Six...

Including the frame, the overall dimensions are 31 x 38 inches Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Voge...

American plein-air painter, Marc Dalessio, depicts a band playing at a local tavern. We can tell they are playing folk music because of their instruments, a fiddle (violin), and a ba...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. Illustrated in "Alexander Farnham: Brought to Light", 2007 ...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

Robert Philipp (American, 1895-1981) Russian Tea Room, 1975 Signed Top Right Dated Reverse 18.5 x 14.5 inches 27 x 23 inches Robert Philipp was born Moses Solomon Philipp on February 2, 1895 in New York City. He showed early talent and grew up in a family atmosphere that fed and cultivated his creativity. At age of 15, he entered the Art Students League for four years and then continued his training at the National Academy of Design. His teachers at the League included George Bridgeman and Frank DuMond, and at the National Academy he studied with Douglas Volk...

Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...