Jack Balas

Sleeve (#146)

2006

Oil, enamel, and ink on canvas Signed in black, l.r. This artwork is offered by ClampArt, located in New York City. Inscriptions read: THE WALL, NOGALES In Nogales, I walk across...

This painting by Jack Balas is offered by CLAMP in New York City. O Canada (#1680) 2018 Signed, titled, and dated, verso Oil and enamel on canvas 60 x 48 inches $13,750

Some Days (#2269) 2022 Signed, titled, and dated, verso Oil and enamel on canvas 46 x 42 inches This painting by Jack Balas is offered by CLAMP in New York City.

This is a painting of a group of men standing around on a beach waiting for instructions. Waiting for Instructions, Plinth (#400) 2008 Signed, l.r. Oil, enamel, and ink on canvas ...

Home at Last (#1025) 2023 Signed, titled, and dated, verso Oil, enamel, and acrylic on canvas 56 x 52 inches This work is offered by CLAMP in New York City.

This work by Anthony Peyton Young is offered by CLAMP in New York City.

This mixed media painting on canvas measures 36x54" framed size 38x56". Titled "Brando and G", it is in Ceravolo's classic urban Pop style. In this mixed media painting on canvas ...

Red No. 2 by artist Loretta Hirsch is a black, red, and brown contemporary figurative oil and enamel on canvas that measures 64 x 40 and is priced at $5,000. Born in Oklahoma and ed...

Excerpt from review by art critic Joe Nolan: 'On the Boat' is the best work in the show, and it’s among the best paintings Aldrich has produced. The portrait depicts a woman sailing...

A feminine figure occupies the majority of the right side of this canvas, and though we can't see her face, we know that she is looking at the wall beside her. The wall is disheveled, seemingly covered with graffiti and a broken mirror hangs loosely at a precarious angle. -- Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints. The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings of young women based on Nancy Drew...

Among my swan, 2018 by Ramonn Vieitez Oil, enamel, acrylic, latex on canvas Size: 39.4 H x 27.6 W in. Signed on the back by the artist Unframed ___ Ramonn Vieitez is a self-taught B...

American, b. 1986 Adam Umbach was born in Chicago, and currently lives and works in Brooklyn, New York. After being inspired from an early age by the modern masters collection at th...